Embrace The Poetry Of Self Lole na Ji Yibo

ʻO Embrace The Poetry Of Self Lole na Ji Yibo he mea lanakila hanohano loa o ka 2025 A' Design Award Hao ma ka Māhele Hoʻokūkū Hoʻolālā Lole, ʻAʻahu a me Kāpili.

HaoLole· 2025

Embrace The Poetry Of Self Lole

na Ji Yibo

Mea Kūʻai: Nanjing University of the Arts

Mea Lanakila A' Design Award Hao ma ka Māhele Lole

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Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #169049

Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Embrace The Poetry Of Self Lole

He ʻohu lole wahine ʻo Embrace the Poetry of Self, i hoʻokumu ʻia ma ka lole lōʻihi. Ua hoʻokomo ʻia ke kūkulu o ka pālule kāne kuʻuna i loko o ka lole wahine, a ua hoʻohana ʻia ke ʻoki ʻekolu ana i mea e hui pū ai kēia mau ʻano ʻelua. Ua wāwahi ʻia a hana hou ʻia nā kūkulu lole e hoʻopohihihi ai i nā palena ma waena o nā lole kāne a me nā lole wahine. ʻO ka hopena, hoʻokahi lole hiki ke ʻaʻahu ʻia ma nā ʻano like ʻole. Ua hui pū ʻia ka hana a me ke ʻano nānā ma hoʻokahi ʻāpana. Hoʻomaopopo hou kēia ʻohu i ke ʻano kūlana wahine a me ka pilina ma waena o ka lole a me ke kino.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Hao

Ua lanakila ka hoʻolālā Embrace The Poetry Of Self Lole i ka A' Design Award Hao, he ʻike hoʻohanohano i hāʻawi ʻia i nā hoʻolālā maikaʻi e hoʻokō ana i nā koi ʻoihana a ʻoihana hana i manaʻo ʻia mai nā mea hoʻokumu i hana maikaʻi ʻia. Hōʻike nā lanakila Hao i ka mākau nui, ka loea kiʻekiʻe, ka ʻike akamai a me ka hiki hana noʻeau o ka poʻe i hana iā lākou. Manaʻo ʻia ʻo ka hoʻolālā Embrace The Poetry Of Self Lole he mea hoʻokumu i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia e pono a hou. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Hao e hoʻohui ana i nā hana maikaʻi loa o ka ʻoihana a loaʻa nā ʻano ʻenehana mākaukau i hui pū ʻia me ka ʻike hana a me ka makakoho. Mahalo ʻia ka hoʻolālā Embrace The Poetry Of Self Lole no kona nānā pono a ua hoʻolālā ʻia e hāʻawi i nā hoʻomaikaʻi ola e kōkua ai i ka hana ʻana i ka honua i wahi maikaʻi aku.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: The delicate fabric subtly conveys the graceful curves of a woman while also carrying strong gender symbols. This collection deconstructs and reconstructs clothing structures, using three-dimensional cutting and deconstruction techniques to spatially reshape traditionally gendered garments such as men's shirts and suits, blurring the boundaries of gender and creating a limitless interactive space between clothing and the body.
Nā Ana a me ka Hoʻopili: 25cm*2cm*80cm
Nā Lepili: Apparel, Clothes, Fashion, Dress, Woman
ʻEnehana Hana: In terms of structure design, the transformation and fusion of the garment's three-dimensional structure change its functionality. By embedding the structure of a traditional men's shirt into a feminine dress, the designer employed three-dimensional cutting to enhance its integration, making it versatile and practical, offering "one garment with multiple styles." At the same time, the functional and aesthetic qualities of the clothing merge seamlessly, providing women with a broader range of styling possibilities.
Pilikia Hoʻolālā: Balancing fit and comfort can be challenging, as different body types have varying needs. Choosing fabrics that meet aesthetic, comfort, and functionality requirements is essential. Cost control is another difficulty, as high-quality materials and intricate craftsmanship can increase expenses. Additionally, the complexity of designs may affect production efficiency. Rapid changes in market trends require quick responses to keep up with fashion. Sustainability poses challenges as eco-friendly materials and processes often come with higher costs and limited technology. These difficulties demand that designers find the best balance between creativity, aesthetics, technology, and market demands.
Noiʻi: Ergonomic analysis to optimize fit and comfort; material technology research to select breathable, waterproof, and antibacterial functional fabrics; fashion trend analysis to integrate market demands with stylish elements; craftsmanship and structural optimization to enhance tailoring techniques and durability; eco-friendly and sustainable design using recycled materials and environmentally friendly processes; and smart wearable technology with features such as temperature control and health monitoring. These research approaches ensure that clothing achieves the best balance of comfort, functionality, aesthetics, and sustainability.
Hoʻoulu Manaʻo: The Embrace the Poetry of Self collection is inspired by a profound reflection on female identity and the spatial structure of the body. As a staple in women's daily wardrobes, the dress symbolizes both fashion and femininity.
Ka Lōʻihi o ka Papahana: The project started in September 2016 in Nanjing and finished in September 2017 in Nanjing, exhibiting in Nanjing University of the Arts.
Kaʻina Hana: In terms of structure design, the transformation and fusion of the garment's three-dimensional structure change its functionality. By embedding the structure of a traditional men's shirt into a feminine dress, the designer employed three-dimensional cutting to enhance its integration, making it versatile and practical, offering "one garment with multiple styles." At the same time, the functional and aesthetic qualities of the clothing merge seamlessly, providing women with a broader range of styling possibilities.
Nā Lālā Hui: Ji Yibo