Digital Taihu Lako Hale Paʻi 3D na Yang Pu and Ding Wen Nic Bao

ʻO Digital Taihu Lako Hale Paʻi 3D na Yang Pu and Ding Wen Nic Bao he mea lanakila hanohano loa o ka 2023 A' Design Award Hao ma ka Māhele Hoʻokūkū Hoʻolālā Paʻi ʻEkolu Ana a me Huahana Paʻi ʻEkolu Ana.

HaoPaʻi ʻEkolu Ana· 2023

Digital Taihu Lako Hale Paʻi 3D

na Yang Pu and Ding Wen Nic Bao

Mea Kūʻai: Nanjing University of the Arts and RMIT University

Mea Lanakila A' Design Award Hao ma ka Māhele Paʻi ʻEkolu Ana

41,118

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #147462

Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Digital Taihu Lako Hale Paʻi 3D

Hoʻohana ʻo Digital Taihu i ka ʻenehana paʻi 3D e hoʻāla i ka hoʻohana ʻana o ka moʻomeheu Pākē kahiko ma ke au kikokikona, e hui pū ana i ka pōhaku Taihu me nā algorithm hoʻomaikaʻi ʻōnaehana ʻelua-ʻaoʻao e ʻimi ana i nā ʻano hoʻolālā mai nā ʻōnaehana kūloaʻa, a loaʻa nā hoʻolālā mālama kikokikona me nā ʻōnaehana i hoʻomaikaʻi ʻia.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Hao

Ua lanakila ka hoʻolālā Digital Taihu Lako Hale Paʻi 3D i ka A' Design Award Hao, he ʻike hoʻohanohano i hāʻawi ʻia i nā hoʻolālā maikaʻi e hoʻokō ana i nā koi ʻoihana a ʻoihana hana i manaʻo ʻia mai nā mea hoʻokumu i hana maikaʻi ʻia. Hōʻike nā lanakila Hao i ka mākau nui, ka loea kiʻekiʻe, ka ʻike akamai a me ka hiki hana noʻeau o ka poʻe i hana iā lākou. Manaʻo ʻia ʻo ka hoʻolālā Digital Taihu Lako Hale Paʻi 3D he mea hoʻokumu i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia e pono a hou. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Hao e hoʻohui ana i nā hana maikaʻi loa o ka ʻoihana a loaʻa nā ʻano ʻenehana mākaukau i hui pū ʻia me ka ʻike hana a me ka makakoho. Mahalo ʻia ka hoʻolālā Digital Taihu Lako Hale Paʻi 3D no kona nānā pono a ua hoʻolālā ʻia e hāʻawi i nā hoʻomaikaʻi ola e kōkua ai i ka hana ʻana i ka honua i wahi maikaʻi aku.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: The work uses 3D printing to activate traditional Chinese culture to realize the synergistic design of structural properties generated by the 'Taihu Stone' and bi-directional evolutionary structural optimization algorithms, focusing on the complexity of virtual birth forms into the rationality of physical forms. This digital design practice learns from nature and derives its design biomorphic approach from natural systems to achieve the sustainable goal of living in symbiosis with nature.
Nā Ana a me ka Hoʻopili: Length 915mm, width 1125mm, height 1052mm
Nā Lepili: Bi-directional evolutionary structural optimization, 3D Printing, Conceptual Design, Furniture Design
ʻEnehana Hana: A bi-directional evolutionary structural optimization method was used to optimize the furniture structure and to obtain a simulated natural form of Taihu stone. The furniture model is constructed from liquid photosensitive resin material by integrated 3D printing. The actual construction was carried out using metal 3D printing.
Pilikia Hoʻolālā: The most difficult part of the project development process is the topology optimization phase, including the application of relevant mechanics methods and the testing of data iterations. Secondly, it was also a challenge to verify the feasibility of the structural materials, which needed to be considered in terms of production difficulties and the extent to which people would use them.
Noiʻi: Research objectives: 1. The digital expression of traditional Chinese cultures. 2. furniture structures optimization and 3D printing technology combined to achieve sustainability goals. Research methods: 1. Structural data collection and analysis. 2. Algorithmic data iteration to generate forms. Research findings: 1. 3D printing technology allows for rapid lightweight design, moving away from traditional production models. 2. Furniture structures and materials are cutting-edge. Research Impact: Provides the possibility of diverse design for the future digital design industry.
Hoʻoulu Manaʻo: In the long history of furniture design, traditional culture has given furniture shapes a richer morphological language, and 3D printing as a new design culture can bring more surprises to furniture design. From a design perspective, we hope that the combination of the natural form of the traditional Chinese stone "Taihu Stone" and digital design will result in a more vivid shape through 3D printing, activating a new way of communicating Chinese traditional culture in the digital age.
Ka Lōʻihi o ka Papahana: The project started in July 2022 and ended in September 2022. Project duration: 2 months. Location: Wuhan City, Hubei Province, China.
Kaʻina Hana: Firstly, the furniture is designed using a bi-directional evolutionary structural optimization algorithm and the prototype is iterated according to the corresponding optimization results. Secondly, the furniture is constructed by 3D printing. The topologically optimized furniture not only has reasonable structural properties, reduces the amount of material used, and shortens the construction production cycle, but also results in a better quality customized lightweight designs.
Nā Lālā Hui: Yang Pu
Ding Wen Bao
Nā Kuleana Kiʻi: Yang Pu and Ding Wen‘Nic’Bao，2022.