ʻO Past at Last Kāheahea Mālama Honua na Tihana Miksa he mea lanakila hanohano loa o ka 2021 A' Design Award Kala ma ka Māhele Hoʻokūkū Hoʻolālā Lole, ʻAʻahu a me Kāpili.
KalaLole· 2021
Past at Last Kāheahea Mālama Honua
na Tihana Miksa
Mea Kūʻai: Tihana Mikša
Mea Lanakila A' Design Award Kala ma ka Māhele Lole
Mea Lanakila i Hōʻoia ʻIa
Hōʻoia i ke Kūlana Makana no #113802Ka Hoʻolālā
E Pili Ana iā Past at Last Kāheahea Mālama Honua
ʻO ka mea nui o nā hoʻonohonoho lole, ʻo ia nā ʻili waiwai, pāʻani a me nā waihoʻoluʻu kūʻē. No laila, he like, he maʻalahi a he pani nā lole iho me ka ʻole o nā loli paʻakikī i ka hale. Nānā kēia mau mea i ka ʻike maka, ka hāhā, nā lako lole, ka neʻe ola a me ka hoʻolālā kukulu o nā lole kuka. Haʻahaʻa ka ikaika o nā waihoʻoluʻu a hapa wai, koe wale nā ʻulaʻula e kuʻi ana i loko o kēia ʻāpana ʻāhinahina.
Ka Hoʻomaikai
E Pili Ana i ka A' Design Award Kala
Ua lanakila ka hoʻolālā Past at Last Kāheahea Mālama Honua i ka A' Design Award Kala, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kiʻekiʻe loa, nani a kupaianaha. He mau hana ʻālohilohi loa a hana noʻeau nui nā lanakila Kala e hōʻike ana i ka loea, ka makakoho a me ka ʻoi aku o ka noʻonoʻo o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Past at Last Kāheahea Mālama Honua he hana kupaianaha, kūlana ʻoi aku, ʻoihana kiʻekiʻe a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Kala he mea hoʻokumu kūpono loa, mahalo ʻia e hāʻawi i ka pōmaikaʻi a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. He mea i ʻeleu ʻia e nā mea he nui ka hoʻolālā Past at Last Kāheahea Mālama Honua e hoʻāla i ka makemake, lawe mai i nā manaʻo maikaʻi a hoʻāla i ka kamahaʻo a me ka mahalo.
Ma Hope o ka Hoʻolālā
ʻEke Nūhou
Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.
- Nā ʻAno Kūʻokoʻa
- The emphasis in the clothing compositions is on rich, playful textures and uneven coloration. As a consequence, the garments themselves are symmetrical, simple and closed forms without any demanding interventions to the structure. These objects examine the visual aspect, tactility, materiality, living motion and the architectonics of textiles.
The colours are low in intensity and achromatic, except reds that pulsate within this pale spectrum. - Nā Lepili
- basketry,wool,mould,seamless,textile,handpainted,handmade, handpleating, sashiko, nuno felting,aperture, finishes
- ʻEnehana Hana
- The textile is structured through various pleating techniques, improper and proper stitching, hand tinting to achieve noble tones, treatment with acids, wax, burning, patching, sandpapering, drilling, basket-making and finishes.
- Pilikia Hoʻolālā
- Perhaps this no longer matters, but we still care about values, about something that goes beyond our mere existence in the here and now, even when it comes to dressing. What we use to shroud our body, how we seem and appear in front of others, and what we communicate and convey in this manner, this will continue to matter about as long as we share this world with others.
Tihana Mikša Perković is aware of this, and in her quest for clothing worthy of man she intervenes in history as well as in modernity, in the continuity of life finding the only real source of inspiration. Her inspiration are folk costumes from Croatian regions which she interprets in a contemporary key, by applying contemporary textile processing techniques. - Hoʻoulu Manaʻo
- The man of tradition is closely linked to the rural way of life, as can be seen from the regional diversity that result from geographical location and the set of natural givens.
It was my intention to follow in the footsteps of our ancestors and to commit myself in a contemplative and repetitive, as well as time-consuming manner to the overall creation of each costume. In actual fact, my intention was to slow down, to be part of the process, and not just a consumer of finished impersonal and alienated clothing. - Ka Lōʻihi o ka Papahana
- 10.03.-26.03.2016., Zagreb, Ulupuh Gallery
- Nā Kuleana Kiʻi
- Photo Vanja Šolin
Hairdress and make up Dalibor Šakić
Model Hana F.M.
Kākoʻo ʻIa
ʻImi ma ʻō aku o Designers.org
E ʻimi i nā huahana, nā lawelawe a me nā manawa mai kā mākou mau hoa hoʻolaha.
Hou Aku e ʻImi Ai
Nā Hoʻolālā Pili
E ʻimi i nā hoʻolālā lanakila hou mai ka māhele like, i koho ʻia ma ka waiwai.
