Device of Perception Cibiyar Al'adu by Yuting Zhang

Device of Perception Cibiyar Al'adu by Yuting Zhang is a highly esteemed winner of the very prestigious 2022 Kyautar A' Design Award ta Tagulla in Gine-gine Competition Category.

TagullaGine-gine· 2022

Device of Perception Cibiyar Al'adu

by Yuting Zhang

Client: Yuting Zhang

Kyautar A' Design Award ta Tagulla Winner in Gine-gine Category

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The Design

About Device of Perception Cibiyar Al'adu

Na'urar Fahimta cibiya ce ta al'adu da take a birnin Mexico City, wadda take tsakanin wani yanki na tarihi mai gine-gine marasa tsawo da wani babban ci gaban kasuwanci mai gine-gine masu tsawo. Cibiyar ta mamaye fadin murabba'in mita kimanin 4500 kuma tana da wani zauren lacca, wani karamin gidan wasan kwaikwayo, wurin baje kolin ayyuka, ofisoshi, wurin ajiya da wata kafe. Wani filin shiga da aka nutsar cikin kasa ya raba ginin daga babbar hanyar da take cike da zirga-zirga, kuma yana aiki a matsayin ci gaban dandalin cikin gida. Kowane bene na hasumiyar da take gajarta an juya shi kwata-kwata, wanda ke samar da wani zagayen dandalin baje kolin jama'a mai ba da hangen nesa na birnin ta cikin firam-firam. An yi amfani da karfen da aka karfafa da siminti (reinforced concrete) da kuma karfen da ke jurewa yanayi (weathering steel) wajen gina ta.

The Recognition

About the Kyautar A' Design Award ta Tagulla

Zanen Device of Perception Cibiyar Al'adu ya lashe Kyautar A' Design Award ta Tagulla, wata karramawa mai tsananin daraja da ake bai wa zane-zane na musamman waɗanda ke da ƙirƙira, basira da hikima. Waɗanda suka lashe kyautar Tagulla kayayyakin fasaha ne masu ƙwarewa da ƙirƙira mai ban mamaki waɗanda ke tabbatar da babban gogewa, tunani da dabarun masu zanensu. Ana sa ran zanen Device of Perception Cibiyar Al'adu ya zama abu da ake girmamawa sosai, ake sha'awa da ƙauna, mai ƙwarewa da ƙirƙire-ƙirƙire. Wannan zane da ya lashe Kyautar A' Design Award ta Tagulla yana haɗa mafi kyawun ayyuka a fasaha, kimiyya, zane da fasahar zamani, kuma yana da kyau saboda kulawarsa ga cikakkun bayanai. Zanen Device of Perception Cibiyar Al'adu yana biyan buƙatu da kyau, yana taɓa sha'awa, yana jan hankalin zukata kuma yana jawo sha'awar sani.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: The site is in between the low rise colonial historic quarter and the high rise commercial development, as an intersection node full of complexity in Mexico City. The cultural center is not only an exhibition space for Mexico City but could also be regarded as the device of perception. The perception is twofold in this project. One is that exterior plaza as the extension of the interior stage, the other is that a spiral path with various scenery frames as the narrative to understand the city.
Dimensions & Packaging: Approximate total area 4500 square meters, with main conference/lecture hall, small theater hall, exhibition space, offices, storage, cafe.
Tags: cultural center, gallery, theater, exhibition
Production Technology: The cultural center is constructed using reinforced concrete. Informed by “stereotomic” architecture, the board-marked concrete walls of the center are treated as a found object. Corten is another material been introduced to the project. The use of the weathering steel creates an immediate visual link between past, present, and future.
Design Challenge: The selected site is adjacent to Zarco Plaza, public plaza alongside the Church of San Judeas Tadeo, near the convent of San Hipolito, located on Reforma Avenue at Avenida Hidalgo, which is an intersection node full of complexity in Mexico City. The design challenges are how to use space to fully interprete the surrounding urban context and the rich cultural and history narratices.
Research: Explore how experimental miniature stage was used as a space in which objects, 2-‐dimensional drawings and 3-‐dimensional constructions of different scales could coexist in a seemingly unproblematic way, to see how the same spatial base was used to accommodate different scenarios and situations, just by moving props around, adding surfaces and changing backdrops.
Inspiration: Aldo Rossi's Project the Small Scientific Theatre from 1978 is taken as a starting point to reflect upon the relation between architecture and image, and between object/ prop and space/ stage. The theatrino models made for the project then have borrowed this primary idea from Aldo Rossi to explore how does the Zarco Plaza could be regarded as the extension of the stage of the auditorium. The definition of performers has been extended in the exploration.
Project Duration: 2017 in Mexico City
Operation Flow: The sunken entrance plaza of the cultural center creates a tranquil start of the narrative, separating the cultural center from the heavy traffic La Reforma Avenue. The lower ground floor surrounding the sunken plaza houses the art storage facilities and a cafe, maximizing publicly accessible space continues from the plaza into the lobby of the building.
Each floor of the short tower is twisted a quarter turn, which creates a large spiral public gallery as the extension of the interior exhibition space. The story of the city has been told through the switch-over between the interior gallery and different compositions of historical layers from the breaking points/openings in the cube of the spiral path. Two auditoriums have been embedded in this spiral discourse, with lectures, talks, debates, conferences, and film screenings conducted in front of the urban backdrop.
Team Members: Yuting Zhang
Image Credits: Yuting Zhang