ʻO Fillet House Hale Noho na Kee Yen Lim he mea lanakila hanohano loa o ka 2021 A' Design Award Kala ma ka Māhele Hoʻokūkū Hoʻolālā Hale, Kūkulu a me Hōʻuluʻulu.

KalaHoʻolālā Hale· 2021

Fillet House Hale Noho

na Kee Yen Lim

Mea Kūʻai: Kee Yen Architect

Mea Lanakila A' Design Award Kala ma ka Māhele Hoʻolālā Hale

21,580

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #120270

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Fillet House Hale Noho

ʻO ka manaʻo nui, ʻo ia hoʻi ka hoʻonui ʻana i ka paepae hale o ka ʻāpana kihi me nā kihi pōai, ʻo ka ʻano pōai mama e pili ana i ka wā wela, nā hana i wae ʻia a me ka ʻāina e noho pū ai. I ka nānā ʻana mai ke kūlana alanui, he nui kuʻina pōai i hoʻokiʻekiʻe ʻia me ka ikaika mai kona e puni ana. Hui pū nā lako keʻokeʻo, ʻeleʻele a me ka ʻākea ma nā ʻaoʻao pōai paʻa me nā pā o ka lāʻau a me ka ʻaʻalike o nā aniani, e hoʻomama ana i kekahi ʻano e kū koʻikoʻi ana ma waena o ka ʻāina e noho pū ai.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Kala

Ua lanakila ka hoʻolālā Fillet House Hale Noho i ka A' Design Award Kala, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kiʻekiʻe loa, nani a kupaianaha. He mau hana ʻālohilohi loa a hana noʻeau nui nā lanakila Kala e hōʻike ana i ka loea, ka makakoho a me ka ʻoi aku o ka noʻonoʻo o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Fillet House Hale Noho he hana kupaianaha, kūlana ʻoi aku, ʻoihana kiʻekiʻe a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Kala he mea hoʻokumu kūpono loa, mahalo ʻia e hāʻawi i ka pōmaikaʻi a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. He mea i ʻeleu ʻia e nā mea he nui ka hoʻolālā Fillet House Hale Noho e hoʻāla i ka makemake, lawe mai i nā manaʻo maikaʻi a hoʻāla i ka kamahaʻo a me ka mahalo.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: The idea was to maximise the corner lot building plinth using rounded corners or rounded edges, the filleted streamlined form in response to the tropics, designated programmes and its neighbourhood.

Viewing the building from the street level, a staggered filleted mass was elevated vigorously from its surrounding. The palettes of materials combined the white, black, and grey curved solid planes with touches of timber and transparency of glasses, streamlining a form which is manly standing out within its neighbourhood.
Nā Ana a me ka Hoʻopili: Sized at 1,100 meter square
Nā Lepili: ModernTropicalHouse, TropicalHouse, FilletHouse, KeeYen, KeeYenArchitect
ʻEnehana Hana: The crafted metal railing wrapping the concrete spiral staircase was a continuity flow of the filleted corners. Metal plate was laser-cut in factory and welded on-site to form and craft the curvatures. The solidness of the spiral form being isolated with random vertical metal plate rails adding another layering effect to the interior. This sculpted spiral stair with a backdrop of large glazing is framing and inviting the green scenes from outside to inside. The shadows filled this volume poetically especially in the morning.
Pilikia Hoʻolālā: A high volume air well where the sculptural spiral staircase located is faces northeast with a large glass panel. Southwest facing front façade is introduced with horizontal sun shading devices, aluminium fin running through its façade as a design feature. The recessed space at the frontage of the house becomes a garage and it can be converted into a veranda for family activities. Externally, the sliding timber screen not only acting as the sun shading screen but also portrays security and privacy to the occupants. Eventually, it manipulates different layers and screens to romanticise its architectural spatial experiences.
Noiʻi: Masses are subtracted from its original to create openness which allowing for day-light penetrations and bring cross ventilation closer to happens within its layout when glazed doors and windows are fully opened. Natural light enters the house across the levels, from open terraces and master lounge at second floor level to the living hall at the ground floor level through a tempered laminated glass floor and void openings at its first-floor level next to the dance hall.
Hoʻoulu Manaʻo: Terminology in design, a fillet is a rounded corner or rounded edge. The main four corners of the house are being filleted or rounded as to soften the original allowed cubic mass. The filleted corner achieved a wholeness and streamlining the building form externally. The building mass was then configured in respond to the tropics, designated programmes and its neighbourhood with subtracted volumes for open terraces and voids.
Ka Lōʻihi o ka Papahana: The project started in 2018 in Kuala Lumpur Malaysia and finished in December 2020.
Nā Kuleana Kiʻi: Photographer Pixelaw Photography