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Muse Nunin Ra'ayi by Michelle Poon
Muse Nunin Ra'ayi by Michelle Poon
Muse Nunin Ra'ayi by Michelle Poon
Muse Nunin Ra'ayi by Michelle Poon
Muse Nunin Ra'ayi by Michelle Poon

Zinariya Zane-zane · 2021

Muse Nunin Ra'ayi

by Michelle Poon

  • Kyautar A' Design Award ta Zinariya 2021 in Zane-zane
  • CLIENT: Michelle Kason
  • Estimated Number of Design Views: 61,168
  • Verification code 9AF1A31CF8 · Verify this award
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About Muse Nunin Ra'ayi

Muse wani aikin ƙira ne na gwaji yana nazarin fahimtar kiɗan ɗan adam ta hanyar abubuwan shigarwa guda uku waɗanda ke ba da hanyoyi daban-daban don sanin kiɗan. Na farko yana da ban sha'awa zalla ta amfani da kayan zafin jiki, na biyu kuma yana nuna tsinkayar fahimtar sararin kiɗan. Na ƙarshe shine fassarar tsakanin bayanin kiɗa da siffofin gani. Ana ƙarfafa mutane su yi hulɗa tare da shigarwar kuma su bincika kiɗan a gani tare da fahimtar kansu. Babban sakon shi ne cewa masu zanen kaya su san yadda tsinkaye ke shafar su a aikace.

About the Kyautar A' Design Award ta Zinariya

Zanen Muse Nunin Ra'ayi ya lashe Kyautar A' Design Award ta Zinariya, wata karramawa mai matuƙar daraja da ake bai wa zane-zane na matakin farko, masu ban mamaki kuma na musamman. Waɗanda suka lashe kyautar Zinariya ƙirƙire-ƙirƙire ne masu sababbin abubuwa sosai, masu hangen nesa kuma masu haske mai ban sha'awa waɗanda ke nuna hazaƙa, hikima da ƙwarewar masu zanensu. Ana sa ran zanen Muse Nunin Ra'ayi ya zama ƙirƙira mai yabo sosai, mai kafa yanayi kuma babba wacce ke kawo ƙima da ba a taɓa ganin irinta ba. Wannan zane da ya lashe Kyautar A' Design Award ta Zinariya aiki ne mai ban mamaki, mai daraja wanda ke amfanar fasaha, kimiyya, zane da fasahar zamani sosai kuma yana kai iyakokinsu gaba. Zanen Muse Nunin Ra'ayi yana haifar da tsananin sha'awa, yana tada soyayya ga aiki, yana ƙarfafa ƙirƙira kuma yana burge mu.

Press Kit

Unique Properties
Muse is an experimental design project studying the musical perception of the human through three installation experiences, two sensational and one logical. People are encouraged to interact with the installations and explore the music visually with their own perception. We try to understand how people understand music here.
Dimensions & Packaging
The exhibition is proposed to be in Hong Kong Museum of Art Gallery 4. It includes three installations which is 2m x 2m x 3m each for two of the cylinder exhibits (the Senses and Shades) and three tables for the third interactive exhibit (the Table).

There are also a set of printed materials, such as poster, brochures, printed and digital tickets, which align back to the exhibition brand.
Tags
exhibition, music, perception, visual communication, graphic design, experiement, conceptual
Production Technology
Thermo-active fabric for the Senses.
Acrylic Tiles for the Table.
Antalis Skin Paper for printed matierals.
Design Challenge
Research part:

With the current situation of coronavirus, I could not provide an extensive performance that surrounds the participants. This makes sensing spatiality less specific than in under a real performance as participants could only rely on their imaginations while listening to their headphones.

Creative part:

I stuggled to code or turn raw data into infographics or coded graphics. The topic of 'musical Perception' digs very deep into human psychology and it is somehow hard for anybody to understand the final deliverables. I developed a many possibilities before coming up wth using simple and minimalistic approach to code the raw dats collected.
Research
Readings:

Perception is ineffable. Any written language on the earth failed us in fully communicating perceptions. Perception could be sensed and understood, but not necessarily be spoken. This situation is even more significant when it comes to music as music is often known to be ‘expressive’, ‘intangible’ and ‘free flow’. Music is something that could not be 100% translated to verbal communication. Music is so vague that perception plays a really big role on how we feel and are moved about it.

Musical Experiment:

A group of audience were asked to finish a set of doodles while surrounded by a group of choral performers. From the results, it is understood that human focus on differences and similarities, ups and downs, stable sounds and changes, as well as flat tones and big contrasts. Human always try to find repetitive patterns in a song, which is a reference of what we have always been exposed to.
Inspiration
The name ‘Muse’ is taken from the inspiration of Greek mythology. The Greek goddesses of art & music are the Muses. They are known as one entity, though there are actually 9 of them and each is unique in their own way. Its resonances with the concept of perception as perception could be understood universally to some extent, though still unique among each of us.
Project Duration
The project started dwith the research stage from September 2019 to January 2020, and the execution stage from January 2020 to June 2020.
Operation Flow
We perceive an object through sensations from our body and also our logical mindset which make sense of the sensations. Yet the channels for perceiving music is not limited to our ears only, but our eyes which see the performance, our hands and our bodies which feel the bass beat and frequencies. These information collected from the senses are sent to our brain to construct meaning and perception paved in to help making sense of the information collected.
Patents
Copyrights belong to Michelle Kasom, 2020
Image Credits
Michelle Kason

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