ʻO Jolab Primary Function: Hale Hana Mea Poni Kino na Chih-Kang Chu and Yao-Chou Yu he mea lanakila hanohano loa o ka 2021 A' Design Award Kala ma ka Māhele Hoʻokūkū Hoʻolālā Hale, Kūkulu a me Hōʻuluʻulu.
KalaHoʻolālā Hale· 2021
Jolab Primary Function: Hale Hana Mea Poni Kino
na Chih-Kang Chu and Yao-Chou Yu
Mea Kūʻai: CHU CHIH-KANG SPACE DESIGN Co., LTD + Chang Ho Interior Design Co., LTD
Mea Lanakila A' Design Award Kala ma ka Māhele Hoʻolālā Hale
Mea Lanakila i Hōʻoia ʻIa
Hōʻoia i ke Kūlana Makana no #109510Ka Hoʻolālā
E Pili Ana iā Jolab Primary Function: Hale Hana Mea Poni Kino
Book Text: ʻO Jolab he hale hana mea mālama ʻili i hoʻolālā ʻia ma ke ʻano he hale hōʻikeʻike kiʻi ma Kaohsiung. Ewalu mika ke kiʻekiʻe o kēlā me kēia papahele, no laila ua hōʻike ʻia nā wahi hana, ke kikowaena noiʻi a hoʻomohala, a me ka wahi hōʻikeʻike i nā malihini me he mau hana noʻeau lā. Aia kekahi māla kau ʻelua papa ma luna o ka lumi maʻemaʻe, a hele nā malihini ma nā alahele lewa a nānā i lalo ma waena o ke aniani papa pālua, ka mea e ālai ai i ka wela a pale i ka ʻohu. Ua aʻo ʻia ke ala o ka lā i mea e mālamalama malu ai nā puka aniani. Ua kūkulu ʻia nā paia kāʻawe ʻole me ka styrofoam kūpaʻa i ka wela.
Ka Hoʻomaikai
E Pili Ana i ka A' Design Award Kala
Ua lanakila ka hoʻolālā Jolab Primary Function: Hale Hana Mea Poni Kino i ka A' Design Award Kala, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kiʻekiʻe loa, nani a kupaianaha. He mau hana ʻālohilohi loa a hana noʻeau nui nā lanakila Kala e hōʻike ana i ka loea, ka makakoho a me ka ʻoi aku o ka noʻonoʻo o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Jolab Primary Function: Hale Hana Mea Poni Kino he hana kupaianaha, kūlana ʻoi aku, ʻoihana kiʻekiʻe a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Kala he mea hoʻokumu kūpono loa, mahalo ʻia e hāʻawi i ka pōmaikaʻi a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. He mea i ʻeleu ʻia e nā mea he nui ka hoʻolālā Jolab Primary Function: Hale Hana Mea Poni Kino e hoʻāla i ka makemake, lawe mai i nā manaʻo maikaʻi a hoʻāla i ka kamahaʻo a me ka mahalo.
Ma Hope o ka Hoʻolālā
ʻEke Nūhou
Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.
- Nā ʻAno Kūʻokoʻa
- The building was designed as an art gallery.
The goal from the skincare factory is everyone in this room would feel that they are part of the art center and they are the ones who create the art products, not just products on the production line.
In a space with a height of 8 meters on each floor, the production process, R&D Center and achievement display area of the beauty brand – JOLA is presenting in front of the visitors like an artwork. - Nā Ana a me ka Hoʻopili
- Site Area: 1495 m2
Area of Interiors: 3930 m2 (total)
Floor Area:
1F: 1495㎡
2F: 337㎡
3F: 836㎡
4F: 360㎡
RF+ operation room : 901.5㎡ - Nā Lepili
- factory, gallery, jolab, beauty, green
- ʻEnehana Hana
- The weather in Kaohsiung is very hot. During the design process, the path of the sun was culculated to keep the window out of the sun as much as possible. As long as the sun is not in direct sunlight, the temperature is not high. Styrofoam, a heat-resistant material was used for the wall surface, which can also make the wall surface completely seamless.
There is glass between the top garden and the cleanroom on the lower level, visitors could enter the hanging garden, walk through the aerial walkways, and overlook the production work in the cleanroom.
The double-layer glass used here could insulate the heat; it also can prevent fog while the temperature difference is too large. - Pilikia Hoʻolālā
- The most difficult thing is to re-define a beauty factory.
A skincare factory is a field for creating products that make people more beautiful and confident. It should not be a closed, rigid production line. This field should make everyone who comes here feel elegant and confident.
Another challenge is that in the absence of space, except the functions of the factory and R&D center, the visit route is required. - Noiʻi
- The relationship between workers and visitors.
The condition of this building is that the floors are excessively high, but the floor area is relatively limited, it is necessary to save as much space as possible for visiting route.
On the lower floor, the entire research office can be seen from the meeting room. Visitors (buyers) stand high in the meeting room, feel a sense of authority; the workers will also feel that they have a mission. There is no obstruction to the sight in between, they could have dialog.
On the higher floors, visitors can see the working conditions of the cleanroom from the aisle of the suspended garden. Since they will not see each other, the workers will not be disturbed, they could focus on work more, and visitors can see the work situation more deeply and truly. - Hoʻoulu Manaʻo
- Beauty is art. As a cosmetics label, JOLA wants to ensure that all their employees feel that they are in a space of art and that they are producing art rather than simple commodities on the production line. When visitors enter the space, they also enter an art center that houses a double-tier garden and a unique art performance.
- Ka Lōʻihi o ka Papahana
- The design process started in June 2015 in Kaohsiung and finished in January 2017. The construction started in June 2016 and finished in May 2020.
- Kaʻina Hana
- As an international skincare brand, JOLA hopes to show the brand spirit through Jolab: Honesty and High Quality, all processes are transparent. At the same time, Jolab is built with the concept of art gallery, hoping to make people working in Jolab feel honored. They are product creators who help people become beautiful and confident, not just normal workers. All employees put on uniforms and work in such a beautiful environment, which enhances the sense of honor and allows visitors to see JOLA's entrepreneurial spirit and ambition.
- Nā Lālā Hui
- Design Director: Chih-Kang Chu
Designer: Yu, Yao-Chou / Tsai, Men-Hung
Architecture Consultant: Yu, Yao-Chou - Nā Kuleana Kiʻi
- Photographer Kuo-Min Lee, Variations, 2020
Kākoʻo ʻIa
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