Jolab Aikin Farko: Masana'antar Kayan Shafe-shafe daga Chih-Kang Chu and Yao-Chou Yu

Zane Jolab Aikin Farko: Masana'antar Kayan Shafe-shafe daga Chih-Kang Chu and Yao-Chou Yu mai nasara ne mai daraja sosai na 2021 Kyautar A' Design Award ta Azurfa a Rukunin Gasar Gine-gine.

AzurfaGine-gine· 2021

Jolab Aikin Farko: Masana'antar Kayan Shafe-shafe

daga Chih-Kang Chu and Yao-Chou Yu

Abokin Ciniki: CHU CHIH-KANG SPACE DESIGN Co., LTD + Chang Ho Interior Design Co., LTD

Mai Nasarar Kyautar A' Design Award ta Azurfa a Rukunin Gine-gine

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Ziyarci Shafin Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Jolab Aikin Farko: Masana'antar Kayan Shafe-shafe

Jolab masana'antar kula da fata ce da aka ƙera kamar ɗakin nuni na fasaha a Kaohsiung. Kowane bene yana da tsayin mita takwas, don haka ana gabatar da sassan samarwa, cibiyar bincike da haɓakawa da kuma wurin baje kolin ga baƙi kamar ayyukan fasaha. Wani lambu mai rataye mai hawa biyu yana zaune sama da ɗakin tsafta, kuma baƙi suna tafiya ta hanyoyin sararin sama suna kallon ƙasa ta gilashi mai hawa biyu, wanda ke rufe zafi tare da hana hazo. An yi nazarin hanyar rana don kiyaye tagogi cikin inuwa. An gina bango marar taƙaici da styrofoam mai jure zafi.

Amincewa

Game da Kyautar A' Design Award ta Azurfa

Zanen Jolab Aikin Farko: Masana'antar Kayan Shafe-shafe ya lashe Kyautar A' Design Award ta Azurfa, wata karramawa mai tsananin daraja da ake bai wa zane-zane na matakin koli, masu kyau sosai kuma masu burgewa. Waɗanda suka lashe kyautar Azurfa ayyuka ne masu haske sosai da ƙirƙira mai yawa waɗanda ke nuna ƙwarewa, baiwa da kaifin tunanin masu zanensu. Ana sa ran zanen Jolab Aikin Farko: Masana'antar Kayan Shafe-shafe ya zama aiki mai ban mamaki, abin koyi, mai ƙwarewa sosai kuma mai ƙirƙire-ƙirƙire mai zurfi. Wannan zane da ya lashe Kyautar A' Design Award ta Azurfa ƙirƙira ce mai abin lura sosai, da ake sha'awa, wacce ke amfanar da kuma kai iyakokin fasaha, kimiyya, zane da fasahar zamani gaba. Zanen Jolab Aikin Farko: Masana'antar Kayan Shafe-shafe ƙirƙira ce da ake yi wa hassada sosai wacce ke tada sha'awa, tana kawo jin daɗi kuma tana haifar da mamaki da al'ajabi.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: The building was designed as an art gallery.
The goal from the skincare factory is everyone in this room would feel that they are part of the art center and they are the ones who create the art products, not just products on the production line.
In a space with a height of 8 meters on each floor, the production process, R&D Center and achievement display area of the beauty brand – JOLA is presenting in front of the visitors like an artwork.
Girma da Fakitin: Site Area: 1495 m2
Area of Interiors: 3930 m2 (total)
Floor Area:
1F: 1495㎡
2F: 337㎡
3F: 836㎡
4F: 360㎡
RF+ operation room : 901.5㎡
Kalmomin Alama: factory, gallery, jolab, beauty, green
Fasahar Samarwa: The weather in Kaohsiung is very hot. During the design process, the path of the sun was culculated to keep the window out of the sun as much as possible. As long as the sun is not in direct sunlight, the temperature is not high. Styrofoam, a heat-resistant material was used for the wall surface, which can also make the wall surface completely seamless.
There is glass between the top garden and the cleanroom on the lower level, visitors could enter the hanging garden, walk through the aerial walkways, and overlook the production work in the cleanroom.
The double-layer glass used here could insulate the heat; it also can prevent fog while the temperature difference is too large.
Ƙalubalen Zane: The most difficult thing is to re-define a beauty factory.
A skincare factory is a field for creating products that make people more beautiful and confident. It should not be a closed, rigid production line. This field should make everyone who comes here feel elegant and confident.
Another challenge is that in the absence of space, except the functions of the factory and R&D center, the visit route is required.
Bincike: The relationship between workers and visitors.
The condition of this building is that the floors are excessively high, but the floor area is relatively limited, it is necessary to save as much space as possible for visiting route.
On the lower floor, the entire research office can be seen from the meeting room. Visitors (buyers) stand high in the meeting room, feel a sense of authority; the workers will also feel that they have a mission. There is no obstruction to the sight in between, they could have dialog.
On the higher floors, visitors can see the working conditions of the cleanroom from the aisle of the suspended garden. Since they will not see each other, the workers will not be disturbed, they could focus on work more, and visitors can see the work situation more deeply and truly.
Wahayi: Beauty is art. As a cosmetics label, JOLA wants to ensure that all their employees feel that they are in a space of art and that they are producing art rather than simple commodities on the production line. When visitors enter the space, they also enter an art center that houses a double-tier garden and a unique art performance.
Tsawon Lokacin Aikin: The design process started in June 2015 in Kaohsiung and finished in January 2017. The construction started in June 2016 and finished in May 2020.
Tsarin Aiki: As an international skincare brand, JOLA hopes to show the brand spirit through Jolab: Honesty and High Quality, all processes are transparent. At the same time, Jolab is built with the concept of art gallery, hoping to make people working in Jolab feel honored. They are product creators who help people become beautiful and confident, not just normal workers. All employees put on uniforms and work in such a beautiful environment, which enhances the sense of honor and allows visitors to see JOLA's entrepreneurial spirit and ambition.
Mambobin Ƙungiya: Design Director: Chih-Kang Chu
Designer: Yu, Yao-Chou / Tsai, Men-Hung
Architecture Consultant: Yu, Yao-Chou
Godiyar Hotuna: Photographer Kuo-Min Lee, Variations, 2020