Zane Santos Gidan daga Fernando Abelleyro mai nasara ne mai daraja sosai na 2020 Kyautar A' Design Award ta Azurfa a Rukunin Gasar Gine-gine.

AzurfaGine-gine· 2020

Santos Gidan

daga Fernando Abelleyro

Abokin Ciniki: Fernando Abelleyro, architect

Mai Nasarar Kyautar A' Design Award ta Azurfa a Rukunin Gine-gine

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Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #104440

Ziyarci Shafin Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Santos Gidan

Yin amfani da itace azaman babban mahimmin gini, gidan ya tsallake matakansa biyu a sashi, yana samar da rufin da ya cika fuska don haɗawa da mahallin kuma ya ba da izinin haske na halitta ya shiga. Tsaunin sararin sama mai ninka biyu yana bayyana dangantakar dake tsakanin kasan farfajiyar, bene na sama da shimfidar wuri. Wani rufin ƙarfe a kan fitilar taurari, yana kare shi daga abin da ya faru a rana ta yamma da kuma sake gina ƙara, yana daidaita hangen nesa na yanayin ƙasa. An tsara shirin ne ta hanyar nemo amfanin jama'a a ƙasa da kuma amfani mai zaman kansa a saman bene.

Amincewa

Game da Kyautar A' Design Award ta Azurfa

Zanen Santos Gidan ya lashe Kyautar A' Design Award ta Azurfa, wata karramawa mai tsananin daraja da ake bai wa zane-zane na matakin koli, masu kyau sosai kuma masu burgewa. Waɗanda suka lashe kyautar Azurfa ayyuka ne masu haske sosai da ƙirƙira mai yawa waɗanda ke nuna ƙwarewa, baiwa da kaifin tunanin masu zanensu. Ana sa ran zanen Santos Gidan ya zama aiki mai ban mamaki, abin koyi, mai ƙwarewa sosai kuma mai ƙirƙire-ƙirƙire mai zurfi. Wannan zane da ya lashe Kyautar A' Design Award ta Azurfa ƙirƙira ce mai abin lura sosai, da ake sha'awa, wacce ke amfanar da kuma kai iyakokin fasaha, kimiyya, zane da fasahar zamani gaba. Zanen Santos Gidan ƙirƙira ce da ake yi wa hassada sosai wacce ke tada sha'awa, tana kawo jin daɗi kuma tana haifar da mamaki da al'ajabi.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: The project seeks to establish a relationship between the house and the context,to enable maximum natural light. Moving the floors in section, creating a double-height space with a glazed ceiling, which allows the interior of the house on its two floors to be visually and spatially integrated with the surroundings, favoring the entry of light. In turn, a metal roof with a wooden structure that flies over skylight, protects it from the incidence of the west sun.
Girma da Fakitin: Specifications Unifamiliar house Year of the Architectural project: 2001 Construction:2001/2002 Type of construction: Dry Construction System - Non traditional Main material : Wood Surface: 110 m2 Location: Ing. Maschwitz - Escobar - Province of Buenos Aires
Kalmomin Alama: wood house, dimensional coordination, exterior interior spatial fluidity, light, context, spatiality
Fasahar Samarwa: Specific wood sheet Structure: Columns composed of ropes and eucalyptus straps free of knots and kiln dry - interior varnish with cedar tint - exterior lasur treatment and polyurethane lacquer with cedar tint. Exterior :Siding of knot-free eucalyptus and oven dry - lasur treatment and polyurethane lacquer Interior : Floor 18 mm eucalyptus phenolic multi-laminate plates - hydro-lacquer with cedar tint. Outdoor deck not-free and kiln-dried eucalyptus boards - lasur treatment and cedar-stained polyurethane lacquer.
Ƙalubalen Zane: Materialization of this house crossed by various negative aspects that I had to face at the time of its concretion: first, the current legislation that required obtaining a technical aptitude certificate, which translates into the preparation of a manual of the procedures and construction and assembly details that I had to develop in record time. On the other hand, construction times and costs were altered and affected by a strong economic crisis that affected my country in late 2001; finally, a complex stumbling block, subject to the difficulty of obtaining qualified manpower to erect the house, considering technology , project and scarce implementation of this construction system in the region where the project is implanted, which forced us to train highly amount of staff to carry out the house before and during the construction process. All obstacles were successfully drawn.
Bincike: Type of research: -Wooden architecture, project and purpose development. Originality. Research objectives: -Achieve an innovative project from its wooden construction. -To deepen the development and scope of wood technology in the field of our architecture. -Generate a rational construction system that meets technical conditions for its normalization. -Manage light and visuals, and the relationship between architecture and environment. Methodology, data collection and research tools used, participants or experiments: -Research and project development. -Rationalization, cutting and purposeful scheme based on the availability and commercialization of wood, sections, dimensions and squares. -Experimenting with the development of construction parts assembled in the workshop and assembled on site. Results, perceptions and impacts: The Santos house was a trigger for later wooden projects. From its dissemination, we design and build new works with this technology, protected by our growth and professional expertise. One of the most outstanding aspects was the projection of the house as an Architectural fact. A Work that consolidated our studio and allowed us to continue developing new works with this technology. It obtained prizes, evaluations and publications, and was used as a referential study and analysis project in the UBA's Faculty of Architecture. Without hesitation, the potential and projection of Casa Santos was pleasantly unexpected for us.
Wahayi: The need to promote a typological construction that enhances versatility and constructive possibility that wood offers; in our country it was never widely accepted as a reliable and noble construction material. It was necessary to generate a project wich expresses the potential of this wonderful material.The inspiration was given by the context itself, given the search to articulate a fluid relationship between the interior and the exterior.
Tsawon Lokacin Aikin: The project started in december 2001 and finished on 2002. it is located in Escobar, Province of Buenos Aires.
Tsarin Aiki: The essential search to generate a fluid and harmonious relationship with the natural environment. Occupy the space rising from it, generating an object materialized with a natural and simple reading material.
Mambobin Ƙungiya: F. Abelleyro
Collaborator P.Coles
Godiyar Hotuna: all the images are property of Fernando Abelleyro