ʻO Raices ʻo Ke Kāhiko Hoʻomau na Mayte Ossorio Domecq he mea lanakila hanohano loa o ka 2022 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Lei a me Kahiko.
KeleaweLei Kahiko· 2022
Raices ʻo Ke Kāhiko Hoʻomau
Mea Kūʻai: Maison Domecq
Mea Lanakila A' Design Award Keleawe ma ka Māhele Lei Kahiko
Mea Lanakila i Hōʻoia ʻIa
Hōʻoia i ke Kūlana Makana no #139361Ka Hoʻolālā
E Pili Ana iā Raices ʻo Ke Kāhiko Hoʻomau
Ua puka mai ka hoʻolālā o ka laina Raices mai ka pono e hoʻohana hou i nā kaukani ʻoki oval o ka ʻili hou mai kahi hale hana kāmaʻa palekana, hoʻolei ʻia i kēlā me kēia lā no ka loaʻa ʻole o ka pono. No ka hoʻohana hou ʻana iā lākou, ua kālele ka mea hoʻolālā i ka ʻimi ʻana i nā ʻenehana e ʻae ai e ʻike i ko lākou nani a me ka hana nui, e ʻimi ana i ka hoʻoikaika ʻana i nā ʻēheu o nā manu, ka unahi, ka hoʻopololei a me ka uhi ʻana. I mea e hoʻonui ai i ka palette kala, ua hoʻoholo ʻia e hoʻohana hou i nā ʻili mai nā hui ʻē aʻe.
Ka Hoʻomaikai
E Pili Ana i ka A' Design Award Keleawe
Ua lanakila ka hoʻolālā Raices ʻo Ke Kāhiko Hoʻomau i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Raices ʻo Ke Kāhiko Hoʻomau he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Raices ʻo Ke Kāhiko Hoʻomau i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.
Ma Hope o ka Hoʻolālā
ʻEke Nūhou
Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.
- Nā ʻAno Kūʻokoʻa
- The design of the Raices line was conceived from a sustainable point of view, through the reuse of the oval left over from the Ombu safety boots.
The goal: the generation of unique pieces through craftsmanship, maximizing its use and the ability to generate different patterns from color changes.
We sought to minimize the reading of the difference between the ovals.
The staggering allowed to minimize the differences and to take the thicknesses as a fundamental part in the generation of value and also to generate rigidity, greater solidity to the proposed pieces. - Nā Ana a me ka Hoʻopili
- dimensions depending on the piece
Hoops 75 x 85mm
Bracelet 255 x 70mm
Necklace 400 x 65mm
Headband 135 x 65 mm
Packaging 200 x 150 cm - Nā Lepili
- sustainability, leatherjewelry, sustainablejewelry, ecofriendly, sustainable, slowfashion, zerowaist
- ʻEnehana Hana
- The elaboration of this entire collection is done manually, reusing small leather ovals left over from Ombu safety boots, as well as small remnants from different local leather goods companies.
It is done by hand cutting and gluing, as can be seen in the video and in some cases the incorporation of studs or rivets that add light and reinforce its character. - Pilikia Hoʻolālā
- It is always a challenge to work from a given shape. The work concentrates on finding its beauty and functionality. Finding the latent message of these materials, their proportion and then, the design.
The boots are made in black, brown and white. This color limitation, led us to take as an opportunity the use of small scraps from other companies, thus expanding the palette and the saleability of the pieces.
Integrating the concept of corporate social responsibility and rescue of crafts. - Noiʻi
- This line emerged in response to the need to reuse small scraps of discarded leather, for which its development was limited to direct experimentation.
Technique used: scaling, a resource that can be assimilated to the natural structures already known, minimizing the differences in size between the ovals and, in turn, taking the thicknesses as a fundamental part of the generation of value.
The objective: the generation of unique, handcrafted and durable pieces. Making the most of scraps. Expand the offer of the same piece through changes in the possible patterns by means of color changes. - Hoʻoulu Manaʻo
- The inspiration for this line comes from the scales on the wings of birds. That overlapping that gains character with changes in color and depth. It was the technology of the use of a certain raw material, the leftover ovals from the manufacture of boots, which led us to look for the latent language in this material and its possible uses for the formal generation. The colors would appear later when this resource allowed us to recover very small scraps of leather from other companies.
- Ka Lōʻihi o ka Papahana
- This process of recovering materials began in 2012, incorporating new pieces and new colors year after year. Different pieces of this collection have been exhibited at the Fairs: Expocomer Panama 2014 Maison et Objet 2014-2015-2016-2017 They have been sold to the SF MOMA, Japan and France until today
- Kaʻina Hana
- This object is easy to access, easy to use and does not require help to handle it. Although this material requires certain care: do not wet, do not use alcohol and take care of it with bitumen or wax to increase its durability.
- Nā Palapala Kuleana
- no yet
- Nā Kuleana Kiʻi
- Image No 1 PH Maru Somoza
Image No 2 PH Francisco Sexauer / prod model Mercedes Garcia Di Mare
Image No 3 PH Mayte Ossorio Domecq
Image No 4 PH Francisco Sexauer / prod model Mercedes Garcia Di Mare
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