Yan Gidan Tarihi na Fasaha daga Guanyu Tao

Zane Yan Gidan Tarihi na Fasaha daga Guanyu Tao mai nasara ne mai daraja sosai na 2025 Kyautar A' Design Award ta Zinariya a Rukunin Gasar Gine-gine.

ZinariyaGine-gine· 2025

Yan Gidan Tarihi na Fasaha

daga Guanyu Tao

Abokin Ciniki: Gerry Tao

Mai Nasarar Kyautar A' Design Award ta Zinariya a Rukunin Gine-gine

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Launuka

Ƙirar

Game da Yan Gidan Tarihi na Fasaha

Gidan Tarihi na Fasaha na Yan ya sake bayyana dangantakar da ke tsakanin gine-gine da yanayi, yana aiki a matsayin cibiyar al'adu mai ɗaukaka al'adun gargajiya na yankin. Da yake a cikin yanayin ƙasa mai dutse na Rushan, Shandong, tsarin gine-ginensa na zamani ya samo asali daga sifofin dutse da kwararar ruwa. Gidan ya ƙunshi filayen da ruwa ya kewaye, dakunan masu fasaha, ɗakunan nuni masu motsi, da wuraren wasan kwaikwayo, waɗanda suke da haɗin kai a matakai daban-daban. Siminti mai siffar dutse yana kwaikwayon dutsen halitta, yana haɗa tsarin ginin da kewayensa cikin kyau yayin da yake mai da ƙasar gangara zuwa hanyoyi da filayen aiki.

Amincewa

Game da Kyautar A' Design Award ta Zinariya

Zanen Yan Gidan Tarihi na Fasaha ya lashe Kyautar A' Design Award ta Zinariya, wata karramawa mai matuƙar daraja da ake bai wa zane-zane na matakin farko, masu ban mamaki kuma na musamman. Waɗanda suka lashe kyautar Zinariya ƙirƙire-ƙirƙire ne masu sababbin abubuwa sosai, masu hangen nesa kuma masu haske mai ban sha'awa waɗanda ke nuna hazaƙa, hikima da ƙwarewar masu zanensu. Ana sa ran zanen Yan Gidan Tarihi na Fasaha ya zama ƙirƙira mai yabo sosai, mai kafa yanayi kuma babba wacce ke kawo ƙima da ba a taɓa ganin irinta ba. Wannan zane da ya lashe Kyautar A' Design Award ta Zinariya aiki ne mai ban mamaki, mai daraja wanda ke amfanar fasaha, kimiyya, zane da fasahar zamani sosai kuma yana kai iyakokinsu gaba. Zanen Yan Gidan Tarihi na Fasaha yana haifar da tsananin sha'awa, yana tada soyayya ga aiki, yana ƙarfafa ƙirƙira kuma yana burge mu.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: Yan Art Museum is a cultural hub that harmonizes architecture with the rugged terrain of Rushan. Unlike traditional museums, it transforms natural slopes into functional elements like pathways, plazas, and viewing platforms. Its dynamic layout fosters interaction between visitors and local artists through integrated studios and galleries. With textured concrete echoing rocky formations, Yan seamlessly blends cultural expression, innovation, and environmental integration.
Girma da Fakitin: Yan Art Museum is situated on a 2,700-square-meter site, with a total building area of 1,650 square meters distributed across three levels. The first floor features a courtyard-style entrance surrounded by scattered artist studios and galleries, creating an inviting and interactive environment. The second floor includes a small open plaza, a compact gallery space, and essential auxiliary facilities. The third floor houses an open-air theater designed for traditional Chinese performances, providing a cultural focal point while blending seamlessly with the natural terrain.
Kalmomin Alama: Architecture, Subterranean architecture, Rural architecture, Cultural architecture, Museum
Fasahar Samarwa: Yan employs form board texture reinforced concrete, creating rock-like surfaces while ensuring structural stability during excavation. The design incorporates shallow-rooted plants in the landscaping to safeguard the building's structure and waterproofing. Its three interconnected levels, linked by stairs and elevators, are carefully oriented to harmonize with the site’s layout and ensure accessibility, blending functionality with thoughtful integration into the natural environment.
Ƙalubalen Zane: Addressing the site's varied slopes was challenging. The design cleverly integrates the natural incline to facilitate plazas and pathways, turning elevation changes into advantageous viewing platforms. This strategic use of the landscape not only enhances functionality but also establishes visual corridors that accentuate the architectural form, allowing the building to blend seamlessly with its environment.
Bincike: Inspired by the deconstructivism movement and the works of Thom Mayne and Zaha Hadid, Yan Art Museum integrates seamlessly into Rushan’s rugged terrain. The research involved site, cultural, and user analysis, employing techniques such as hand-drawing and collage to explore design possibilities. Tools like Rhinoceros, Adobe Suite, and D5 Render were used to refine the dynamic structure, harmonizing architecture with topography and cultural identity while enhancing visitor experiences.
Wahayi: The design of Yan Art Museum stems from a deep desire to harmonize architecture with nature while engaging in a meaningful dialogue with the local culture of Rushan. Drawing inspiration from the rugged, dramatic landscape of the Rushan mountain range, the museum reflects the stony textures and flowing contours of the region. Through its loosely arranged, courtyard-style layout, the design pays homage to the organic forms of traditional Chinese villages, weaving cultural heritage into its spatial composition. This approach transforms natural and cultural elements into a dynamic hub for artistic and cultural expression. By intertwining natural forms with human creativity, the museum becomes both a tribute to and an extension of its surroundings, celebrating the beauty of the terrain and the spirit of the community it serves.
Tsawon Lokacin Aikin: The concept design was finished in 2024 Sep, with site location at Shandong, Rushan, China.
Tsarin Aiki: Upon entering Yan, visitors arrive at a plaza encircled by a pool and walls, leading to artist studios and the main gallery with rotating exhibits. An elevator and external stairs from the main gallery provide access to the second floor’s L-shaped plaza, which connects to the second gallery for permanent exhibitions. Visitors can ascend to the third floor via elevator or plaza stairs to reach the outdoor amphitheater, a venue for traditional performances.
Haƙƙoƙin Ƙirƙira: Copyrights belong to Guanyu Tao, 2024
Mambobin Ƙungiya: Guanyu Tao
Godiyar Hotuna: Image #1: Designer and Photo Rendering Guanyu Tao
Image #2: Designer and Photo Rendering Guanyu Tao
Image #3: Designer and Photo Rendering Guanyu Tao
Image #4: Designer and Photo Rendering Guanyu Tao
Image #5: Designer and Photo Rendering Guanyu Tao