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Keymotif Mariƙin Maɓalli by Vassilis Mylonadis

Keymotif Mariƙin Maɓalli by Vassilis Mylonadis is a highly esteemed winner of the very prestigious 2017 Kyautar A' Design Award ta Baƙin Ƙarfe in Ƙirar Kayan Ɗaki Competition Category.


Baƙin ƘarfeKayan Ɗaki· 2017

Keymotif Mariƙin Maɓalli

by Vassilis Mylonadis

Client: Mydesign Mylonadis

Kyautar A' Design Award ta Baƙin Ƙarfe Winner in Kayan Ɗaki Category

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Verified Award Winner

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Colors

The Design

About Keymotif Mariƙin Maɓalli

Yana da ban sha'awa sosai a iya ganin ɓangarori na tarihi da tatsuniyoyi na wata ƙasa ta wata mahanga ta daban. Wannan ya haifar da ƙirƙirar Keymotif, saiti mai mahimmanci wanda ya samo asali ne daga tushen da aka samo akan masaku waɗanda aka samar da su ta hanyar masakun gargajiya a Arewacin Girka. Tarihi yana rayuwa ta hanyar maɓalli kuma yana yin sabon juyi.

The Recognition

About the Kyautar A' Design Award ta Baƙin Ƙarfe

Zanen Keymotif Mariƙin Maɓalli ya lashe Kyautar A' Design Award ta Baƙin Ƙarfe, wata karramawa mai daraja da ake bai wa kyawawan zane-zane waɗanda ke cika buƙatun ƙwararru da masana'antu da ake tsammani daga ƙirƙire-ƙirƙire da aka tsara da kyau. Waɗanda suka lashe kyautar Baƙin Ƙarfe suna nuna babban ƙwarewa, ƙwarewa ta musamman, fahimtar ƙwararru da ikon ƙirƙira na masu ƙirƙirar su. Ana sa ran zanen Keymotif Mariƙin Maɓalli ya zama ƙirƙira da ake girmamawa sosai, ake sha'awa da ƙauna wacce ke da amfani kuma mai sababbin abubuwa. Wannan zane da ya lashe Kyautar A' Design Award ta Baƙin Ƙarfe yana haɗa mafi kyawun ayyukan fannin kuma yana da halayen fasaha masu cancanta da ke da alaƙa da sanin yadda da baiwa. Ana girmama zanen Keymotif Mariƙin Maɓalli saboda cikakkiyar kulawarsa kuma an tsara shi don ba da ingantuwar rayuwa da ke taimakawa wajen mai da duniya wuri mafi kyau.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
The idea that one's absence from home or office could be transformed into a colour footprint by removing a key holder from it's base was very intriguing to me.
Dimensions & Packaging
Keymotif base including 2 key holders 110 mm x 110 mm x 30 mm, Package(Stamped cardboard with rubber band) 120 mm x 140 mm x 33 mm
Tags
product design, key holder, decorative items, souvenir
Production Technology
Keymotif is made out of laser cut okoume wood and white plexiglass. Because of the different nature of the materials, there was a lot of fine tuning that took place in order to reach the desired result.
Design Challenge
The transition from the folklore past to the present situation made me to lean first to wood as a natural material which would be complemented with Plexiglas. Keeping in mind the factor of sturdiness and after several tests with different types of wood, okoume plywood seemed to be the finest solution. On the other hand Plexiglas due its technical abilities of bending seemed quite appropriate. That combined together, led us to the design of a well-balanced product with a profound reference to Greece's recent past.
Research
I was always intrigued by the technical skills of the users of the traditional looms in Greece and the fine and rich results they were able to deliver through a vast number of motifs created on textiles. My idea was to brake down these motifs into simplified forms that they would be able to live through objects of our everyday life.
Inspiration
In search for a new generation of souvenirs that would bring up hidden aspects of our history, I came up with Keymotif. It is a key holder which is inspired by the motif found on textiles produced by a traditional loom. The motif from a textile, is transformed into a 3D object, which is brought into our everyday lives through a key holder.
Project Duration
The project started in October 2016 in Athens and finished in December 2016 in Athens, and was exhibited in It's all, oh so souvenir to me, Parousies 2017, Athens Greece
Operation Flow
There is a set of 2 key holders and a wall mount unit. With the removal of the key holder from its base, a coloured footprint is created.

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