Great Blue Hole Mbo'y ajúra rehegua Jung Ki Min omba'apóva

Great Blue Hole Mbo'y ajúra rehegua Jung Ki Min omba'apóva ha'e rembiporuarã oñemba'eguaséva 2026 A' Design Award Brónse pegua Jeguaka Jejapo Ñeha'ã Categoría-pe.

BrónseJeguaka· 2026

Great Blue Hole Mbo'y ajúra rehegua

Jung Ki Min -gua

A' Design Award Brónse Rembiporuarã Jeguaka Categoría-pe

8,583

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #182523 Peg̃ua

Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Great Blue Hole Mbo'y ajúra rehegua Rehegua

Great Blue Hole ha'e peteĩ mbo'y ajúra rehegua oñemoheñóiva pe yguasu yvykua hérava upéichante avei Belize retãmegua rehe ojesarekóvo. Ko diseño ombohasa peteĩ tekoha guasu ñaturáva peteĩ ta'ãnga apopyre ojemondekuaávape. Umi metal vore oñemboja'óva ojehupi alambre puku joavýva ári ojejapo hag̃ua tuichakue ha pypukukue hechapyrãva. Ojeporu kytĩ, ñemboyku, esmalte ñemoĩ, ita ñemohenda, chasca ha repousse ojejapo hag̃ua umi forma ha ape rehegua texto. Pe mbo'y ipe 130 mm, ipypuku 15 mm ha ijyvate 75 mm, peteĩ perla sã 450 mm-pegua reheve. Tete kũ'i omongu'e pe mba'erendy umi vore ári.

Jeguerohory

A' Design Award Brónse Rehegua

Great Blue Hole Mbo'y ajúra rehegua ohupyty A' Design Award Brónse, peteĩ ñehechakuaa heta prestigioso oñeme'ẽva diseño sobresaliente-pe ojekuaáva creatividad, ingenio ha astucia rupi. Umi ganador Brónse ha'e artefacto hábil ha creativo ohechaukáva experiencia, imaginación ha recurso umi diseñador-pe. Oñeha'ãrõ Great Blue Hole Mbo'y ajúra rehegua ha'eha peteĩ objeto ojehayhúva, admirado ha estimado, profesional ha innovador. Ko diseño ohupytýva A' Design Award Brónse ombojoaju mejor práctica arte, ciencia, diseño ha tecnología rehegua ha iporãiterei detalle rehe. Great Blue Hole Mbo'y ajúra rehegua ombohory necesidad, ohupyty ipotapy, ombovy'a sentimiento ha ohenói curiosidad.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: This piece reinterprets a monumental marine formation as a wearable sculptural structure through layered metal construction and dimensional assembly. Its distinction lies in translating vast geological space into an intimate bodily dimension, where organic irregularity is balanced with controlled craftsmanship to create a tactile landscape experience.
Tuichakue ha Ñemyenyhẽ: Width 130 mm x Depth 15 mm x Height 75 mm
Pearl string length 450 mm
Ñe'ẽ Rape: silver, necklace, jewelry, natural
Ñeapopy Tecnología: This work involved selecting materials corresponding to the site's visual and spatial characteristics and conducting extensive texture studies. Test pieces were produced to experiment with varied surface treatments and forms. To achieve the desired atmosphere within a limited scale, appropriate techniques were carefully selected. In addition to piecing and sawing, casting, enameling, stone setting, chasing, and repousse were employed. Components were elevated using wires of varying lengths to create dimensional volume and layered depth.
Diseño Jepy'apy: The primary challenge was developing a structural system capable of integrating diverse elements into a cohesive form. To achieve the intended atmosphere, careful planning was required for stone placement, setting techniques, and layering. Establishing the correct order of fabrication was critical. Through extensive trial and error, I refined the composition so that each element could coexist harmoniously while retaining its individual presence.
Ñesẽheka: This project represents a research process aimed at translating distinctive natural landscapes and geological formations into the form of jewelry. Through the harmonious arrangement of diverse materials and techniques, I experimented to determine the optimal color relationships, proportions, and structural balance that could effectively convey the site's atmosphere and defining characteristics. The research also explored multiple approaches to articulating organic forms within a controlled metal framework, seeking methods to express natural irregularity with clarity and precision.
Inspiración: Inspired by the Great Blue Hole in Belize, I was drawn to its ultramarine depth and the diverse ecosystems surrounding it. Through visual research and material experimentation, I sought not only to extract its visual characteristics but also to convey the site's atmosphere and sense of mystery. By combining various materials and metalworking techniques, I harmoniously translated a distant, life filled marine environment into an intimate wearable scale.
Proyecto Ára Tuichakue: The project started in August 2018 in New York, USA, and was completed in May 2019.
Mba'apo Rape: Due to its layered colors and condensed elements, the piece offers tactile detail and visual richness to both wearer and viewer. As the body moves, shifting light and depth create subtle variations in perception, inviting closer observation. By bringing a distant landscape into intimate proximity, the work provides a subtle sense of refreshment.
Ta'ãnga Mba'eñemoneĩ: Image #1: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #2: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #3: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #4: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #5: Photographer Jung Ki Min, Great Blue Hole, 2019.