Regen Ñe'ẽ Momarandu Biodesign Sofia Porto Iannuzzi omba'apóva ha'e rembiporuarã oñemba'eguaséva 2026 A' Design Award Brónse pegua Iporãva Tenonderãme guarã Mba'epyru Jejapo Ñeha'ã Categoría-pe.
BrónseIporãva Tenonderãme guarã Mba'epyru· 2026
Regen Ñe'ẽ Momarandu Biodesign
Sofia Porto Iannuzzi -gua
Mba'eporuhára: Universidad de Monterrey
A' Design Award Brónse Rembiporuarã Iporãva Tenonderãme guarã Mba'epyru Categoría-pe
Premio Rembiporuarã Oñemoneĩva
Emoneĩ Premio Reko #180685 Peg̃uaDiseño
Regen Ñe'ẽ Momarandu Biodesign Rehegua
Regen ombojehecha peteĩ sistema gráfico oñemongu'éva umi apo'i rembe'y oikovéva ojeporúva ñe'ẽ ojehecháva ha materiálicha peteĩme. Emoĩnge rangue umi mba'e ojeikovéivare, ñe'ẽ momarandu osẽ oñemboheko porãva rupive tekove ñemongu'e. Peteĩteĩ mba'e apopyre omba'apo peteĩchagua rupive ñe'ẽ momarandúramo, tekove oikovévaramo, ha mba'e ikatúva oñemboyku yvy ári. Ombojoja rupive ñehesa'ỹijo tekoha rembikuaára ndive, ko tembiapo ojapo jey gráfico apo peteĩ mba'e oñemongu'e jeýva ramo, ohechauka peteĩ modelo ambue ápe ñe'ẽ momarandu okakuaa, oñemoambue, ha oike jey tekoha sistémape omoheñói rangue yty.
Jeguerohory
A' Design Award Brónse Rehegua
Regen Ñe'ẽ Momarandu Biodesign ohupyty A' Design Award Brónse, peteĩ ñehechakuaa heta prestigioso oñeme'ẽva diseño sobresaliente-pe ojekuaáva creatividad, ingenio ha astucia rupi. Umi ganador Brónse ha'e artefacto hábil ha creativo ohechaukáva experiencia, imaginación ha recurso umi diseñador-pe. Oñeha'ãrõ Regen Ñe'ẽ Momarandu Biodesign ha'eha peteĩ objeto ojehayhúva, admirado ha estimado, profesional ha innovador. Ko diseño ohupytýva A' Design Award Brónse ombojoaju mejor práctica arte, ciencia, diseño ha tecnología rehegua ha iporãiterei detalle rehe. Regen Ñe'ẽ Momarandu Biodesign ombohory necesidad, ohupyty ipotapy, ombovy'a sentimiento ha ohenói curiosidad.
Diseño Rapykuéri
Marandu Aty
Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.
- Mba'e Iñambuéva
- Regen uses cultivated root structures as both visual language and material substrate for communication. Instead of printing on inert surfaces, the message emerges through controlled biological growth. The project replaces linear production logic with a regenerative cycle: cultivation, communication, transformation, and natural reintegration. Each artifact operates simultaneously as a graphic piece, living organism, and biodegradable outcome. Regen positions biological growth as a design medium, proposing a scalable approach to regenerative visual communication.
- Tuichakue ha Ñemyenyhẽ
- Artifact dimensions vary according to biological growth. Poster-scale applications range from approximately 300 × 420 mm to 500 × 700 mm. Thickness depends on root density accumulation. All materials are plant-based, compostable, and designed for full biological reintegration.
- Ñe'ẽ Rape
- Regenerative Design, Biodesign, Visual Communication, Living Materials, Circular Systems, Material Innovation
- Ñeapopy Tecnología
- The project utilizes root domestication techniques, biodegradable substrates, controlled humidity environments, and mold-guided growth systems to direct biological formation into legible graphic structures. Analog prototyping, material testing, and circularity assessment were integrated to align organic growth with visual clarity and structural stability.
- Diseño Jepy'apy
- The main challenge was reconciling graphic precision with biological unpredictability. Root growth is inherently variable, requiring a design approach that balances control and emergence. Constraints included growth variability, time dependency, structural fragility, and environmental sensitivity. The solution required designing adaptive systems rather than fixed compositions.
- Ñesẽheka
- Regen investigates root domestication as a reproducible substrate for graphic communication. Through iterative cultivation and material testing, the project evaluates structural integrity, visual legibility, and ecological performance. Circularity was assessed using the Material Circularity Indicator (MCI), demonstrating measurable improvements across prototype iterations and identifying pathways to eliminate remaining linear support materials.
Circularity was assessed using the Material Circularity Indicator (MCI), demonstrating quantifiable improvement across prototype iterations and identifying pathways to eliminate remaining linear support materials. - Inspiración
- Regen transforms biological growth into a functional medium for communication, replacing inert graphic surfaces with living systems. Instead of relying on extractive, synthetic, and disposable substrates, the project proposes a regenerative alternative rooted in living processes. Informed by biodesign research and circular thinking, Regen studies root growth behavior and material life cycles to develop living graphic substrates. The result is a shift from static surfaces toward evolving visual systems that actively participate in ecological regeneration.
- Proyecto Ára Tuichakue
- Developed between January and November 2024 in Monterrey, Mexico, Regen was produced through experimental research and prototyping at Universidad de Monterrey as part of an academic design research initiative focused on regenerative graphic systems.
- Mba'apo Rape
- Regen artifacts are cultivated through guided root domestication rather than mechanically assembled. Growth patterns are influenced through mold-guided pathways and environmental calibration, including humidity, light, and substrate density. Interaction occurs over time, as viewers experience gradual transformation, texture emergence, and organic variability. After fulfilling its communicative function, the artifact decomposes naturally, completing a regenerative material cycle.
- Patente-kuéra
- All visual, material and graphic components of the Regen project are protected under academic and creative authorship. No patents or trademarks have been registered for this project.
- Aty Rembiguái
- Sofia Porto Iannuzzi
- Ta'ãnga Mba'eñemoneĩ
- Main: Photographer Sofia Porto, Living Poster Series, 2025.
Image #1: Photographer Sofia Porto, Root-Based Artifact, 2025.
Image #2: Photographer Sofia Porto, Root Structure Close-Up, 2025.
Image #3: Photographer Sofia Porto, Biodegradable Artifact Detail, 2025.
Image #4: Photographer Sofia Porto, Biodesign Poster Outdoor, 2025.
Image #5Photographer Sofia Porto, Root Textile Surface, 2025.
Patrocinado
Ehechauka Designers.org Rapykuéri
Ejuhu producto, servicio ha oportunidad ore socio publicitario-kuéra rehegua.
Hetave Ejuhúta
Diseño Ojoguáva
Ehechave diseño oganava'ekue peteĩ lája-pe, ojeporavo haguéicha iporãveháicha.