Zane The Box Gida daga Hsiang-Peng Chang mai nasara ne mai daraja sosai na 2023 Kyautar A' Design Award ta Baƙin Ƙarfe a Rukunin Gasar Gine-gine.

Baƙin ƘarfeGine-gine· 2023

The Box Gida

daga Hsiang-Peng Chang

Abokin Ciniki: Satoyama Construction

Mai Nasarar Kyautar A' Design Award ta Baƙin Ƙarfe a Rukunin Gine-gine

14,062

Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #151204

Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da The Box Gida

Akwatin gida ne mai bene hudu wanda aka gina a wani karamin fili a yankin karkara. Facade mai fari ya kunshi murabba'ai masu tsayayye da wadanda aka shigar da su cikin gida, wadanda suke samar da siffa mai sauki na geometric. An yi amfani da fenti na ma'adinai a matsayin kayan kammala facade, saboda yana da dorewa, sauki wajen tsaftacewa, kuma yana nuna hasken zafi. Kicin da wurin cin abinci suna fuskantar wani fili mai tsayin bene biyu, don haka sautin dafa abinci da kamshinsa suna kaiwa zuwa bene na sama kuma suna hada iyalin tare. Bangon yamma mai hade da kayayyaki daban-daban da wani rami na iska na tsaye suna rage zafin rana kuma suna motsa iska cikin gidan. Falon bene da aka shirya ta hanyar sabani suna kafa hangen nesa na shimfidar wuri.

Amincewa

Game da Kyautar A' Design Award ta Baƙin Ƙarfe

Zanen The Box Gida ya lashe Kyautar A' Design Award ta Baƙin Ƙarfe, wata karramawa mai daraja da ake bai wa kyawawan zane-zane waɗanda ke cika buƙatun ƙwararru da masana'antu da ake tsammani daga ƙirƙire-ƙirƙire da aka tsara da kyau. Waɗanda suka lashe kyautar Baƙin Ƙarfe suna nuna babban ƙwarewa, ƙwarewa ta musamman, fahimtar ƙwararru da ikon ƙirƙira na masu ƙirƙirar su. Ana sa ran zanen The Box Gida ya zama ƙirƙira da ake girmamawa sosai, ake sha'awa da ƙauna wacce ke da amfani kuma mai sababbin abubuwa. Wannan zane da ya lashe Kyautar A' Design Award ta Baƙin Ƙarfe yana haɗa mafi kyawun ayyukan fannin kuma yana da halayen fasaha masu cancanta da ke da alaƙa da sanin yadda da baiwa. Ana girmama zanen The Box Gida saboda cikakkiyar kulawarsa kuma an tsara shi don ba da ingantuwar rayuwa da ke taimakawa wajen mai da duniya wuri mafi kyau.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: The open-wide greenery of the outer spaces seems to detach these pure white houses from the bustling metropolis. The architectural appearance constituted by an abstract geometric quadrilateral form blends into the background of the settlement. THE BOX is designed with inset and outset arrangement of physical and virtual squares, creating a microclimate in respect of physical space and vivid living imaginations. Simple actions surprisingly constitute the key characteristics of this design.
Girma da Fakitin: Construction area: 206.8m²
Number of layers: four layers
Kalmomin Alama: Nature, living, architecture, space, residence
Fasahar Samarwa: Given the fact that THE BOX is geographically located in an earthquake-prone area, we use German KEIM 99% pure white mineral paint as the facade decoration material, which can prevent tiles and stone from shedding as a disaster hit. This material is also durable, easily cleaned and reflective to heat radiation.
Ƙalubalen Zane: Due to the small size of each house, we tried out all possible solutions for space development with a view to finding a more interesting mix and sequence of spaces and conferring space meaning to this small house. The real and virtual rhythm is perceived dream-like and stylish. The geographical location causes the exposure to west sunlight and physical air changing even more prominent. As a countermeasure against the exposure to west sunlight, the west wall is made from the composite wall which is defined as an extra walling on the original walling (visually seen as white solid squares), the middle air layer can reduce the intensity of west sunlight and creates airflows; a ventilating raise disposed above the balcony can avoid the sunlight from being barred by the composite wall. In connection with physical ventilating, capitalizing on the ventilation and cooling technique that was anciently used in windcatcher, the temperature difference between the roof and the ground floor, coupled with the opening design, create the so-called “indoor chimney effect”, allowing vertical traffic air to flow from floor to floor. That’s how physical ventilation happens in interior space.
Bincike: Considering the limited area available, we attempt to create a varied mix of spaces, and this is the story how The BOX originates. The physical and virtual white blocks on the facade open up the potentials of the interior space. The special composite wall structure diminishes the impact of the exposure to west sunlight on indoor space. The ventilating raise resembling chimney (windcatcher) allows for the physical air changing of the interior space. As a part of The BOX, staggered floor slabs redefine the floors in a way that not only partitions the zones, but also frames out the outdoor scenery. The ventilating raise on the top floor holds privacy uncompromised and blurs the bounds between the outdoor scenery and the bathroom space attached to the master bedroom, so that living interactions are infused as a part of the natural environment and the interior space.
Wahayi: THE BOX is surrounded by unspoiled countryside and endowed natural environment. Leveraging the architecture and space art, this design is intended to deliver a sense of city detachment from the peripheral countryside, and properly blend the living interactions of occupants into the interior space and natural environment. Looking for the connection between the living space and the natural environment.
Tsawon Lokacin Aikin: The project design was started from October 2020 and ended in May 2021
The project construction was started from June 2021 and ended in October 2022
Tsarin Aiki: This design attempts to treat eating with family as a critical part of maintaining the family bond. To make this happen, the dining and kitchen spaces are planned in the atrium space between the first floor and the second floor, a vertical space is thus formed with a view to spreading the inviting smell of meals and the cooking fun. Smell and hearing make floors no longer estranged, but an occasion to connect and talk with the family from time to time, which in turn shapes a vital life memory shared by family members. Going upstairs, you will see staggered floor slabs and the stairways leading to and from different floors leveraging the floor-to-floor angle to frame out the outdoor scenes, as if the outdoor natural scenery were a masterpiece on the white walls of the house. The absence of peripheral high-rise building frees up the limited way of window opening on the wall side. The ventilating raise is designed to the extent that the bathroom space attached to the master bedroom looks like a work by James Turrel. The sky, light and space are used as base materials to blur the bounds between the bathroom and the interior space. Without compromising the piracy, occupant can indulge in bathing and dressing under the sky light or the moonlight, as if it were a private space that turns the framed scenery into spatial art.