ʻO Sertao Papa ʻAoʻao na Gabriela Campos he mea lanakila hanohano loa o ka 2023 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Lako Hale.
KeleaweLako Hale· 2023
Sertao Papa ʻAoʻao
Mea Kūʻai: Mais Alma Arquitetura and Design
Mea Lanakila A' Design Award Keleawe ma ka Māhele Lako Hale
Mea Lanakila i Hōʻoia ʻIa
Hōʻoia i ke Kūlana Makana no #142081Ka Hoʻolālā
E Pili Ana iā Sertao Papa ʻAoʻao
Papa ʻaoʻao ʻo Sertao, i hoʻoulu ʻia e ke kiʻi pena Abaporu, i hana ʻia ma 1928 e Tarsila do Amaral, he hōʻailona o ka modernism ma Brazil. ʻO ke ʻano poʻepoʻe e hahai ana i nā laina wai a kūlohelohe e wehewehe hou ana i ka neʻe a me ka ʻuhane pāʻani o ke kiʻi pena. Hoʻopau ʻia ka haku ʻana e nā kala mālie a ʻōlinolino. Loaʻa i ka papa ke kino MDF me ka pena lacquer a me ka hoʻopau lāʻau ʻoka ʻAmelika. He 45 kenimika ka laulā, 30 kenimika ka hohonu a 50 kenimika ke kiʻekiʻe. Hana lima ʻia kēlā me kēia ʻāpana e nā mea ʻoihana kūloko ma Cruzilia, Minas Gerais, Brazil.
Ka Hoʻomaikai
E Pili Ana i ka A' Design Award Keleawe
Ua lanakila ka hoʻolālā Sertao Papa ʻAoʻao i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Sertao Papa ʻAoʻao he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Sertao Papa ʻAoʻao i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.
Ma Hope o ka Hoʻolālā
ʻEke Nūhou
Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.
- Nā ʻAno Kūʻokoʻa
- This is a piece with a challenging design with a strong symbolism supporting it. With a narrative behind its organic forms, alludes to several elements contained in the work of Tarsila. Regarding the colors in the composition, the choice was to bring the soft and at the same time vivid tones of the work. As for the shape, the intention was to recreate the movement with fluid and organic lines, a challenge to the eye of the sense of balance, proportion and with a playful soul. A graceful balance between form and function.
- Nā Ana a me ka Hoʻopili
- Dimensions Width 45 cm 17,7 in / Depth 30 cm 11,80 in / Height 50 cm 19,70 in
- Nā Lepili
- table, side table, modernism, Brazilian furniture, Brazilian Design
- ʻEnehana Hana
- Fully handcrafted in the city of Cruzilia, Minas Gerais, this sidetable is produced by local artisans. The piece has an mdf structure with lacquer paint and American oak finish.
- Pilikia Hoʻolālā
- The challenge was in the study of shapes and specially the stability of the table, so that I could achieve a viable piece, economically and in terms of execution and, at the same time, that brought the lightness and organic shapes I was looking for.
- Noiʻi
- Being influenced by the modernist atmosphere around the world of Tarsila, the goal was to create a design that has this soul. The production was a process of evolving from sketches, technical drawings, and the real scale modeling. The execution was carried out in full-scale prototype.
- Hoʻoulu Manaʻo
- The rounded shaped side table is a hommage of the work Abaporu (1928), by Tarsila do Amaral, a great symbol of modernism in Brazil. The artist spent a lot of time studying in France, going through ateliers like Fernand Leger's, and returns to Brazil bringing this background to create her unmistakable signature. Abaporu, with its vivid colors and rounded shapes, is speculated to be the most valued Brazilian work in the world. The inspiration came from trying to develop a work of reinterpreting Abaporu and reproducing it in my world of design, keeping its essence and its message.
- Ka Lōʻihi o ka Papahana
- The project started in March 2022 and finished in May 2022, in Rio de Janeiro.
- Kaʻina Hana
- Having a refined design, the piece brings a graceful balance between form and function. It is a unique side table that catches the eye of the public, being both an organic and clean, yet a statement piece.
- Nā Kuleana Kiʻi
- Photographer: MCA Estúdio
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