Villa Gilbam Hale Noho na Davood Boroojeni

ʻO Villa Gilbam Hale Noho na Davood Boroojeni he mea lanakila hanohano loa o ka 2022 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Hale, Kūkulu a me Hōʻuluʻulu.

KeleaweHoʻolālā Hale· 2022

Villa Gilbam Hale Noho

na Davood Boroojeni

Mea Kūʻai: Davood Boroojeni Office

Mea Lanakila A' Design Award Keleawe ma ka Māhele Hoʻolālā Hale

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Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #132788

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Villa Gilbam Hale Noho

He hale noho ʻo Villa Gilbam e waiho ana ma ka ʻaoʻao mauna o ka ʻāina ʻo Siahkal ma ka ʻākau o Iran. Aia ka ʻāina ma kahi o 750 mika huinaha a hāʻule ʻo ia ma kahi o 10 pakeneka mai ka hikina a i ke komohana. Kū ka hale ma ka hikina o ka ʻāina, ma luna o ka huinahā like ʻana o 8 a 15 mika kahi i kū ai kekahi hale kahiko, no laila ua palena ka pili ʻana i ka honua. ʻElua mau kino i hoʻopuka ʻia (cantilevered) e laha ana mai ke kikowaena ma ka papahele lalo a me ka papahele mua me ka pili ʻole i ka honua. Ua hoʻonoho like ʻia nā kino ʻekolu i mea e hana ai i kahi kikowaena hoʻokahi i kaʻana like ʻia me nā hiʻohiʻona o nā mauna a puni.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Keleawe

Ua lanakila ka hoʻolālā Villa Gilbam Hale Noho i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Villa Gilbam Hale Noho he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Villa Gilbam Hale Noho i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: In the plan of Villa Gilbam, solutions have been found for issues, including the location that the villa should be established there, the impacts of climate and neighborhood on its design, and the desired quality of the shared space.
Nā Ana a me ka Hoʻopili: Due to the fact that climate and neighborhood were not the limiting factors for the location of the villa, the east of the land, which used to be a place of another building in the past, was allocated for this purpose. With the aim of minimizing intrusion and seizure of the area, the connection surface of the villa to the land was limited to the same rectangle of the old building with dimensions of about 8 × 15 meters. To meet the demands of the employer, which required 350 square meters, two console volumes were added to the initial core of the project at ground level and the first floor without connecting to the ground.
ʻEnehana Hana: The project land with an approximate area of 750 square meters is located on the slopes of one of the mountains in northern Iran in the Siahkal region. The land with an unknown geometry has a slope of about 10% from east to west. In the east of the land, and in a rectangle section measuring 8 × 15 meters, intrusion and seizure were seen; as if this rectangle had been a place of a building in the past. The project’s employer has needed a place with an area of 350 square meters.
Pilikia Hoʻolālā: The two console volumes at the height have slid over each other in such a way that neither of them obstructs the proper light of the south and the proper view of the north and south for each other. The console volume located on the ground floor level is in the south and the first level console volume is located in the north. Suitable light from the south passes over the southern volume and reaches the northern volume. Also, the northern volume has a good view of the southern mountains. Below the northern volume is empty and the southern volume overlooks the northern landscape.
The angle of the three volumes of the villa relative to each other was adjusted in a way to create a shared space in the heart of the building. This space has a perfect and extraordinary view of the surrounding mountains.
Noiʻi: The current project design is a quantitative and qualitative one. The most important goals are achieving proper functioning, creating the desired spatial quality, resuscitation of the middle courtyard as patterns of indigenous architecture, and reducing energy and construction material consumption. To achieve the goals of the project Field observation, study of the needs of the client, study of historical texts, the study of architectural standards, technical characteristic observation Of materials, the study of regional climate have been considered.
Hoʻoulu Manaʻo: Factors such as the desired spatial quality, local architecture, climate, and exposed usage of materials have been considered in the project design. We believe that the beautiful innovative useful architecture of Villa Gilbam is the result of using the above-mentioned factors in the project simultaneously.
The angle of the three volumes of the villa relative to each other was adjusted in a way to create a shared space in the heart of the building. This space has a perfect and extraordinary view of the surrounding mountains.
Ka Lōʻihi o ka Papahana: The design of the project started in June 2016 and finished in December 2016 in Tehran.
Kaʻina Hana: One of our primary design goals was material disclosure. We believe that the use of exposed materials not only creates an indigenous feeling in the spaces but also causes less damage to the environment.
Nā Lālā Hui: Principal Architects: Davood Boroojeni - Saba Ammari
CG Artist: Peyman Nozari
Nā Kuleana Kiʻi: Image #1: Illustrator Peyman Nozari, 2021.
Image #2: Illustrator Peyman Nozari, 2021.
Image #3: Illustrator Peyman Nozari, 2021.
Image #4: Illustrator Peyman Nozari, 2021.
Image #5: Illustrator Peyman Nozari, 2021.