Ten Fosta daga Kalyani Kamat Bambolkar and Ling Lee

Zane Ten Fosta daga Kalyani Kamat Bambolkar and Ling Lee mai nasara ne mai daraja sosai na 2020 Kyautar A' Design Award ta Azurfa a Rukunin Gasar Zane-zane.

AzurfaZane-zane· 2020

Ten Fosta

daga Kalyani Kamat Bambolkar and Ling Lee

Abokin Ciniki: Kingston University, Kingston School of Art

Mai Nasarar Kyautar A' Design Award ta Azurfa a Rukunin Zane-zane

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Tabbatar da Matsayin Kyauta na #88519

Ziyarci Shafin Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Ten Fosta

Zane-zanen yaƙin neman zaɓe ne don taron nunin Fashion na Jami'ar Kingston. Ana yin hotunan wannan kamfen ta hanyar ƙirƙirar & # 039;X& #039; alama ta jikin samfurin da ke nuna alamar tufafi a jikin mutum. & #039;X& #039; Hakanan yana nuna bikin cika shekaru goma na makarantar fashion na jami'ar Kingston. An aika da e-vite ga duk baƙi kuma an nuna fosta da ƙasidu a cikin Gidan Tarihi na Gidan Tarihi na London.

Amincewa

Game da Kyautar A' Design Award ta Azurfa

Zanen Ten Fosta ya lashe Kyautar A' Design Award ta Azurfa, wata karramawa mai tsananin daraja da ake bai wa zane-zane na matakin koli, masu kyau sosai kuma masu burgewa. Waɗanda suka lashe kyautar Azurfa ayyuka ne masu haske sosai da ƙirƙira mai yawa waɗanda ke nuna ƙwarewa, baiwa da kaifin tunanin masu zanensu. Ana sa ran zanen Ten Fosta ya zama aiki mai ban mamaki, abin koyi, mai ƙwarewa sosai kuma mai ƙirƙire-ƙirƙire mai zurfi. Wannan zane da ya lashe Kyautar A' Design Award ta Azurfa ƙirƙira ce mai abin lura sosai, da ake sha'awa, wacce ke amfanar da kuma kai iyakokin fasaha, kimiyya, zane da fasahar zamani gaba. Zanen Ten Fosta ƙirƙira ce da ake yi wa hassada sosai wacce ke tada sha'awa, tana kawo jin daɗi kuma tana haifar da mamaki da al'ajabi.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: Kingston University completed 10 years of its MA fashion course, so they decided to showcase their student's finest works at The Design Museum, London. The brief was to design posters without showing the actual student’s work and typical fashion elements. The posters were designed by showing marks of clothes on one’s body in the shape of ‘X. These posters were displayed all around the event and further used in other design elements, such as E-invites, brochures, stage slideshow etc.
Girma da Fakitin: Brochures were printed out in 297 x 420 mm and folded into half.
Posters were printed out in 841 x 1189mm.
Kalmomin Alama: poster, design, fashion, visual communication, fashion show, art, brochure, E-invite
Fasahar Samarwa: The posters were a culmination of both photography and graphic design. After the photoshoot, the raw images were enhanced in Adobe Photoshop and designed filling in the details about the event date, time and venue.
The photos were also used for E-invites and brochures. The E-invites were sent out a week before the event so that the guests could RSVP. The brochures had details and schedule of the event and contact information about each of the fashion students that participated.The photos were also used for E-invites and brochures. The E-invites were sent out a week before the event so that the guests could RSVP. The brochures had details and schedule of the event and contact information about each of the fashion students that participated.
Ƙalubalen Zane: The marks were created with the help of ribbons, clothes and rope. But, the marks were quickly fading away and not visible in the shots. The struggle was to make the shots quick and clear.
Bincike: A fashion event was hosted by Kingston University in the month of October to celebrate the tenth anniversary of their MA Fashion course. 10 fashion students were selected to showcase their works. The brief was to design posters without showing the actual student’s work and typical fashion elements. The repetition of ’10’ initiated the concept of using ‘X’ as an identity for this event. Initial concepts consisted of graphics created around ‘X’. However, this was not approved by the fashion department’s leadership, as according to them, the graphical posters did not reflect fashion. Interestingly they did like the concept of using ‘X’ as a part of branding. After having experimented with few concepts, a thought came about representing fashion as people instead of clothes. To accomplish this, an idea of showing marks left on one's body in the form of ‘X' by these designer clothes was finalised. A photo shoot was done and marks were created with the help of ribbons, clothes and rope. The photos were then integrated into posters, brochures and E-invites.
Wahayi: A fashion event was hosted by Kingston University in the month of October to celebrate the tenth anniversary of their MA Fashion course. 10 fashion students were selected to showcase their works. The repetition of ’10’ initiated the concept of using ‘X’ as an identity for this event. The brief was to design posters without showing the actual student’s work and typical fashion elements. This led to an idea of showing marks left by these designer clothes on one’s body in the shape of ‘X’ to symbolize this event.
Tsawon Lokacin Aikin: The project started at the end of September 2017 and finished in October 2017 in London, UK.
Tsarin Aiki: The posters were designed for the audience to get excited about the fashion show. As the images on the posters did not reveal the work of the students in any way, it created curiosity about the event.
Haƙƙoƙin Ƙirƙira: The posters and images are owned by Kingston University.
Mambobin Ƙungiya: Designer: Kalyani Kamat Bambolkar
Designer: Ling Lee
Godiyar Hotuna: All Photo credits: Kalyani Kamat Bambolkar