ʻO Desert Desire Nā Apo Pepeiao na Yamile Salomon he mea lanakila hanohano loa o ka 2022 A' Design Award Kala ma ka Māhele Hoʻokūkū Hoʻolālā Lei a me Kahiko.
KalaLei Kahiko· 2022
Desert Desire Nā Apo Pepeiao
Mea Kūʻai: Joy Color Design
Mea Lanakila A' Design Award Kala ma ka Māhele Lei Kahiko
Mea Lanakila i Hōʻoia ʻIa
Hōʻoia i ke Kūlana Makana no #135344Ka Hoʻolālā
E Pili Ana iā Desert Desire Nā Apo Pepeiao
Aia kekahi mau hiʻohiʻona e hoʻokaʻawale i kēia mau ʻāpana a hōʻike i ka mana o ka hoʻolālā kiʻi. ʻO kekahi o nā hiʻohiʻona o nā ʻano a me ka ʻike maka o ka ʻekolu-dimensionality i hoʻokō ʻia, wale nō, ma o nā ʻano a me nā hiʻohiʻona thread. ʻO ka lua ka hemahema o kēlā me kēia ʻāpana hana lima. Kuhi ʻia kēia mau ʻano geometric i ka pololei akā ʻaʻole loaʻa. He ʻokoʻa kēlā me kēlā me kēia pihi a me ke ʻano. ʻAʻole maikaʻi lākou akā ʻokoʻa, e like me ke ʻano, a e ʻimi i ka ʻokoʻa o nā honua ʻelua - cacti a me nā nahesa - hoʻolilo iā lākou i ka hui pū ʻana i kahi ʻōnaehana.
Ka Hoʻomaikai
E Pili Ana i ka A' Design Award Kala
Ua lanakila ka hoʻolālā Desert Desire Nā Apo Pepeiao i ka A' Design Award Kala, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kiʻekiʻe loa, nani a kupaianaha. He mau hana ʻālohilohi loa a hana noʻeau nui nā lanakila Kala e hōʻike ana i ka loea, ka makakoho a me ka ʻoi aku o ka noʻonoʻo o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Desert Desire Nā Apo Pepeiao he hana kupaianaha, kūlana ʻoi aku, ʻoihana kiʻekiʻe a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Kala he mea hoʻokumu kūpono loa, mahalo ʻia e hāʻawi i ka pōmaikaʻi a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. He mea i ʻeleu ʻia e nā mea he nui ka hoʻolālā Desert Desire Nā Apo Pepeiao e hoʻāla i ka makemake, lawe mai i nā manaʻo maikaʻi a hoʻāla i ka kamahaʻo a me ka mahalo.
Ma Hope o ka Hoʻolālā
ʻEke Nūhou
Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.
- Nā ʻAno Kūʻokoʻa
- There are some characteristics that distinguish these pieces and highlight the influence of graphic design. The principles of logo design are incorporated into the jewelry, and the visual effect of three-dimensionality is achieved, only, through textures and thread patterns. The second is the imperfection of each handmade piece. These geometric shapes assume accuracy but do not have it. Each curve and texture are different. They are imperfectly unique, as in nature, and explore the peculiarity of two worlds – cacti and snakes –making them harmoniously coexist in a system.
- Nā Ana a me ka Hoʻopili
- Material: Silver Clay (999 Fine Silver)
Snakes- Drop length: 69.85 mm Width: 38 mm
Cactus- Drop length: 69.85 mm Widht: 31.75 mm - Nā Lepili
- earrings, snakes, cactus, silver
- ʻEnehana Hana
- The prototype of each piece was made in cardboard, testing sizes and proportions until reaching the final dimensions. The pieces are made in Silver Clay with a purity of 999. Each piece is cut by an oversized template, as the metal clay in its final process reduces the size by approximately 10-15%. Once the shapes are cut and the textures are drawn, the metal clay is dried and torch firing. The pieces are polished manually and individually to finally add the details in the red thread.
- Pilikia Hoʻolālā
- I was facing for the first time work with silver, which implied, besides the manual work on the new material, designing specifically for it and its requirements. The biggest challenge in the design was to bring these natural elements to the two-dimensional and maintain their volume, textures, and shapes at a visual level, and make both designs work well separately and together. The other challenge was the packaging design, which I designed specifically for these pieces, this had to be visually a preview of the pieces it contained, so it had to have the same bi-dimensional principles, the mix of textures, the volumetry, and the manual work, each envelope is folded and sewn by hand.
- Noiʻi
- Nature is imperfect and beautiful, unique in each of its elements, and it was this principle that inspired the silver handwork. Each piece is imperfectly unique. And just as in nature, finding the peculiarity of both worlds and making them harmoniously coexist, was the idea for the designs. Imperfect as our nature and unique as our being.
- Hoʻoulu Manaʻo
- These were the first pieces I would make and design in metal and it was from this situation that the idea was born. If I faced new challenges, the 1st design had to symbolize them. The snakes as a symbol of change, adaptation and skill, elegance, and mysticism. The cactus came from the association of the theme and concepts, adaptation to extreme situations, inner strength, and persistence. Two elements of nature as a statement.
- Ka Lōʻihi o ka Papahana
- Litter Havana, Miami, September 2021 First ideas and drawings emerged, finalizing the production of the pieces and packaging in November 2021, to be presented in the Dec/Feb 2022 season at Flying Solo, NYC.
- Kaʻina Hana
- Two different elements - snake and cactus - are two earring designs that, when combined, create a new possibility that is just as authentic and valid.
- Nā Lālā Hui
- Yamile Salomon
- Nā Kuleana Kiʻi
- Image #1: Photographer Yamile Salomon, Desert Desire Silver Collection, 2022
Image #2: Photographer Osmany Torres, Desert Desire Silver Collection, 2021
Image #3: Photographer Osmany Torres, Desert Desire Silver Collection, 2021
Image #4: Photographer Osmany Torres, Desert Desire Silver Collection, 2021
Image #5: Photographer Yamile Salomon, Packaging Desert Desire Silver Collection, 2021
Kākoʻo ʻIa
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