Rhythm Ita'ýra Escultura Ñemoĩ Sarambipy Zhuoyun Xiao omba'apóva

Rhythm Ita'ýra Escultura Ñemoĩ Sarambipy Zhuoyun Xiao omba'apóva ha'e rembiporuarã oñemba'eguaséva 2025 A' Design Award Fiero pegua Arte Porã Jejapo Ñeha'ã Categoría-pe.

FieroArte Porã· 2025

Rhythm Ita'ýra Escultura Ñemoĩ Sarambipy

Zhuoyun Xiao -gua

Mba'eporuhára: Zhuoyun Xiao

A' Design Award Fiero Rembiporuarã Arte Porã Categoría-pe

18,243

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #170274 Peg̃ua

Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Rhythm Ita'ýra Escultura Ñemoĩ Sarambipy Rehegua

Rhythm ha'e peteĩ ita'ýra escultura ñemoĩ sarambipy, ombohapéva jeroky ñemongu'e umi mba'e opytáva opytáva rupi. Pe sarambipy ojejapo 5 ita'ýra guiwa yvyra'ígui, hetymáva 150, 200, 250, 300 ha 350 mm-pe, ha opaite mba'e oñondive ojejesareko 600 x 800 x 300 milímetro-pe. Umi hũ, morotĩ ha pytã sa'y omoĩ umi tenda oñemoambuévape. Pe yvyra oñemboheko ikatupyryhápe, oñemopotĩ pópe ha oñemoĩ hi'ári ñembohyrái ndaha'éiva pochyha. Umi hetymã oĩháicha ha ijoja ojejapóva omoheñói peteĩ jehecha sarambipy. Umi ohechávape ojeguata pe apopy jerekuévo ohapykuehóvo umi ñemongu'e sarambipy.

Jeguerohory

A' Design Award Fiero Rehegua

Rhythm Ita'ýra Escultura Ñemoĩ Sarambipy ohupyty A' Design Award Fiero, peteĩ ñehechakuaa prestigioso oñeme'ẽva diseño iporã-pe ohupytýva requisito profesional ha industrial oñeha'ãrõva creación iporã oñemoĩva-gui. Umi ganador Fiero ohechauka habilidad guasu, especialización yvate, comprensión experta ha capacidad creativa umi creador rehegua. Oñeha'ãrõ Rhythm Ita'ýra Escultura Ñemoĩ Sarambipy ha'eha creación ojehayhúva, admirada ha estimada, práctica ha innovadora. Ko diseño ohupytýva A' Design Award Fiero ombojoaju mejor práctica industria rehegua ha oguereko característica técnica competente ojoajúva conocimiento ha talento ndive. Rhythm Ita'ýra Escultura Ñemoĩ Sarambipy oñerespeta hembiapo cuidadoso rupi ha oñemoĩ ome'ẽ hag̃ua mejora calidad de vida rehegua oipytyvõva yvy ape iporãve hag̃ua.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: "Rhythm" transforms dance movements into five cherry wood sculptures. The series captures clown performance dynamics through exaggerated forms and strategic spatial arrangement. Using black, white, and red color accents, these varying-height sculptures (150-350mm) create visual cadence. The work translates abstract body movements into tangible forms, merging traditional performance art with contemporary visual expression.
Tuichakue ha Ñemyenyhẽ: Set dimensions: 600mm×800mm×300mm (complete installation of five pieces)
Individual heights: 150mm, 200mm, 250mm, 300mm, 350mm
Material: Cherry wood
Color system: CMYK (C:0 M:0 Y:0 K:100, C:0 M:0 Y:0 K:0, C:0 M:100 Y:100 K:0)
Finish: Hand-polished surface with specialized wood treatments
Weight: Approximately 4.5kg for complete set
Installation configuration: Sequential arrangement with specified spacing (120mm between pieces)
Environmental standards: Non-toxic finishes, sustainable harvested wood.
Ñe'ẽ Rape: Grotesque Aesthetics, Dance Visualization, Cherry Wood Installation, Rhythmic Form, Visual Movement, Clown Performance, Deconstructed Motion, Dynamic Sculpture, Spatial Sequence, Color Contrast
Ñeapopy Tecnología: Cherry wood crafted through precision cutting and hand-finishing. Five distinct sculptural elements (150-350mm) form a complete set (600×800×300mm). Used deconstruction methodology to translate clown movements into static forms. CMYK color system (C:0 M:0 Y:0 K:100, C:0 M:0 Y:0 K:0, C:0 M:100 Y:100 K:0) applied through specialized wood treatment. Spatial arrangement creates visual rhythm through varying heights and geometric relationships.
Diseño Jepy'apy: The primary challenge was translating dynamic clown movements into static wooden forms while preserving rhythmic essence. Historical perspectives on grotesque aesthetics required careful integration with contemporary design language. Social perspectives on clown performance interpretation varied widely, necessitating extensive research to identify universal movement patterns. Material limitations of cherry wood demanded precise calculations to achieve proper balance while maintaining visual fluidity across the five-piece sequence. Technical difficulties emerged in achieving gradual height transitions (150-350mm) that conveyed motion. The color scheme implementation required multiple prototypes to determine optimal placement of black and red accents against natural wood to emphasize transitional moments without overwhelming the subtle form language.
Ñesẽheka: The research explores grotesque aesthetics in dance movement visualization. It aims to decode rhythmic patterns in clown performances, translating them into visual language. Using deconstruction and reconstruction methods with digital media analysis of body movement trajectories, five cherry wood pieces of varying heights (150-350mm) were created with a black-white-red color scheme. The work dynamizes static elements through exaggerated forms, strong color contrasts, and dramatic arrangements that reinterpret traditional performance art. This research breaks visual language boundaries, demonstrates innovative fusion of traditional and modern art, and offers new approaches for public space art installations.
Inspiración: Inspired by the rhythmic movements in dance performances, particularly the exaggerated expressions of clowns. Research focused on transforming dynamic movement into static forms while preserving energetic qualities. The project explores the intersection of traditional performance art and contemporary sculpture, using wood as a medium to capture fluidity and tension in physical space.
Proyecto Ára Tuichakue: The project "Rhythm" was created by Zhuoyun Xiao at Nanjing University of the Arts, China, between 2023 and 2024.
Mba'apo Rape: Viewers circle the installation to discover how each piece captures a distinct dance moment. Varying heights create visual rhythm, guiding the eye through the sequence. Black and red accents mark transition points. The arrangement transforms static forms into perceived motion, engaging viewers in completing the dance sequence mentally. Spatial relationships between pieces amplify the dynamic quality of frozen movement.
Ta'ãnga Mba'eñemoneĩ: Images#All: Designer and photographer Zhuoyun Xiao, Rhythm Installation View, 2024.