Fab Nā Hana Nui: Hoʻolālā Kūloko o ka Hale Kiʻiʻoniʻoni na Xiang Li

ʻO Fab Nā Hana Nui: Hoʻolālā Kūloko o ka Hale Kiʻiʻoniʻoni na Xiang Li he mea lanakila hanohano loa o ka 2021 A' Design Award Kala ma ka Māhele Hoʻokūkū Hoʻolālā Loko Hale a me Hōʻike.

KalaLoko Hale· 2021

Fab Nā Hana Nui: Hoʻolālā Kūloko o ka Hale Kiʻiʻoniʻoni

na Xiang Li

Mea Kūʻai: X+Living

Mea Lanakila A' Design Award Kala ma ka Māhele Loko Hale

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Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #111752

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Fab Nā Hana Nui: Hoʻolālā Kūloko o ka Hale Kiʻiʻoniʻoni

Book Text: ʻO Fab kekahi kūloko o ka hale kiʻiʻoniʻoni aia ma Xi'an, Kina, e uhi ana i kahi ʻāina papahele he 1150 mika huinahā. Hoʻoneʻe ka hoʻolālā i kahi hiʻohiʻona pana kiʻiʻoniʻoni i loko o ka hōkeo nui, no laila lilo ka poʻe kipa i poʻe nānā ma ka ʻoiaʻiʻo a i ʻāpana noʻonoʻo ʻia hoʻi i loko o ka hana kiʻiʻoniʻoni. Kākoʻo nā lako hale i hana kūikawā ʻia i ke kumuhana, me kahi noho ʻauʻau, nā noho hoʻomaha ʻano luna hoʻokele a me kahi pākaukau tikiki i hana ʻia e like me ka pahu hoʻonohonoho. Hoʻohui ʻia kahi kīʻaha hoʻomaha a me nā hiʻohiʻona hoʻoleʻaleʻa e like me kahi mīkini ʻūmiʻi me nā keʻena nānā ʻehā. Ua noʻonoʻo ʻia nā koi leo a me ka ʻoluʻolu o ka noho a puni.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Kala

Ua lanakila ka hoʻolālā Fab Nā Hana Nui: Hoʻolālā Kūloko o ka Hale Kiʻiʻoniʻoni i ka A' Design Award Kala, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kiʻekiʻe loa, nani a kupaianaha. He mau hana ʻālohilohi loa a hana noʻeau nui nā lanakila Kala e hōʻike ana i ka loea, ka makakoho a me ka ʻoi aku o ka noʻonoʻo o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Fab Nā Hana Nui: Hoʻolālā Kūloko o ka Hale Kiʻiʻoniʻoni he hana kupaianaha, kūlana ʻoi aku, ʻoihana kiʻekiʻe a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Kala he mea hoʻokumu kūpono loa, mahalo ʻia e hāʻawi i ka pōmaikaʻi a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. He mea i ʻeleu ʻia e nā mea he nui ka hoʻolālā Fab Nā Hana Nui: Hoʻolālā Kūloko o ka Hale Kiʻiʻoniʻoni e hoʻāla i ka makemake, lawe mai i nā manaʻo maikaʻi a hoʻāla i ka kamahaʻo a me ka mahalo.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: The design of the theater is different from traditional theaters. The project is not only rendering the film sense with different forms, but also giving the audiences dual identities, both an audience in the reality and a participant of the movie-shooting in the imagination. They are connected and laid down to enter the film world step by step. And instead of waiting boringly, they will enter an active participation sparticipation state through the mobilization of the atmosphere.
Nā Ana a me ka Hoʻopili: The floor area of this project is 1150 sqm.
Nā Lepili: Li Xiang, retail, cinema, interior design, xliving, China
ʻEnehana Hana: Through some interesting customized furniture, we have taken the theme of the entire space to the extreme. Bathtub sofa, director's rest seat, as well as the ticket counter that imitates the set box, etc, all satisfy the function while cooperating with the creation of the theme, allowing consumers to experience the charm of the movie in an immersive atmosphere.
Pilikia Hoʻolālā: The biggest challenge is how to break the trditional pattern. It is easily to be misunderstood that the design ignores functions while completing the aesthetics, but in fact, all the specific requirements of the acoustics environment and the comfort of the audience are all under our consideration at the beginning. We believe that the cinema should undergo a transformation of spatial attributes. It should meet the increasingly vigorous social needs of young people. Simply relying on the sale of movie tickets cannot allow it to maximize the value of a commercial space. So we broke through this situation and completed this design.
Noiʻi: Traditional theaters pay more attention on panoramic sound effects and the viewing experience on the screen while they lack creativity. The single business model of selling tickets and snacks, it weakens the experience and expectations that the venue can give the audienceThrough the design of this project, we have found a possibility that may be able to answer the problem of the future development of the theater.
Hoʻoulu Manaʻo: The inspiration for the project comes from the movie itself. We moved the shooting scene of film production to the main hall of the theater. We hope that the audience will be immediately impressed by the dramatic scene the moment they enter the theater. At the same time, through the integration of different entertainment facilities, the interaction between the audience and the cinema is not limited to watching the movie itself, which increases the possiblity of their consumption.
Ka Lōʻihi o ka Papahana: The project finished in January 2020 in Xi'an, China.
Kaʻina Hana: According to the original plane, we can only build four relatively square video halls. Since this space pattern is difficult to provide rich viewing, instead of focusing on decoration, we integrated the space with other formats with similar entertainment attributes to build an avant-garde new cinema space. We moved the lounge bar into the theater space. It is not only an independently operable space, but also symbiotic and mutually beneficial with the cinema. The experiential claw machine and other entertainments also stimulates consumers to extend their stay in the theater, maximizes the value of the space.
Nā Lālā Hui: Lead Designer: Li Xiang
Project Director: Ren Lijiao
Project Director: Wu Feng
Nā Kuleana Kiʻi: Image#1: Photographer Shao Feng, FAB Cinema, 2019.
Image#2: Photographer Shao Feng, FAB Cinema, 2019.
Image#3: Photographer Shao Feng, FAB Cinema, 2019.
Image#4: Photographer Shao Feng, FAB Cinema, 2019.
Image#5: Photographer Shao Feng, FAB Cinema, 2019.