Past at Last Salon Kaya Mai Dorewa daga Tihana Miksa

Zane Past at Last Salon Kaya Mai Dorewa daga Tihana Miksa mai nasara ne mai daraja sosai na 2021 Kyautar A' Design Award ta Azurfa a Rukunin Gasar Tufafi.

AzurfaTufafi· 2021

Past at Last Salon Kaya Mai Dorewa

daga Tihana Miksa

Abokin Ciniki: Tihana Mikša

Mai Nasarar Kyautar A' Design Award ta Azurfa a Rukunin Tufafi

36,948

Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #113802

Ziyarci Shafin Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Past at Last Salon Kaya Mai Dorewa

Abin da aka mai da hankali a cikin tsarin kayan sawa shine yawan nau'ikan laushi masu ban sha'awa da launin da ba ya daidaita. Saboda haka, kayan sawan kansu suna da daidaituwa, masu sauƙi kuma siffofin da suka rufe ba tare da wani matsanancin gyara ga tsarinsu ba. Waɗannan abubuwa suna nazarin abubuwan da ido ke gani, taɓawa, kayan aiki, motsi mai rai da tsarin gine-ginen yadudduka. Launukan ba su da ƙarfi sosai kuma ba su da cikakken launi, sai dai ja wanda yake bubbugawa a cikin wannan faffadan yanayi.

Amincewa

Game da Kyautar A' Design Award ta Azurfa

Zanen Past at Last Salon Kaya Mai Dorewa ya lashe Kyautar A' Design Award ta Azurfa, wata karramawa mai tsananin daraja da ake bai wa zane-zane na matakin koli, masu kyau sosai kuma masu burgewa. Waɗanda suka lashe kyautar Azurfa ayyuka ne masu haske sosai da ƙirƙira mai yawa waɗanda ke nuna ƙwarewa, baiwa da kaifin tunanin masu zanensu. Ana sa ran zanen Past at Last Salon Kaya Mai Dorewa ya zama aiki mai ban mamaki, abin koyi, mai ƙwarewa sosai kuma mai ƙirƙire-ƙirƙire mai zurfi. Wannan zane da ya lashe Kyautar A' Design Award ta Azurfa ƙirƙira ce mai abin lura sosai, da ake sha'awa, wacce ke amfanar da kuma kai iyakokin fasaha, kimiyya, zane da fasahar zamani gaba. Zanen Past at Last Salon Kaya Mai Dorewa ƙirƙira ce da ake yi wa hassada sosai wacce ke tada sha'awa, tana kawo jin daɗi kuma tana haifar da mamaki da al'ajabi.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: The emphasis in the clothing compositions is on rich, playful textures and uneven coloration. As a consequence, the garments themselves are symmetrical, simple and closed forms without any demanding interventions to the structure. These objects examine the visual aspect, tactility, materiality, living motion and the architectonics of textiles.
The colours are low in intensity and achromatic, except reds that pulsate within this pale spectrum.
Kalmomin Alama: basketry,wool,mould,seamless,textile,handpainted,handmade, handpleating, sashiko, nuno felting,aperture, finishes
Fasahar Samarwa: The textile is structured through various pleating techniques, improper and proper stitching, hand tinting to achieve noble tones, treatment with acids, wax, burning, patching, sandpapering, drilling, basket-making and finishes.
Ƙalubalen Zane: Perhaps this no longer matters, but we still care about values, about something that goes beyond our mere existence in the here and now, even when it comes to dressing. What we use to shroud our body, how we seem and appear in front of others, and what we communicate and convey in this manner, this will continue to matter about as long as we share this world with others.
Tihana Mikša Perković is aware of this, and in her quest for clothing worthy of man she intervenes in history as well as in modernity, in the continuity of life finding the only real source of inspiration. Her inspiration are folk costumes from Croatian regions which she interprets in a contemporary key, by applying contemporary textile processing techniques.
Wahayi: The man of tradition is closely linked to the rural way of life, as can be seen from the regional diversity that result from geographical location and the set of natural givens.
It was my intention to follow in the footsteps of our ancestors and to commit myself in a contemplative and repetitive, as well as time-consuming manner to the overall creation of each costume. In actual fact, my intention was to slow down, to be part of the process, and not just a consumer of finished impersonal and alienated clothing.
Tsawon Lokacin Aikin: 10.03.-26.03.2016., Zagreb, Ulupuh Gallery
Godiyar Hotuna: Photo Vanja Šolin
Hairdress and make up Dalibor Šakić
Model Hana F.M.