Fissure Hōʻiliʻili Kīpaepae Mea Kani na Lingjun Sun

ʻO Fissure Hōʻiliʻili Kīpaepae Mea Kani na Lingjun Sun he mea lanakila hanohano loa o ka 2021 A' Design Award Hao ma ka Māhele Hoʻokūkū Hoʻolālā Lei a me Kahiko.

HaoLei Kahiko· 2021

Fissure Hōʻiliʻili Kīpaepae Mea Kani

na Lingjun Sun

Mea Kūʻai: Lingjun Sun Jewellery

Mea Lanakila A' Design Award Hao ma ka Māhele Lei Kahiko

14,024

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #120295

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Fissure Hōʻiliʻili Kīpaepae Mea Kani

ʻO Fissure kahi hōʻiliʻili mea kani i hoʻoulu ʻia mai nā māwae o nā ʻāpana hau e hehee ana a me ka honua maloʻo. Kālai lima ʻia kēlā me kēia ʻāpana i loko o ke kapili i kahi hoʻolaʻa lattice ʻekolu ana, me nā laina e hoʻohālike ana i nā mea i loaʻa ma ke ʻano kūlohelohe. Kūkulu ʻia ke kūkulu a puni nā pōhaku makamae, e hana ana i nā haku pono mai nā mea i ʻike ʻia he hana wale nō. Hoʻopau ʻia kēlā me kēia mea me ka hoʻoheheʻe kapili nalowale, ka hoʻonoho pōhaku, ka hoʻopau metala a me ka pale rhodium ʻeleʻele. ʻO nā mea hana he gula melemele 18K, nā momi baroque o South Sea a me nā daimana keʻokeʻo. Hoʻomāhuahua ke kūʻē kala i nā ʻano ʻano like ʻole a hui pū ʻia.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Hao

Ua lanakila ka hoʻolālā Fissure Hōʻiliʻili Kīpaepae Mea Kani i ka A' Design Award Hao, he ʻike hoʻohanohano i hāʻawi ʻia i nā hoʻolālā maikaʻi e hoʻokō ana i nā koi ʻoihana a ʻoihana hana i manaʻo ʻia mai nā mea hoʻokumu i hana maikaʻi ʻia. Hōʻike nā lanakila Hao i ka mākau nui, ka loea kiʻekiʻe, ka ʻike akamai a me ka hiki hana noʻeau o ka poʻe i hana iā lākou. Manaʻo ʻia ʻo ka hoʻolālā Fissure Hōʻiliʻili Kīpaepae Mea Kani he mea hoʻokumu i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia e pono a hou. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Hao e hoʻohui ana i nā hana maikaʻi loa o ka ʻoihana a loaʻa nā ʻano ʻenehana mākaukau i hui pū ʻia me ka ʻike hana a me ka makakoho. Mahalo ʻia ka hoʻolālā Fissure Hōʻiliʻili Kīpaepae Mea Kani no kona nānā pono a ua hoʻolālā ʻia e hāʻawi i nā hoʻomaikaʻi ola e kōkua ai i ka hana ʻana i ka honua i wahi maikaʻi aku.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: Each piece of this collection is hand-carved into a three dimensional lattice with lines mimicking those found in nature - a technique developed in my MA program in London. A thoughtful design logic hides between the organic lines of each piece, forming accordingly around the gems, contributing to balanced compositions of seemingly random components.
Nā Ana a me ka Hoʻopili: Ring No.1: 41mm x 27mm x 19mm; Earrings No.1: 32mm x 32mm x 7mm; Earrings No.2: 55mm x 14mm x 11mm
Nā Lepili: wearable sculpture, art jewellery, one of a kind, volume, asymmetry
ʻEnehana Hana: Each piece was hand-carved from wax to create the structure, according to the design needs or specific gem shapes. Lost-wax casting was used later. Stone setting, metal finishing and black rhodium plating were also applied. 18K yellow gold, south sea baroque pearls, white diamonds.
Pilikia Hoʻolālā: Seemingly randomness, asymmetrical structure, fine surface texture, together with unique form of each piece in the collection made 2D rendering or computer tools nearly impossible. Every piece required significant time and carving craftsmanship to model and test in physical prototypes. Further detailed adjustment was processed with additional remarkable time and effort.
Noiʻi: Extracting a two dimensional pattern that widely found in nature to a three dimensional form requires large scale of visual analysis and model construction. Carefully designed structure, texture and colour, together serve the design logic hidden behind these seemingly random lines.
Hoʻoulu Manaʻo: 'Fissure' is a collection inspired by the crevices in melting ice caps and dried earth, echoing the growing environmental crisis we are living in.
Ka Lōʻihi o ka Papahana: The project started in August 2020 in Sydney, and was exhibited in NYC Jewellery Week 2020
Kaʻina Hana: The designs were inspired the crevices in melting ice caps and dried earth. Wearers are experiencing the organic, three dimensional and asymmetrical forms of the collection. Its crisscrossing structure is further highlighted by colour contrast. Smooth and lustrous gems sitting in a carefully textured surface of the metal implies the incongruity human civilization and the nature.
Nā Kuleana Kiʻi: Image#1, 2, 3, 4: Photographer Charmaine Morgan, 2020, Image#5: Photographer Lingjun Sun, 2021