Will Would Hale Hōʻikeʻike Kiʻi Noʻeau na Churan Sa

ʻO Will Would Hale Hōʻikeʻike Kiʻi Noʻeau na Churan Sa he mea lanakila hanohano loa o ka 2022 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Loko Hale a me Hōʻike.

KeleaweLoko Hale· 2022

Will Would Hale Hōʻikeʻike Kiʻi Noʻeau

na Churan Sa

Mea Kūʻai: Shenzhen Ruyu Space Design Co., LTD

Mea Lanakila A' Design Award Keleawe ma ka Māhele Loko Hale

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Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #137489

Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Will Would Hale Hōʻikeʻike Kiʻi Noʻeau

He hale hōʻikeʻike kiʻi noʻeau ʻo Will Would ma Shenzhen, Kina, e hoʻāhui ana i ka noʻeau, ka hoʻolālā, nā lako hale, ka ʻoihana pua a me kahi salona. Ua hoʻonohonoho ʻia ka ʻaoʻao loko e hōʻike i nā hana a nā mea hana maʻamau a me nā mea hōʻiliʻili, ʻaʻole naʻe wale nō i nā hana a nā mea noʻeau kaulana. ʻEkolu kahua pā loko e lawe mai ana i ka mālamalama kūlohelohe i loko o ka hoʻolālā a hoʻopili i nā hana like ʻole, no laila ua pani ʻia nā palena akaka e ka mālamalama palupalu. Aia kahi lumi hālāwai me ka puka e kāʻapuni ana a me kahi kāpuahi ma ka papahele mua, ma ka ʻaoʻao o kahi lumi noho ākea i hoʻohana ʻia no nā hanana pilikanaka. ʻO nā mea i hoʻohana ʻia, ʻo ia ka terazzo hina, ka lāʻau veneer a me ke kila hao pale ʻia i ʻānai ʻia.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Keleawe

Ua lanakila ka hoʻolālā Will Would Hale Hōʻikeʻike Kiʻi Noʻeau i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Will Would Hale Hōʻikeʻike Kiʻi Noʻeau he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Will Would Hale Hōʻikeʻike Kiʻi Noʻeau i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: Will Would is an aesthetic cluster of art, design, furniture, floriculture and salon. As its aesthetic claim goes, will would attempts to discuss a relationship through the design of the exhibition hall how people and things establish a connection in space and how the meaning of things is acquired. In the process of spatial development, the narration of people and thing slowly unfolds through the fuzzy interface.
Nā Ana a me ka Hoʻopili: We use unified and simple materials in the interior space, including large areas of cold grey terrazzo, simple wood veneer, the same color composite floor and bronze brushed stainless steel to enhance the texture. The collision of these materials makes the interior design simple and powerful. What we want to express more is that interior style is like refined decoration, it is neuter and inclusive. We can use display and soft decoration to improve and change it.
Nā Lepili: Ordinary People's Art Exhibition, Home Aesthetic Space, Composite Commerce, Fuzzy Cluster , Diversity, More Possibilities
ʻEnehana Hana: A YIP negotiation room is arranged on the first floor, which has a ceremonial revolving door and a warm stove, to make it comfortable and homely. On the other side is a large empty living room with open center table, which is not only a symbol of villa luxury, but also carries more functions of social activities. We hope to have different theme activities every month.
Pilikia Hoʻolālā: When we found this space, the ground floor was a closed dark space. In all spaces, the space with poor lighting often has the lowest utilization rate and the shortest stay time. We use design techniques to break this trend and reconstruct the ground floor, to make it the most attractive place in the whole space. We moved the stairway under the window to introduce external natural light, and change the wall of the inner courtyard into a window view to introduce the light of the courtyard.
Noiʻi: Many years ago, I came across a busker who was writing life with his broken hands. At that time, I felt deeply in my heart that real art has no fixed form, art can not only be presented by celebrities, nor can it only be presented in museums and galleries. Even the disabled people on the street can bravely express their own life. This touch planted a seed in my heart.
Hoʻoulu Manaʻo: Most of the craftsman and ordinary collectors are simple, without too much business thinking and unable to attract more like-minded people. Therefore, I ask myself: Does an exhibition have to show artworks by famous artists? Can we make an exhibition of ordinary people? Based on this, our team carried out a fusion and "grafting", to launch an art exhibition of ordinary people with extensibility and social value in the nature of commerce.
Ka Lōʻihi o ka Papahana: The project was launched in Shenzhen, Guangdong Province, China in November 2020 and completed in January 2021, it was exhibited in Shenzhen, Guangdong Province in April 2021.
Kaʻina Hana: Three "courtyards" are placed in the space, through which the landscape either horizontally or vertically penetrating the different functional divisions. It makes space interpenetrate and lead to sensory continuity. Meanwhile, these courtyards also become the medium of light and bring natural light to different space. With the intervention of light, the clear boundary is replaced by soft bright. The warmth touched by vision makes things seem "connected", with soft and fuzzy boundaries.
Nā Lālā Hui: Churan Sa
Nā Kuleana Kiʻi: Photographer Wang Ting, Will Would, 2021.