272 Gallery Hana Nui: Wahi Hana Nui Like ʻole na Qiuwen Luo

ʻO 272 Gallery Hana Nui: Wahi Hana Nui Like ʻole na Qiuwen Luo he mea lanakila hanohano loa o ka 2022 A' Design Award Hao ma ka Māhele Hoʻokūkū Hoʻolālā Hale, Kūkulu a me Hōʻuluʻulu.

HaoHoʻolālā Hale· 2022

272 Gallery Hana Nui: Wahi Hana Nui Like ʻole

na Qiuwen Luo

Mea Kūʻai: Foshan A Thing of Beauty Art Communication Co.,Ltd

Mea Lanakila A' Design Award Hao ma ka Māhele Hoʻolālā Hale

10,237

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #140001

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā 272 Gallery Hana Nui: Wahi Hana Nui Like ʻole

Kikokikona Puke: ʻO 272 Gallery kahi wahi hana nui like ʻole i hana ʻia ma ka hoʻāla hou ʻana i kahi hale noho e kū nei ma Foshan, Kina. Loaʻa i ka hale ʻekolu mau hana: he wahi hōʻike no nā lako hale kahiko waena, he hale hōʻikeʻike noʻeau, a me kahi wahi ʻākoakoa pilikino. Ua alakaʻi ʻia ka hana ma ke ʻano o ka hoʻololi liʻiliʻi loa, no laila ua mālama ʻia nā papahele terrazzo hana mua ʻia ma kahi a me nā lima kōkua alapiʻi lāʻau kumu. Ua hoʻohui ʻia nā pale hao, ka lāʻau paina ʻoiaʻiʻo ʻole i pena ʻia, a me nā paia pōhaku aniani. Ua wehe ʻia nā puka ʻāpana āpau o loko e hoʻopili i nā keʻena a hāʻawi i ke kūlana maʻalahi no nā hōʻikeʻike. Ua hoʻonoho pono ʻia nā puka makani e hoʻokaʻa i nā kumulāʻau kiʻekiʻe o ke kaiāulu.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Hao

Ua lanakila ka hoʻolālā 272 Gallery Hana Nui: Wahi Hana Nui Like ʻole i ka A' Design Award Hao, he ʻike hoʻohanohano i hāʻawi ʻia i nā hoʻolālā maikaʻi e hoʻokō ana i nā koi ʻoihana a ʻoihana hana i manaʻo ʻia mai nā mea hoʻokumu i hana maikaʻi ʻia. Hōʻike nā lanakila Hao i ka mākau nui, ka loea kiʻekiʻe, ka ʻike akamai a me ka hiki hana noʻeau o ka poʻe i hana iā lākou. Manaʻo ʻia ʻo ka hoʻolālā 272 Gallery Hana Nui: Wahi Hana Nui Like ʻole he mea hoʻokumu i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia e pono a hou. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Hao e hoʻohui ana i nā hana maikaʻi loa o ka ʻoihana a loaʻa nā ʻano ʻenehana mākaukau i hui pū ʻia me ka ʻike hana a me ka makakoho. Mahalo ʻia ka hoʻolālā 272 Gallery Hana Nui: Wahi Hana Nui Like ʻole no kona nānā pono a ua hoʻolālā ʻia e hāʻawi i nā hoʻomaikaʻi ola e kōkua ai i ka hana ʻana i ka honua i wahi maikaʻi aku.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: An experimental renovation practice, "272 Gallery" is a renewal of architectural space which transforms the original residence into three basic functions of medieval furniture display, art gallery and private gathering, so as to inject art and cultural elements into the old community. To touch the memory of the city, making people aware of the charm of the blocks. The city and architecture are closely connected through a pleasant environment, diversified cultural and artistic activities.
Nā Ana a me ka Hoʻopili: As the structural form of the original building limits the possibility of space reconstruction, while the third floor serves as a venue for furniture display and regular art exhibition, in order to meet the mobility between spaces and is conducive to exhibition and sightseeing, we demolish all the doors of the original house to form the experience of space integration. Due to the elimination of the door element, the relationship between rooms becomes equal, so as to meet the flexibility of carrying all kinds of art exhibitions.
Nā Lepili: gallery, interior design, architecture, renovation, structure design
ʻEnehana Hana: In the use of materials, we continue the principle of minimization. In addition to the unpainted pine and glass brick walls on the third floor, the external guardrails of the stairs and the courtyard are all made of iron. Due to the heavy feeling and the property of easy oxidation of iron, it matches the character of space and strengthens the atmosphere of space. For cost consideration, we chose to retain the original cast-in-place terrazzo floor and wall mechanism, wooden handrails of stairs, balancing the relationship between the old and the new.
Pilikia Hoʻolālā: How is the environment be used in the renovation of new buildings? In order to achieve a kind of "minimum" intervention, we try to have the consultation dialogue with space. Where should be demolished, repaired or added? All the demolished parts will be truthfully reflected in the new environment, and on the contrary, the new parts will overlap with the original traces, which is a game process between the new and the old, so as to establish a new spatial order.
Noiʻi: The project is located in Foshan, China, a historical city with rich cultural heritage. Taking the renewal of the old city as the research goal, using the limited budget, we attempted to do multi-point partial renewal and transformation of the old buildings in the aging community. The existing unused or semi abandoned space is transformed into art galleries, design studios, bookstores, etc. These activates the overall community atmosphere, so as to bring culture and business back to people's daily life. It has been widely influenced by the local society and changed the diversified mode of life of local people.
Hoʻoulu Manaʻo: The city expansion accelerates along with the constant development of information. At the same time, a fierce renewal inside the city which is like a surging whirlpool is absorbing all kinds of resources radially from the center to the surrounding. In the situation of increasingly scarce resources, the re-use of the "old part" of the city is coming up as a new solution. We always feel that the environment is shaped by people, but also shape the people there.
Ka Lōʻihi o ka Papahana: The project started in October 2019 and finished in April 2020 and is located in No.27-2 Chuihong Rd. Chuihong community of the center of Chancheng district, Foshan City, Guangdong, China
Kaʻina Hana: Benefit from the big trees planted in the community, the height of the tree crown has reached three or four stories, which provides an intoxicating green vision and shelter for the whole site, and also brings a quiet atmosphere. Facing the rare scenery of the city center, we have carefully designed the windows in different directions and positions. Looking from the interior to the exterior, it seems that the windows themselves have disappeared, in order to perfectly present the pure green.
Nā Lālā Hui: Qiuwen Luo, Zhixu Wang, Licen Ye
Nā Kuleana Kiʻi: Image #1, Image#2, Image#3, Image#4, Image #5: Photographer Chao Zhang, 2021