Lele i ka ʻike
DefeXtiles ' Enehana Hana Lole na Jack Forman

ʻO DefeXtiles ' Enehana Hana Lole na Jack Forman he mea lanakila hanohano loa o ka 2021 A' Design Award Kala ma ka Māhele Hoʻokūkū Hoʻolālā Kapa, Lole, ʻAno Ili, Hoʻolālā Pena a me Lole.


KalaKapa· 2021

DefeXtiles ' Enehana Hana Lole

na Jack Forman

Mea Kūʻai: Tangible Media Group, Mit Media Lab

Mea Lanakila A' Design Award Kala ma ka Māhele Kapa

54,895

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #109724

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā DefeXtiles ' Enehana Hana Lole

He 'enehana hana lole 'o DefeXtiles e hana ai i nā lole lahilahi a maiau ma nā mīkini paʻi 3D maʻamau. Ke hoʻomalu nei ka hana i ka hoʻopuka hapa 'ole i mea e hana ai nā pōʻai liʻiliʻi me nā kaula wili ma waena o lākou. Hāʻawi nā hakahaka mau i hana 'ia i ka helehelena ulana, ka hanu, ka maiau a me ka 'ume, 'oiai me nā mea 'oʻoleʻa e like me ka waikawa polylactic. Paʻi 'ia ka lole ma ke kūpono i ka moena paʻi, no laila hiki ke hana 'ia nā 'ano ʻōpeʻa, pio a paʻakikī. Aia nā noi ma nā lole komo, nā 'ili hoʻopili launa a me nā mea pāʻani.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Kala

Ua lanakila ka hoʻolālā DefeXtiles ' Enehana Hana Lole i ka A' Design Award Kala, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kiʻekiʻe loa, nani a kupaianaha. He mau hana ʻālohilohi loa a hana noʻeau nui nā lanakila Kala e hōʻike ana i ka loea, ka makakoho a me ka ʻoi aku o ka noʻonoʻo o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā DefeXtiles ' Enehana Hana Lole he hana kupaianaha, kūlana ʻoi aku, ʻoihana kiʻekiʻe a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Kala he mea hoʻokumu kūpono loa, mahalo ʻia e hāʻawi i ka pōmaikaʻi a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. He mea i ʻeleu ʻia e nā mea he nui ka hoʻolālā DefeXtiles ' Enehana Hana Lole e hoʻāla i ka makemake, lawe mai i nā manaʻo maikaʻi a hoʻāla i ka kamahaʻo a me ka mahalo.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa
DefeXtiles is a rapid and low-cost technique to produce realistic high-fidelity textiles on 3D printers. In this work, we demonstrate that under-extrusion defects can be finely controlled to quickly print thin flexible textiles into complex 3D shapes. Our approach enables a myriad of applications including printing full sized garments, deformable tangible interfaces, and ultra-tough shuttlecocks.
Nā Lepili
textile, 3d print, lace, advanced manufacturing, fabric
ʻEnehana Hana
In this paper, we demonstrate that under-extrusion can be leveraged to quickly print thin, flexible, textiles. Specifically, as the extrusion multiplier decreases, there exists an ideal regime where globs form with fine strands connecting them. The periodic gaps that arise from printing this way not only yields textile-like aesthetics and breathability, but also textile-like properties such as flexibility and stretchability even with classically rigid materials such as polylactic acid (PLA).
Pilikia Hoʻolālā
To democratize access and ability to make 3D forms with textiles by developing a new technique that allows textiles to be 3D printed into complex 3-dimensional forms using unmodified commodity 3D printer and no new software.
Noiʻi
We present a new strategy, called DefeXtiles, to 3D print quasi-woven fabrics that are thin, flexible, and fast to fabricate. Since our approach prints the textiles perpendicular to the print bed, complex geometries can be produced including pleated, curved, and metamaterial structures. With our approach, a standard 3D printer can print decameters of fabric in a single print. The use of multi-material printers allows users to embed circuit traces into the textile via conductive filament.
Hoʻoulu Manaʻo
For thousands of years, the manufacturing of textiles into shaped forms has remained largely the same; fiber becomes a fabric which is then constructed into a 3D object. The high-tech approach, machine knitting, uses expensive machines with a significant learning curve for use. The low-tech approach, classic sewing, requires painstaking processes. As such, there is a need for a fast and accessible approach to manufacture textiles into 3D forms.
Ka Lōʻihi o ka Papahana
Started in October 2019 in Cambridge Massachusettes, and finished in June 2020. The work will be presented and demoed at the ACM User Interface Software and Technology Symposium 2020.
Kaʻina Hana
This work has introduced a new approach to quickly print thin, flexible textiles composed of common 3D printing ma-terials with an unmodified 3D printer. Our approach com-bines the flexible, thin, and breathable properties of textiles with the affordances of 3D printing: rapid iteration, hands-free fabrication, and computer aided design. Through char-acterization, we demonstrate how our approach enables tun-ing of the mechanical and aesthetic properties through mate-rial and parameter selection. Through a series of applica-tions, we demonstrated the potential applicability of our approach for smart textiles, tangible online shopping, toys, fabric design, and everyday life.
Nā Lālā Hui
Jack Forman
Mustafa Doga Dogan
Hamilton Foryseth
Hiroshi Ishii

Kākoʻo ʻIa

ʻImi ma ʻō aku o Designers.org

E ʻimi i nā huahana, nā lawelawe a me nā manawa mai kā mākou mau hoa hoʻolaha.

Kūpono ka Hoʻolālā Maikaʻi i ka Hoʻomaikaʻi Nui

ʻO ka A' Design Award he makana hoʻomaikaʻi honua, i hoʻoholo ʻia e nā luna, no ka hoʻolālā maikaʻi. E komo i ka A' Design Award e loaʻa ai ka manawa e ʻike ʻia ai kou hana ma ke ʻano kūpono, a e loaʻa ai ka kaulana, ka hanohano a me ka hoʻolaha no kāu hana. E koho inoa i kāu hana no ka A' Design Award a e hoʻokūkū no ka makana A' Design Prize i makemake nui ʻia.

Koho Inoa