Venus Hale Keiki, Noho Lōʻihi na Hajar Shahsavari and Golnoush Zamani

ʻO Venus Hale Keiki, Noho Lōʻihi na Hajar Shahsavari and Golnoush Zamani he mea lanakila hanohano loa o ka 2022 A' Design Award Hao ma ka Māhele Hoʻokūkū Hoʻolālā Lako Hale.

HaoLako Hale· 2022

Venus Hale Keiki, Noho Lōʻihi

na Hajar Shahsavari and Golnoush Zamani

Mea Lanakila A' Design Award Hao ma ka Māhele Lako Hale

11,052

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #130019

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Venus Hale Keiki, Noho Lōʻihi

ʻO Venus he mea noho lako nui ke hana ʻia i noho lōʻihi a i hale keiki hoʻi. Hana ʻia ke kino ʻohumu mai ka lāʻau i ʻoki ʻia me ka mīkini CNC, hoʻopiha ʻia me ka hūmene uhi noho 60 mm a uhi ʻia me ke kapa. Hiki ke hoʻohaʻahaʻa i kekahi pā papa lāʻau (plywood) e mālama i ke keiki. Aia kekahi ʻuluna me ka ʻenehana kani puʻuwai (stethoscope) e hiki ai i ka makuahine ke lohe i ka puʻuwai o ke keiki i loko o ka ʻōpū i ka wā hāpai. Kāko'o ʻo Venus i ka hoʻomaha, ka hānai ʻana, a me ka hiamoe ʻana no ka makuahine a me ke keiki a hiki i ʻelima makahiki ka nui. Loaʻa ke ʻano mai nā kiʻi lepo kahiko o ʻIrana mai ka wā Neolithic.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Hao

Ua lanakila ka hoʻolālā Venus Hale Keiki, Noho Lōʻihi i ka A' Design Award Hao, he ʻike hoʻohanohano i hāʻawi ʻia i nā hoʻolālā maikaʻi e hoʻokō ana i nā koi ʻoihana a ʻoihana hana i manaʻo ʻia mai nā mea hoʻokumu i hana maikaʻi ʻia. Hōʻike nā lanakila Hao i ka mākau nui, ka loea kiʻekiʻe, ka ʻike akamai a me ka hiki hana noʻeau o ka poʻe i hana iā lākou. Manaʻo ʻia ʻo ka hoʻolālā Venus Hale Keiki, Noho Lōʻihi he mea hoʻokumu i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia e pono a hou. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Hao e hoʻohui ana i nā hana maikaʻi loa o ka ʻoihana a loaʻa nā ʻano ʻenehana mākaukau i hui pū ʻia me ka ʻike hana a me ka makakoho. Mahalo ʻia ka hoʻolālā Venus Hale Keiki, Noho Lōʻihi no kona nānā pono a ua hoʻolālā ʻia e hāʻawi i nā hoʻomaikaʻi ola e kōkua ai i ka hana ʻana i ka honua i wahi maikaʻi aku.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: Venous is furniture to a hug for mother and kid.
Venous inspire by Iran's feminine statues that go back to the Neolithic era.
with the specific vision to the concept of fertility and motherless, Venous provides a comfortable area for the mother and her child as well.
this is multi _purpose product that applies as a sofa and cradle, considered as a piece of child's room furniture.
A space for :
-Having rested in pregnancy
-listening to the fetus's heartbeat by the cushion (during pregnancy)
-feeding and resting with the baby
-baby's cradle up to a 5 year _old child
Nā Ana a me ka Hoʻopili: The oval shape of the furniture has the following dimension: 800mm(width) 1200mm(depth) 1000mm (height)
Nā Lepili: interaction, relax mother, cradle, pregnancy, ancient of Iran , statues
ʻEnehana Hana: The oval shape of Venus structure is made of wood, cut down with a CNC machine and filled with Upholstery Foam (60mm thickness), and then covered with fabric.
the fence was prototyped in the Polywood structure and was connected to the body with two circular patches.
we used stethoscope technology for the pillow to hear the fetus heartbeat.
Pilikia Hoʻolālā: the main challenge was the connection between ancient inspiration and modern society. finding a design language the faces our real needs. we could highlight some of the fertility touch points and find solutions based on inspiration resources. as an example mother's concerns for the health of the fetus and the desire to hear the baby's heartbeat were founded in the function of the old mother statues that were used as some magical power to calm down and have an easy birth.
Noiʻi: The mother is the oldest subject of human art," says Toynbee. In ancient Iran, over the Neolithic period, there are some play statues with this subject. In some of these statues, their female organs are emphasized such as breasts and legs.
The excessive fatness of these statues reflects the difference that has been achieved in the aesthetic view of us and our prehistoric ancestors, and the belief in the beauty of fat women has remained strong in the minds of many people in the world until a few decades ago. Fatness was a symbol of health, wealth, and satiety for our ancestors.
Hoʻoulu Manaʻo: The identity of this project goes back to ancient Iran and the importance of women in the fertility of the earth. there are some clay statues, called Venus, that go back to the Neolithic era which is the symbol of the mother, the oldest human artistic subject. (says, Toynbee) These statues are symbols of fertility in the human, agriculture, and earth and were inspirational for our ancestors to survive. these ancient Iranian Venouses have a minimal ascetic with exaggerated sexual organs.
Ka Lōʻihi o ka Papahana: The project started in Jul 2020 Isfahan/Iran and finished in Dec 2020.
Kaʻina Hana: In the pregnancy period, the mother can lay down on the furniture and use the pillow behind her head to listen to the fetus heartbeat and feel relax physically and mentally with her baby.
after the birth, the furniture can be used as space work for both mother and newborn to sleep, feed, hug and calm down together.
the main interaction is when the furniture can be used as a cradle the mother can turn down the fence to protect her baby.
Nā Lālā Hui: Hajar Shahsavari & Golnoush Zamani
Nā Kuleana Kiʻi: image#1:photograpger GolnoushZamani, image#2:phptographer: Golnoush Zamani, image#3:photographer Golnoush Zamani, image#4:photographer Golnoush Zamani
Video: Golnoush Zamani