ʻO Nomad Kiʻiʻoniʻoni Pōkole Hoʻoneʻe Kiʻi na Yetong Xin and Muwen Li he mea lanakila hanohano loa o ka 2025 A' Design Award Kala ma ka Māhele Hoʻokūkū Hoʻolālā Kiʻiʻoniʻoni, Wikiō a me Hoʻonaninani.
KalaKiʻiʻoniʻoni· 2025
Nomad Kiʻiʻoniʻoni Pōkole Hoʻoneʻe Kiʻi
Mea Kūʻai: Reraner
Mea Lanakila A' Design Award Kala ma ka Māhele Kiʻiʻoniʻoni
Mea Lanakila i Hōʻoia ʻIa
Hōʻoia i ke Kūlana Makana no #164631Ka Hoʻolālā
E Pili Ana iā Nomad Kiʻiʻoniʻoni Pōkole Hoʻoneʻe Kiʻi
He kiʻiʻoniʻoni pōkole hoʻoneʻe kiʻi ʻo Nomad no ka moʻolelo ʻepekema e pili ana i ka wā e hiki mai ana o ka ululāʻau ua ʻo Amazona. Hōʻike ka kiʻiʻoniʻoni i kekahi kūlanakauhale neʻe hiki ke lawe i nā ʻohana lāhui o Amazona i nā wahi hou e hiki ai ke noho, ke hiki ʻole i kekahi wahi ke kākoʻo hou i ke ola kanaka. Mālama nā mīkini o Nomad i ke ʻano mīkini akā ua kūkulu nui ʻia mai nā mea kūlohelohe ma kahi o ka metala. ʻO kēia ʻano i hoʻoulu ʻia e ke kūlohelohe, pale ia i ke anuanu o nā mīkini kuʻuna a hāʻawi i ke kūlanakauhale i ka manaʻo o ke ola. Ua hana mua ʻia nā kiʻi kaha lima a me nā papa moʻolelo kiʻi, a ma hope mai ka hana kumu hoʻohālike, ka hoʻoneʻe kiʻi, ka hoʻopuka kiʻi, a me ka hoʻohui kiʻi. Ua hoʻohana ʻia ka hopu ʻoni no nā mea hoʻokani.
Ka Hoʻomaikai
E Pili Ana i ka A' Design Award Kala
Ua lanakila ka hoʻolālā Nomad Kiʻiʻoniʻoni Pōkole Hoʻoneʻe Kiʻi i ka A' Design Award Kala, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kiʻekiʻe loa, nani a kupaianaha. He mau hana ʻālohilohi loa a hana noʻeau nui nā lanakila Kala e hōʻike ana i ka loea, ka makakoho a me ka ʻoi aku o ka noʻonoʻo o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Nomad Kiʻiʻoniʻoni Pōkole Hoʻoneʻe Kiʻi he hana kupaianaha, kūlana ʻoi aku, ʻoihana kiʻekiʻe a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Kala he mea hoʻokumu kūpono loa, mahalo ʻia e hāʻawi i ka pōmaikaʻi a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. He mea i ʻeleu ʻia e nā mea he nui ka hoʻolālā Nomad Kiʻiʻoniʻoni Pōkole Hoʻoneʻe Kiʻi e hoʻāla i ka makemake, lawe mai i nā manaʻo maikaʻi a hoʻāla i ka kamahaʻo a me ka mahalo.
Ma Hope o ka Hoʻolālā
ʻEke Nūhou
Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.
- Nā ʻAno Kūʻokoʻa
- The mechanical design in the video has a unique style: while it retains a mechanical structure, it primarily uses natural materials instead of metal. Through this nature inspired mechanical approach, the design aims to portray a human city that values nature, reflecting a vision for future cities—harmony between humans and the environment. This design breaks away from the coldness of traditional machinery, giving it a sense of vitality that resonates with the audience and enhances their immersive experience.
- Nā Ana a me ka Hoʻopili
- 4K Video. Screened on a large display.
- Nā Lepili
- animation, nature, scifi, emotion, future
- ʻEnehana Hana
- First created design sketches and storyboards in Photoshop, then modeled in Blender. Used Cinema4D for scene building, animation, rendering, and simulations, and finally composited everything in After Effects. The character movements were captured using motion capture technology.
- Pilikia Hoʻolālā
- The challenge was how to create a worldview that respects nature in the context of a high tech future. Many futuristic films, such as those with cyberpunk aesthetics, often depict highly mechanized cities, which conflict with the message of nature conservation the project aimed to convey. To address this issue, multiple discussions were held, ultimately leading to the adoption of a biomimetic approach, designing a city that embodies advanced technology while coexisting harmoniously with nature.
- Noiʻi
- This project originated from MIT Media Lab's City Science Group research on Amazonian tribes, focusing on the Amazon rainforest's decline due to human activity. Collaborating with scholars and urban designers, the team explored the tribes' beliefs, such as shamanism and totems. Their findings suggest that future Amazonian tribes may continue to respect nature and build cities that harmonize with the environment, shaping the film's worldview and production.
- Hoʻoulu Manaʻo
- This scifi animation short was created in 2023, with a focus on environmental protection. By 2024, due to urban expansion, the forest cover in the eastern Amazon had decreased by 31 percent. This inspired the project to reflect on how humans should coexist harmoniously with nature in the future. The concept envisioned a city capable of moving freely; when a location can no longer sustain human activity, it would transport the Amazonian tribes to new habitable areas, achieving a dynamic balance of natural resources.
- Ka Lōʻihi o ka Papahana
- The project started in September 2023 in MIT Media Lab in Boston and finished in January 2024, and was exhibited in Brooklyn Film Festival, D ARCH Film Festival, A plus D museum in Los Angeles, and METAXIS plus PROMPT Festival in Budapest in 2024.
- Kaʻina Hana
- This animation uses a widescreen cinematic aspect ratio, and the music is highly aesthetic. It is best suited for viewing in a completely dark environment, such as a cinema, with a large screen or projector. The audience will experience an immersive and ultimate audiovisual experience.
- Nā Lālā Hui
- Co Author: Muwen Li
Music: Yicheng Zhu
Music: Zuochu Liu
Sound Design: JoNine Liu
Voice: Gabriela Bila Advincula
Kākoʻo ʻIa
ʻImi ma ʻō aku o Designers.org
E ʻimi i nā huahana, nā lawelawe a me nā manawa mai kā mākou mau hoa hoʻolaha.
Hou Aku e ʻImi Ai
Nā Hoʻolālā Pili
E ʻimi i nā hoʻolālā lanakila hou mai ka māhele like, i koho ʻia ma ka waiwai.
