Guanshan Ainihin Alama ta Kamfani daga Hong Jia Min

Zane Guanshan Ainihin Alama ta Kamfani daga Hong Jia Min mai nasara ne mai daraja sosai na 2025 Kyautar A' Design Award ta Baƙin Ƙarfe a Rukunin Gasar Zane-zane.

Baƙin ƘarfeZane-zane· 2025

Guanshan Ainihin Alama ta Kamfani

daga Hong Jia Min

Abokin Ciniki: Jijia Brand Creative Studio

Mai Nasarar Kyautar A' Design Award ta Baƙin Ƙarfe a Rukunin Zane-zane

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Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #172951

Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Guanshan Ainihin Alama ta Kamfani

Guanshan alama ce ta kamfani da aka kirkira don shagon shayin madara. Zanen yana amfani da haruffan Sinawa a matsayin tushensa kuma yana zamanantar da tsarin rubutun hukuma na gargajiya yayin da yake rike da ruhinsa na gargajiya. Tushen sa yana cikin kyawun abubuwa na Gabas, alamar tana hada hoton fasfaso na tawada da kayan shayi. Babban zanen yana nuna fasfaso da kofin shayi a cikin tsari mai hadewa, wanda ke haifar da alamomi biyu. Zanen tawada yana nuna tsarin gora na fasfaso na gargajiya mai zagaye, kuma siffar kofin tana zana daga kwanukan shayi na Jianzhan.

Amincewa

Game da Kyautar A' Design Award ta Baƙin Ƙarfe

Zanen Guanshan Ainihin Alama ta Kamfani ya lashe Kyautar A' Design Award ta Baƙin Ƙarfe, wata karramawa mai daraja da ake bai wa kyawawan zane-zane waɗanda ke cika buƙatun ƙwararru da masana'antu da ake tsammani daga ƙirƙire-ƙirƙire da aka tsara da kyau. Waɗanda suka lashe kyautar Baƙin Ƙarfe suna nuna babban ƙwarewa, ƙwarewa ta musamman, fahimtar ƙwararru da ikon ƙirƙira na masu ƙirƙirar su. Ana sa ran zanen Guanshan Ainihin Alama ta Kamfani ya zama ƙirƙira da ake girmamawa sosai, ake sha'awa da ƙauna wacce ke da amfani kuma mai sababbin abubuwa. Wannan zane da ya lashe Kyautar A' Design Award ta Baƙin Ƙarfe yana haɗa mafi kyawun ayyukan fannin kuma yana da halayen fasaha masu cancanta da ke da alaƙa da sanin yadda da baiwa. Ana girmama zanen Guanshan Ainihin Alama ta Kamfani saboda cikakkiyar kulawarsa kuma an tsara shi don ba da ingantuwar rayuwa da ke taimakawa wajen mai da duniya wuri mafi kyau.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: Anchored in the philosophy of teahouse as home, we construct a contemporary sanctuary for tea connoisseurs. Our brews extract primal essences from ancient tea groves, harmonized with mountain springs and melted snow to reveal terroir authenticity. Spaces crystallize tea mountains textures and light interplay, crafting immersive nomadic tea sanctuaries that engage all senses.
Girma da Fakitin: The brand multi series tea collections employ phytographic design extracting each teas botanical essence and marrying it with Chinese aesthetic principles. This methodology crystallizes into Neo Chinese packaging that embodies product specific visual identities.
Kalmomin Alama: Oriental, Creativity, Tea , Ink Painting, Chinese
Fasahar Samarwa: The creative process prioritizes onomastic morphology deriving visual forms directly from the brands nomenclature while integrating product typology. This methodology undergoes cultural synthesis through strategic collisions between contemporary creativity and Chinese heritage elements, generating innovative semiotic expressions rooted in commercial context.
Ƙalubalen Zane: The project requires the seamless integration of multiple elements to simultaneously communicate the brand core identity, embody Oriental aesthetics, and ensure versatile application across diverse scenarios.
Bincike: We reconfigure tea rituals through Ceramic Deconstructionism transposing bamboo brazier fans mechanical logic into ergonomic curves, translating ink bleeds into tactile gradients on vessel surfaces. Packaging evolves into Tactile Typology archives where material stratigraphy chronicles tea history, Neo Chinese design manifests as Parametric Archaeology methodology.
Wahayi: Rooted in Chinese tea ware aesthetics, the concept reimagines Song Dynasty tea house imagery through calligraphic brushwork. Capturing the symbiotic relationship between luzan brazier fans and tea utensils, Ink tonalities outline the fan silhouette, its flowing strokes organically morphing into modern teacups streamlined forms. This visual philosophy of holding a fan while contemplating tea manifests through design.
Tsawon Lokacin Aikin: Located in Dongguan, Guangdong Province, China, this project was designed in October 2024.
Tsarin Aiki: Carve the eraser into desired shapes, saturate its sculpted surfaces with ink, then employ this unconventional tool as a brush substitute. Through rhythmic imprinting and calculated pressure variations on paper, the rubber matrix undergoes iterative experimentation. Each impression accumulates ink dynamics angular edges deposit geometric patterns while worn facets create mist like gradients.
Haƙƙoƙin Ƙirƙira: Copyrights belong to Hong Jia Min, 2024.
Mambobin Ƙungiya: Hong Jia Min
Godiyar Hotuna: Hong Jia Min