Climbing Amphitheatre Aikin Farko: Gidan Wasan Kwaikwayo na Wucin Gadi daga Yutao Chen and Yiwen Gu

Zane Climbing Amphitheatre Aikin Farko: Gidan Wasan Kwaikwayo na Wucin Gadi daga Yutao Chen and Yiwen Gu mai nasara ne mai daraja sosai na 2026 Kyautar A' Design Award ta Tagulla a Rukunin Gasar Taron Biki.

TagullaTaron Biki· 2026

Climbing Amphitheatre Aikin Farko: Gidan Wasan Kwaikwayo na Wucin Gadi

daga Yutao Chen and Yiwen Gu

Abokin Ciniki: Studio WE

Mai Nasarar Kyautar A' Design Award ta Tagulla a Rukunin Taron Biki

12,547

Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #176296

Ziyarci Shafin Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Climbing Amphitheatre Aikin Farko: Gidan Wasan Kwaikwayo na Wucin Gadi

Rubutun Littafi: "Hawan Tsani, Filin Wasan Kwaikwayo na Bikin" a Garin Aiyuan, Jiangsu, na sake fassara tsani na noma na gargajiya a matsayin alama ta haɗin kai na al'umma da ci gaba na al'adu. Ta hanyar tsarin ginshiƙai na katako, tsani, da igiyoyin ja na zamani, mazauna ƙauye suna haɗawa da raba gidan wasan kwaikwayo na wucin gadi cikin himma. A matsayin wurin motsi mai sa hannu na nuni, fina-finai, da taro, yana ƙarfafa hulɗar zamantakewa, yana farfaɗo da gonar 'ya'yan itace, kuma yana haɗewa cikin jituwa da yanayin karkara.

Amincewa

Game da Kyautar A' Design Award ta Tagulla

Zanen Climbing Amphitheatre Aikin Farko: Gidan Wasan Kwaikwayo na Wucin Gadi ya lashe Kyautar A' Design Award ta Tagulla, wata karramawa mai tsananin daraja da ake bai wa zane-zane na musamman waɗanda ke da ƙirƙira, basira da hikima. Waɗanda suka lashe kyautar Tagulla kayayyakin fasaha ne masu ƙwarewa da ƙirƙira mai ban mamaki waɗanda ke tabbatar da babban gogewa, tunani da dabarun masu zanensu. Ana sa ran zanen Climbing Amphitheatre Aikin Farko: Gidan Wasan Kwaikwayo na Wucin Gadi ya zama abu da ake girmamawa sosai, ake sha'awa da ƙauna, mai ƙwarewa da ƙirƙire-ƙirƙire. Wannan zane da ya lashe Kyautar A' Design Award ta Tagulla yana haɗa mafi kyawun ayyuka a fasaha, kimiyya, zane da fasahar zamani, kuma yana da kyau saboda kulawarsa ga cikakkun bayanai. Zanen Climbing Amphitheatre Aikin Farko: Gidan Wasan Kwaikwayo na Wucin Gadi yana biyan buƙatu da kyau, yana taɓa sha'awa, yana jan hankalin zukata kuma yana jawo sha'awar sani.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: Climbing the Ladder, Party Amphitheatre is a modular, community-assembled temporary theater made of timber frames, ladders, and tension straps. Designed for assembly by local villagers, it fosters participation as both audience and builders. The adaptable structure hosts performances and screenings, revitalizing the orchard into a social hub. This project merges architecture with rural life, turning tools into a spatial framework that strengthens community bonds.
Girma da Fakitin: The modular amphitheatre consists of timber frame units measuring 2,400 mm x 1,200 mm x 2,500 mm. Ladders function as adjustable seating risers ranging from 500 mm to 1,500 mm in height, enabling flexible audience arrangements. Fully assembled, the structure spans up to 12 m x 8 m x 4 m and adapts easily to uneven orchard terrain.
Kalmomin Alama: Community Architecture, Modular Design, Participatory Design, Rural Innovation, Timber Structure, Mobile Amphitheatre, Cultural Heritage, Interactive Space, Adaptive Reuse, Festival Pavilion
Fasahar Samarwa: The structure employs a modular timber frame system combined with locally sourced ladders and tension straps, enabling rapid assembly and disassembly without heavy machinery. Structural stability is achieved through interlocking joints and adjustable tensioning, while the modular system allows scalability and adaptation to orchard topography. Timber surfaces are treated for durability, ensuring both functional performance and visual harmony with the rural landscape.
Ƙalubalen Zane: This design explores how participatory architecture can activate rural spaces and strengthen social cohesion through simple, adaptable systems. By transforming ladders - an everyday rural object - into a spatial and cultural framework, the project demonstrates how design can elevate ordinary tools into platforms for interaction, performance, and collective experience. The amphitheatre reveals the potential of low-tech, community-driven construction to create meaningful public spaces that are flexible, inclusive, and deeply connected to local culture.
Bincike: This field research investigated the integration of vernacular farming tools into participatory rural architecture. The objective was to create a low-cost, modular theater system. Using qualitative observation and structural prototyping, the study engaged local villagers as active participants in the assembly process. Results showed that utilizing familiar ladders as core components reduced construction barriers and costs. This research impacts rural social cohesion by proving that community-driven, low-tech frameworks can successfully revitalize orchard landscapes into interactive cultural venues.
Wahayi: Rooted in the centuries-old pear orchards of Aiyuan Town, Jiangsu, this project draws inspiration from the everyday ladder. Reimagined as a collective architectural element, the ladder, traditionally used for farming and labor, becomes a symbol of gathering and shared memory. By transforming this familiar object into a modular spatial system, the design celebrates local traditions while creating a contemporary platform for performance and communal life within the orchard landscape.
Tsawon Lokacin Aikin: The project was developed and constructed between March and September 2024 in Aiyuan Town, Jiangsu, China. Installed within the town's pear orchards, the amphitheatre was activated during seasonal festivals and community gatherings, reinforcing local participation and cultural engagement.
Tsarin Aiki: The amphitheatre is assembled collaboratively by villagers through a simple system of interlocking timber frames, ladders, and straps. Audiences move freely between levels, sit on ladders or platforms, and engage with performances from multiple perspectives. The open, reconfigurable layout encourages informal interaction, flexibility, and immersion, allowing the space to adapt to different events while fostering a shared sense of ownership and participation.
Mambobin Ƙungiya: Yutao Chen and Yiwen Gu
Godiyar Hotuna: Yutao Chen