ʻO Vestiges Ka Cuff na Fatima Dahmani he mea lanakila hanohano loa o ka 2023 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Lei a me Kahiko.

KeleaweLei Kahiko· 2023

Vestiges Ka Cuff

na Fatima Dahmani

Mea Kūʻai: Moucharabieh

Mea Lanakila A' Design Award Keleawe ma ka Māhele Lei Kahiko

16,518

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #141900

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Vestiges Ka Cuff

ʻAʻole i kaupalena ʻia ka hoʻololi hou ʻana i nā mea nani o ka Hikina i kona mau ʻano maʻamau, akā ua hoʻopili pū ʻia i kona aesthetics a me ka hiki ke hoʻoikaika. ʻO ka unuhi hou ʻana i hoʻopili ʻia i kēia manawa, ʻike ʻia ka Vestiges cuff me he mea lā ua ʻeli ʻia mai kahi ʻeli archaeological, kahi mea e lawe ai i nā hōʻailona o ka manawa me nā ʻano i hoʻopiha ʻia e nā sediment. ʻO ke kumu hexagonal lalo, i hoʻonohonoho ʻia i loko o ka hōkū ʻeono, e huki i ka hoʻoikaika ʻana mai nā hōkū a me ka lewa, e hoʻāla ana i ka manaʻo o ka mana pau ʻole e like me ka ʻike ʻia ma ke kiʻi hoʻolālā Islamic.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Keleawe

Ua lanakila ka hoʻolālā Vestiges Ka Cuff i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Vestiges Ka Cuff he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Vestiges Ka Cuff i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: he different pieces of the Vestiges collection are interpreted as vestiges brought to light by an archaeological dig. Jewelry appears to have suffered the ravages of time, with patterns filled in by sediment or rings deformed by the pressure of sediment. The basic hexagonal pattern organized in a six-pointed star refers to the stars, and the sky, and its infinite repetition evokes the concept of infinite power in Islamic architecture.
Nā Ana a me ka Hoʻopili: For the small size (S): Height: 0.6 inches (15 mm), Width: 1.78 inches (45 mm), Diameter: 2.56 inches (65 mm), Length: 5.91 inches (150 mm). The bracelet can be custom-made and personalized upon order.
Nā Lepili: 3D printing, jewellery, bracelet, gold, islamic pattern, design
ʻEnehana Hana: This 3D lace jewelry was designed using jewelry software and then 3D printed in wax before being cast in 18K yellow gold. It can also be made in 18K white or rose gold.
Pilikia Hoʻolālā: The process involves designing complex 3D patterns and pushing the design to its technical limits in order to create delicate pieces that can be 3D printed in wax.
Noiʻi: Lines and curves create the patterns and subtle harmony of Moucharabieh jewelry. Their design is inspired by the richness of architecture and cultural history of creative lands, breaking free from boundaries to reveal unique intertwining designs. Each pattern is inspired by the art of Islamic geometric patterns found in ancient and contemporary architecture, representing a thousand-year-old heritage and creating high-end costume jewelry.
Hoʻoulu Manaʻo: A unique 3D design inspired by Islamic architecture that allows you to relive the experience of wonder that comes from discovering art with hypnotic properties: the art of Islamic geometric patterns. With this piece of jewelry, you will leave with the memory of a universal heritage captured by a jewel that shakes up traditional codes of Oriental jewelry with an innovative design.
Ka Lōʻihi o ka Papahana: The project started in Lille (France) and finished in 2019.
Kaʻina Hana: Redefining Oriental jewelry, not just in terms of what it can be, but also in terms of its appearance and inspiration. A reinterpretation that is in line with contemporary times. New technologies are an integral part of the jewelry design process; they enable me to push the boundaries of design to its technical limits and create creations with intricate, captivating, and timeless patterns.