It's a Metaphor Mesa Emanuele Di Bacco omba'apóva

It's a Metaphor Mesa Emanuele Di Bacco omba'apóva ha'e rembiporuarã oñemba'eguaséva 2020 A' Design Award Brónse pegua Mba'epyru Jejapo Ñeha'ã Categoría-pe.

BrónseMba'epyru· 2020

It's a Metaphor Mesa

Emanuele Di Bacco -gua

Mba'eporuhára: Gladstone London

A' Design Award Brónse Rembiporuarã Mba'epyru Categoría-pe

15,294

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #96553 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

It's a Metaphor Mesa Rehegua

Ko proyecto oñembojeroviaiterei ijeheguípe ha omboheta avei conciencia social igualdad de género rehegua. Específicamente, oipuru peteĩ metáfora ou'ãva sumo-gui, peteĩva umi deporte oikovéva varái hetave sociedad japonesa-pe. Kuñakuéra ndaikatúi oñembosarái profesionalmente ko deporte-pe umi regla sexista rupi, omboyke chupekuéra ring de lucha-pe ndive ikokuéva sumo kuña ryguasu rupive. Omoĩvo peteĩ guerrero sumo yvýpe, oservívo peteĩ yvoty ryguarã térã ambue mba'e oñeikotevẽva tapicha-pe, odesacraliza dominancia machista sumo orekóva gueteri, oipurúnte ironía ha ñembojeroviái.

Jeguerohory

A' Design Award Brónse Rehegua

It's a Metaphor Mesa ohupyty A' Design Award Brónse, peteĩ ñehechakuaa heta prestigioso oñeme'ẽva diseño sobresaliente-pe ojekuaáva creatividad, ingenio ha astucia rupi. Umi ganador Brónse ha'e artefacto hábil ha creativo ohechaukáva experiencia, imaginación ha recurso umi diseñador-pe. Oñeha'ãrõ It's a Metaphor Mesa ha'eha peteĩ objeto ojehayhúva, admirado ha estimado, profesional ha innovador. Ko diseño ohupytýva A' Design Award Brónse ombojoaju mejor práctica arte, ciencia, diseño ha tecnología rehegua ha iporãiterei detalle rehe. It's a Metaphor Mesa ombohory necesidad, ohupyty ipotapy, ombovy'a sentimiento ha ohenói curiosidad.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: This is a furniture product able to speak and provoke, challenging with irony and a clumsy smile unethical behaviors of our times.
Tuichakue ha Ñemyenyhẽ: Measures are in mm.

Glass platform ø: 1800 / Glass platform thickness: 10 / Body with: 850 / Body height: 750 / Body depth: 1000
Ñe'ẽ Rape: table, social design, equality of the sexes, Japan, sumo
Ñeapopy Tecnología: 3D-printed assembled object. It can be produced either way with Eco-friendly 3D-printed Poly Lactic Acid filaments or carbon fibers. The structure is divided in multiparts, hand refined and assembled. Successively the whole body is glazed by immersion and finished with a vitreous enamel coating.
A round tempered glass is based on the structure and secured using discreet clear glass high-grip bumpers, specifically designed for the purpose.

The structural analysis take into consideration the chosen materials and the multipart splitting process, where every cut and internal printed reinforcements are made to dump and sustain the weight the structure will go through.
Diseño Jepy'apy: The creative challenge of this project is to combine the practical function of a furniture piece and communication contents as a means of social commitment. Sumo wrestlers are so well regarded and revered in society to be almost considered as macho semi-gods in their country; placing one of them in a conscious submissive position -grateful and happy to help others- wishes to rebalance a more male-dominated thinking to a non-discriminatory one.
Ñesẽheka: The main focus of this project -together with many pieces produced by our design studio- is to raise awareness about social rights and equal opportunity. Specifically, the target of our research was speaking about the equality of the sexes without being moralistic or patronising; in order to do this we chose to use irony and humour, two powerful rhetorical devices to convey a disputed concept without too much bloodshed.
Inspiración: "The piece of wood came alive and it was able to speak". That's pretty much what happened to Carlo Collodi's Pinocchio; likewise, adding communication contents to a product, gives this object an identity and the ability to speak to people.
This project is poking fun at itself while aim to raise social awareness on equality of the sexes. Specifically, it uses a metaphor which springs from sumo, one of the most male dominated sport in the Japanese society. Women are not allowed to compete professionally in this sport given sexist rules, which by tradition border them outside the wrestling ring as a result of their "impurity" by reason of the menstrual blood.
Knocking a sumo warrior to the ground at the service of a flower pot -or any other need people may require from a table- ironically desecrates this macho dominance still present in some traditions.
Proyecto Ára Tuichakue: The project has started in December 2019 in London and finished, as it is shown, in February 2020. Currently, the table has a unique prototype and will be ready to be produced and launched serially in May 2020.
Mba'apo Rape: A table which can hosts up to 10 seaters. Ideal to be placed wherever an open minded spirit is at home.
Patente-kuéra: Copyrights belong to Emanuele Di Bacco
Aty Rembiguái: Emanuele Di Bacco