Labyrinthine Journey of a Ballerina Ka Lole Wahine na Tingyu Hu

ʻO Labyrinthine Journey of a Ballerina Ka Lole Wahine na Tingyu Hu he mea lanakila hanohano loa o ka 2022 A' Design Award Hao ma ka Māhele Hoʻokūkū Hoʻolālā Lole, ʻAʻahu a me Kāpili.

HaoLole· 2022

Labyrinthine Journey of a Ballerina Ka Lole Wahine

na Tingyu Hu

Mea Lanakila A' Design Award Hao ma ka Māhele Lole

22,328

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #128106

ʻIke I Kēia Manawa Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Labyrinthine Journey of a Ballerina Ka Lole Wahine

Hōʻike ʻo Labyrinthine Journey of a Ballerina i ka hui pū ʻana o nā mea kupanaha a me ka ʻole o ka wahi surrealism a me ka momona o ka ballerina, me ka hoʻohana ʻana i nā lole e like me ke ʻano. Hoʻokumu ka mea hoʻolālā i nā ʻāpana me ka hoʻohana ʻana i nā bonings e hana i kahi hoʻopunipuni 3D, a ʻo ka waiho ʻana i nā lole alohilohi like ʻole ke koʻikoʻi i ka manaʻo o ke ana. Hoʻohana nui ʻia nā mea hana e like me ka silkscreen a me ka wili lima lima i kēia papahana. ʻEkolu mau kiko no kēia hōʻiliʻili ʻana, ʻo ia ka hoʻopunipuni, ke ākea a me ke aka, a me ka ʻokoʻa ma waena o ka hale a me ka palupalu.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Hao

Ua lanakila ka hoʻolālā Labyrinthine Journey of a Ballerina Ka Lole Wahine i ka A' Design Award Hao, he ʻike hoʻohanohano i hāʻawi ʻia i nā hoʻolālā maikaʻi e hoʻokō ana i nā koi ʻoihana a ʻoihana hana i manaʻo ʻia mai nā mea hoʻokumu i hana maikaʻi ʻia. Hōʻike nā lanakila Hao i ka mākau nui, ka loea kiʻekiʻe, ka ʻike akamai a me ka hiki hana noʻeau o ka poʻe i hana iā lākou. Manaʻo ʻia ʻo ka hoʻolālā Labyrinthine Journey of a Ballerina Ka Lole Wahine he mea hoʻokumu i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia e pono a hou. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Hao e hoʻohui ana i nā hana maikaʻi loa o ka ʻoihana a loaʻa nā ʻano ʻenehana mākaukau i hui pū ʻia me ka ʻike hana a me ka makakoho. Mahalo ʻia ka hoʻolālā Labyrinthine Journey of a Ballerina Ka Lole Wahine no kona nānā pono a ua hoʻolālā ʻia e hāʻawi i nā hoʻomaikaʻi ola e kōkua ai i ka hana ʻana i ka honua i wahi maikaʻi aku.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: What would it look like if clothes become the canvas or the carrier of a concept lingering in her mind? Absorbing the bizarreness and emptiness of space from surrealism art and the delicacy of the ballerina, Tingyu treated her garments as 'paintings' while combining the functionality of clothing. Layering and crafts like silkscreen and hand-embroidery are widely used in this project. Three points for this collection are 'illusion', 'space and shadow', and 'contrast between structure and softness'.
Nā Ana a me ka Hoʻopili: 5 looks in US Size 4.
Nā Lepili: surrealism, fashion, womenswear, wearable art, storytelling, pratt institute.
ʻEnehana Hana: Tingyu focuses on how dimensional a garment could be while keeping the balance of movement and abstraction. She uses boning to construct a 3D illusion and chooses transparent fabric to increase the layers of the garment so that emphasizes the concept of 'dimension', such as double knit layering, tulle over canvas, and beige lace over pink cotton sateen. About the techniques, crafts are always a major style so she corporates silkscreens and hand-embroidery to add some raw and playful feel to make the contrast with the strict color palette.
Pilikia Hoʻolālā: To avoid the literal interpretation or similar techniques of 1930s surrealism fashion, Tingyu edited down ideas that were too superficial or easy to look at and balanced the fine art side and the apparel side. This project requires a lot of draping of asymmetrical shapes and experiments of fabric to figure out the best choice for a certain silhouette.
Noiʻi: Standing in front of 'The Melancholy of Departure' by De Chirico at MOMA and wondering what does it look like when is a ballerina trying to escape from De Chirico's paintings? How is it possible to add multiple dimensions to garments, like the dream world in 'Blood of a Poet'? By analyzing the geometrical elements in De Chirico's paintings and reading his artist theory, with the whimsical feeling, the little sculpture on the arm, and the contrast between the softness of pale pink and lined silhouette, the narrative is presented through every detail.
Hoʻoulu Manaʻo: Giorgio De Chirico, 'Blood of a Poet' and classical ballet are the three major inspirations. By observing works by De Chirico, Tingyu captures the contrast of brightness and shadow, enormous environment and tiny figures, and unlimited extension of the space even she becomes a part of the painting. 'Blood of a Poet' emphasizes the theme of 'labyrinthine'. The dreamlike quirkiness of the movie inspires her to replace the main character with a ballerina.
Everything in this project is the reflection of her vision.
Ka Lōʻihi o ka Papahana: The project finished in May 2019 and shoot in 2022.
Kaʻina Hana: Tingyu creates a womenswear fashion collection 'A Labyrinthine Journey of a Ballerina' to present the quirkiness and elegance, structure and softness by using textile with the contrast of canvas and tulle, and asymmetrical shape. Inspired by surrealism art and movies and ballet costume.
Nā Lālā Hui: Fashion Designer: Tingyu Hu
Nā Kuleana Kiʻi: Photographer: Sha Luo
Designer & Styling: Tingyu Hu
Makeup: Shiyao Liu
Model: PJ
Assistants: Xiang Cheng, Gianna Chun
Special Thanks: 19