King Boat Gidan Tarihi na Al'adu daga Pingtung County Government and C.M.Chao

Zane King Boat Gidan Tarihi na Al'adu daga Pingtung County Government and C.M.Chao mai nasara ne mai daraja sosai na 2026 Kyautar A' Design Award ta Zinariya a Rukunin Gasar Gine-gine.

ZinariyaGine-gine· 2026

King Boat Gidan Tarihi na Al'adu

daga Pingtung County Government and C.M.Chao

Abokin Ciniki: C.M.Chao. Architect & Planners

Mai Nasarar Kyautar A' Design Award ta Zinariya a Rukunin Gine-gine

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Launuka

Ƙirar

Game da King Boat Gidan Tarihi na Al'adu

King Boat wani gidan tarihi ne na al'adu da aka keɓe don Bikin King Boat, wanda yake a Donggang, Taiwan. Ginin mai hawa biyar yana da farin fuskar gini da aka gina bisa wani tushe mai kama da raƙuman ruwa wanda ke tunatar da teku. An lulluɓe fuskar ginin da kankare mai ƙarfafa da zaren gilashi (glass fiber reinforced concrete), wanda aka zaɓa saboda yanayin samansa da juriyarsa ga gishiri da laima. Layukan lanƙwasa da ƙofofin shiga masu shiga ciki suna kaiwa zuwa wani babban falo na tsakiya wanda aka rufe da raga ta aluminum da aka faɗaɗa, wadda ke tace haske da sauti. Ana nuna kwafin jirgin ruwa na King Boat mai cikakken girma a ƙarƙashin hasken yanayi, kuma wani fili a saman rufin gini yana ba da damar kallon tashar jiragen ruwa.

Amincewa

Game da Kyautar A' Design Award ta Zinariya

Zanen King Boat Gidan Tarihi na Al'adu ya lashe Kyautar A' Design Award ta Zinariya, wata karramawa mai matuƙar daraja da ake bai wa zane-zane na matakin farko, masu ban mamaki kuma na musamman. Waɗanda suka lashe kyautar Zinariya ƙirƙire-ƙirƙire ne masu sababbin abubuwa sosai, masu hangen nesa kuma masu haske mai ban sha'awa waɗanda ke nuna hazaƙa, hikima da ƙwarewar masu zanensu. Ana sa ran zanen King Boat Gidan Tarihi na Al'adu ya zama ƙirƙira mai yabo sosai, mai kafa yanayi kuma babba wacce ke kawo ƙima da ba a taɓa ganin irinta ba. Wannan zane da ya lashe Kyautar A' Design Award ta Zinariya aiki ne mai ban mamaki, mai daraja wanda ke amfanar fasaha, kimiyya, zane da fasahar zamani sosai kuma yana kai iyakokinsu gaba. Zanen King Boat Gidan Tarihi na Al'adu yana haifar da tsananin sha'awa, yana tada soyayya ga aiki, yana ƙarfafa ƙirƙira kuma yana burge mu.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: The building's form is inspired by a traditional king boat, with a five-story white facade atop a wave-like base symbolizing the sea. Folded lines and recessed entries mimic ocean swells, leading to a central atrium with aluminum mesh panels that ripple like waves. Inside, a 1:1 King Boat replica is displayed, bathed in natural light. The rooftop observatory offers views of Donggang Harbor. The museum's five exhibitions invite visitors to explore marine beliefs, parades, and boatbuilding rituals, celebrating Taiwanese folk religion.
Girma da Fakitin: The five-story structure includes four levels of exhibition space arranged to follow the ceremonial procession of the King Boat Ceremony, with five permanent thematic galleries: Marine Beliefs, Divine Patrol, Regional Ceremonies, Sacred Boat Building, and The Donggang Festival. The third floor houses the museum's centerpiece 42-foot-long, 12-foot-wide King Boat replica, viewable from a 360-degree elevated viewing platform. The roof features a skylight and observation deck, reinforcing the building's vertical movement and layered storytelling.
Kalmomin Alama: King Boat Culture, Donggang, Cultural Museum, Local Revitalization, King Boat Ceremony, Taiwanese Folk Ritual
Fasahar Samarwa: The facade is clad in glass fiber reinforced concrete, chosen for its textured finish, durability, and resistance to salinity and humidity, ideal for a coastal climate. Its surface reflects sunlight like shimmering waves, resonating with the harbor context. The atrium is enveloped by expanded aluminum mesh, offering both acoustic and light-filtering functions. A predominantly white color palette, paired with natural materials and glass windows, allows natural light to interact with surfaces, emphasizing the building's temporal and spiritual dimensions.
Ƙalubalen Zane: The biggest challenge was translating a deeply religious, ritual-based, and localized practice into an architectural language that modern audiences could understand and feel. The architect engaged in continuous dialogue with local elders and cultural scholars, extracting symbolic elements, such as the dragon's eye, wave lines, and procession routes, and converting them into spatial form and lighting gestures. The building had to be more than a container for culture; it had to be a bridge for cultural exchange, making that transformation the core design mission.
Bincike: The Pingtung King Boat Museum, Taiwan's first dedicated to the King Boat Ceremony, reinterprets maritime beliefs as a 'living museum.' Its exterior mimics a king's boat riding waves, with flowing walls and dragon-eye openings that tell spiritual stories day and night. The centerpiece is a 1:1 King Boat replica suspended in the atrium, bathed in natural light. The design blends light, materials, and acoustics with sustainable features like natural ventilation. It’s a cultural, educational, and tourism hub, honoring tradition while inspiring future heritage.
Wahayi: The design begins with the traditional maritime faiths of Asia. Located in Donggang, the Pingtung King Boat Museum is Taiwan's first cultural center for the King Boat Ceremony. Inspired by the triennial ritual, the architecture transforms spiritual and oceanic imagery into a vessel of history and faith, linking local identity with future vision. Embracing the idea that 'life is culture, and culture is life,' the museum serves as a living space that bridges religion and daily life, sparking cultural renewal and community vitality.
Tsawon Lokacin Aikin: The project finished in December 2024 in Taiwan.
Tsarin Aiki: By transforming traditional culture into a modern space, the museum becomes a hub for education, community, and tourism. It welcomed over 200,000 visitors in its first month, becoming a Donggang landmark. Beyond exhibits, it preserves oral history, teaches traditional crafts, and trains festival guides, making culture tangible and engaging. More than design, it's a cultural movement, sparking heritage continuity and innovation rooted in place and tradition.
Mambobin Ƙungiya: Pingtung County Government, C.M.Chao. Architect & Planners
Godiyar Hotuna: C.M.Chao. Architect & Planners