Hiroshima Peace Song Nuni daga Naoya Katagami

Zane Hiroshima Peace Song Nuni daga Naoya Katagami mai nasara ne mai daraja sosai na 2025 Kyautar A' Design Award ta Azurfa a Rukunin Gasar Zane-zane.

AzurfaZane-zane· 2025

Hiroshima Peace Song Nuni

daga Naoya Katagami

Abokin Ciniki: Jagda Hiroshima

Mai Nasarar Kyautar A' Design Award ta Azurfa a Rukunin Zane-zane

60,122

Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #164704

Ziyarci Shafin Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Hiroshima Peace Song Nuni

Mai zanen ya ƙirƙiro wannan zane ta hanyar tunanin yadda ɗiga guda na ruwa ke faɗaɗa zuwa rugujjiyar ruwa, yana amfani da waƙoƙin Waƙar Zaman Lafiya ta Hiroshima. Ta wurin samun wahayi daga ƙa'idoji irin na Zen na Japan, an sanya zanen a kan bangon farko mai sauƙi don sauƙinsa ya haifar da ma'ana mai zurfi yayin da mutum ke ƙara kallonsa. An yi amfani da waƙoƙin Turanci na Waƙar Zaman Lafiya ta Hiroshima, wadda ake rerawa kowace shekara a ƙarshen Bikin Tunawa da Zaman Lafiya a ranar 6 ga watan Agusta, don nuna alamar yadda zaman lafiya zai iya yaduwa zuwa waje.

Amincewa

Game da Kyautar A' Design Award ta Azurfa

Zanen Hiroshima Peace Song Nuni ya lashe Kyautar A' Design Award ta Azurfa, wata karramawa mai tsananin daraja da ake bai wa zane-zane na matakin koli, masu kyau sosai kuma masu burgewa. Waɗanda suka lashe kyautar Azurfa ayyuka ne masu haske sosai da ƙirƙira mai yawa waɗanda ke nuna ƙwarewa, baiwa da kaifin tunanin masu zanensu. Ana sa ran zanen Hiroshima Peace Song Nuni ya zama aiki mai ban mamaki, abin koyi, mai ƙwarewa sosai kuma mai ƙirƙire-ƙirƙire mai zurfi. Wannan zane da ya lashe Kyautar A' Design Award ta Azurfa ƙirƙira ce mai abin lura sosai, da ake sha'awa, wacce ke amfanar da kuma kai iyakokin fasaha, kimiyya, zane da fasahar zamani gaba. Zanen Hiroshima Peace Song Nuni ƙirƙira ce da ake yi wa hassada sosai wacce ke tada sha'awa, tana kawo jin daɗi kuma tana haifar da mamaki da al'ajabi.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: I created this design by envisioning how a single droplet of water expands into a cascading waterfall, using the lyrics of the “Hiroshima Peace Song.” Inspired by principles akin to Japanese Zen, I placed the design on a plain white background so that its simplicity yields deeper significance the more one observes it.

To portray the flow of the waterfall, I studied Leonardo da Vinci’s manuscripts on water dynamics. I used the English lyrics of the “Hiroshima Peace Song”—chorused every year at the end of the Peace Memorial Ceremony on August 6—to symbolize how peace can spread outward. A single droplet represents an individual, while the river and waterfall evoke the collective consciousness extending from that individual. The molecular clusters of water, signifying human connections and communities, are woven into various parts of the design.

Rather than a commercial endeavor, this project aims to express a deeper, essential meaning of peace.
Girma da Fakitin: Exhibition Banner Tapestry

Prominently displayed at the main entrance
Dimensions: W2,000 mm × H5,500 mm
Signage 1

Dimensions: W900 mm × H1,800 mm
Signage 2 / 3 / 4

Each: W450 mm × H1,500 mm
Information Boards

Four boards, each A4 size
Flyer

A4, double-sided, full color plus one spot color
Printed on Araveil paper
Name Cards

Three designs in total: “Hiroshima Appeals,” “Hiroshima Peace Poster Exhibition,” and “Hiroshima Peace Poster Student Competition”
Venue Layout

Comprehensive floor plan for the exhibition space
Kalmomin Alama: Peace,Poster,Exhibition,Design, Water Imagery, Typographic Design, Da Vinci Inspiration, Hiroshima History, Peace Advocacy, Poster Exhibition, Community Engagement, Gotham Font
Fasahar Samarwa: This poster exhibition was held at the Former Bank of Japan Hiroshima Branch, a historic building located in the heart of Hiroshima and just 380 meters from the bombing’s hypocenter. Because many local citizens attend, we aimed for an immediately striking design. We utilized Akzidenz-Grotesk, a historically significant typeface, for the primary typography, while the exhibition’s title features Gotham—famously used for the film “Oppenheimer”—to add deeper resonance.

We chose a black-on-white monochrome palette to ensure that the showcased works would stand out, including “Hiroshima Appeals” posters, professional designers’ pieces, and a total of 68 selected student posters. Recognizing the classic architecture of the building and its profound historical context, we strove to create a visual presentation that harmonizes with its setting.
Ƙalubalen Zane: We focused on conveying both Hiroshima’s global reputation—rooted in its cultural and historical significance—and the city’s present calm, peaceful atmosphere, encouraging visitors to experience both. All of the exhibited works advocate peace, making this a truly remarkable poster exhibition. Our primary goal was to spark interest while ensuring the design carried a deeply meaningful message.
Bincike: We were able to welcome a large number of visitors. The Former Bank of Japan Hiroshima Branch is located in the heart of Hiroshima’s bustling downtown, where many commuters pass by each day. The prominent Exhibition Banner Tapestry at the entrance successfully attracted people’s interest and drew them in.

Additionally, A4 flyers were placed in the Atomic Bomb Museum and various municipal offices, which also helped bring in many attendees. Overall, we believe this event provided a valuable opportunity for many to reflect on peace once again.
Wahayi: When designing the “Hiroshima Peace Poster Exhibition 2024,” an annual event organized by JAGDA Hiroshima, my primary goal was to create something truly meaningful. In 2025, Hiroshima will mark 80 years since the atomic bombing, and even in 2024, key events like the release of the film “Oppenheimer” and the G7 Summit highlight the importance of revisiting the concept of peace.

I chose to blend the lyrics of Hiroshima’s “Hiroshima Peace Song” with water—a symbol both of what bomb survivors longed for and of Hiroshima’s modern cityscape—to convey an essential message through typography, while also reflecting the city’s peaceful atmosphere today. To accurately portray the flow of water, I studied Leonardo da Vinci’s manuscripts, focusing on his observations of fluid dynamics. Inspired by the image of a cascading waterfall, I hoped to evoke the sense of peace spreading outward among all who experience the design.
Tsawon Lokacin Aikin: Exhibition Period
August 25 (Sun) – August 30 (Fri), 2024
10:00 – 19:00

Venue
Former Bank of Japan Hiroshima Branch (Atomic Bombed Building)
Tsarin Aiki: This design invites visitors to follow a visual flow, starting with the large tapestry and moving through various signage. Each element guides attendees through the exhibition, helping them connect more deeply with its theme of peace. By uniting water imagery, typography, and strategic pacing, the experience is both intuitive and immersive, encouraging thoughtful reflection and dialogue.
Godiyar Hotuna: Main Image: PHOTO / Naoya Katagami, SOUND / Words by Yoshio Shigezono Music by Minoru Yamamoto The city of Hiroshima,
Image #1: PHOTO / Naoya Katagami, SOUND / Words by Yoshio Shigezono Music by Minoru Yamamoto The city of Hiroshima
Image #2: PHOTO / Naoya Katagami, SOUND / Words by Yoshio Shigezono Music by Minoru Yamamoto The city of Hiroshima
Image #3: PHOTO / Naoya Katagami, SOUND / Words by Yoshio Shigezono Music by Minoru Yamamoto The city of Hiroshima,
Image #4: PHOTO / Naoya Katagami, SOUND / Words by Yoshio Shigezono Music by Minoru Yamamoto The city of Hiroshima,