Life Forms of Colors Hana Noʻeau Kikokō na Yuko Suzuki

ʻO Life Forms of Colors Hana Noʻeau Kikokō na Yuko Suzuki he mea lanakila hanohano loa o ka 2025 A' Design Award Kala ma ka Māhele Hoʻokūkū Hoʻolālā Hoʻohua, ʻAlakaiʻo, Hōʻailona a me AI Kōkua.

KalaHoʻohua· 2025

Life Forms of Colors Hana Noʻeau Kikokō

na Yuko Suzuki

Mea Kūʻai: Civic Creative Base Tokyo (CCBT)

Mea Lanakila A' Design Award Kala ma ka Māhele Hoʻohua

176,057

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #170854

Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Life Forms of Colors Hana Noʻeau Kikokō

ʻO kēia hana he ʻoniʻoni e hōʻike ana i ke kaʻina o ka wehe ʻana a me ka hana hou ʻana i nā pona kikokō. Hoʻomaka ka manaʻo no kēia hana i ka manawa i makemake ai ka mea hana paʻi, he mea paʻi kiʻi ʻo ia, e hana i kahi kiʻi paʻi ʻāina a nīnau inā hiki ke hoʻokō i ka kaʻawale waihoʻoluʻu ma o ka palapala kūlana. Hōʻike nā pona e like me nā pūnaewele, e neʻe ana e hoʻokumu i nā ʻano a me nā waihoʻoluʻu hou, e kau ana i nā manaʻo Kepanī o Kasane (ka paele ʻana) a me Zurashi (ka neʻe ʻana). Hōʻailona pū kēia i nā loli like ʻole e hiki i ka kanaka ke komo ai, e hōʻike ana i ka ʻano like ʻole a me ka hehena ma o ka hana a pau, a e hōʻike ana i ka hui pū ʻana o ka moʻomeheu me ka ʻenehana hou.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Kala

Ua lanakila ka hoʻolālā Life Forms of Colors Hana Noʻeau Kikokō i ka A' Design Award Kala, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kiʻekiʻe loa, nani a kupaianaha. He mau hana ʻālohilohi loa a hana noʻeau nui nā lanakila Kala e hōʻike ana i ka loea, ka makakoho a me ka ʻoi aku o ka noʻonoʻo o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Life Forms of Colors Hana Noʻeau Kikokō he hana kupaianaha, kūlana ʻoi aku, ʻoihana kiʻekiʻe a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Kala he mea hoʻokumu kūpono loa, mahalo ʻia e hāʻawi i ka pōmaikaʻi a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. He mea i ʻeleu ʻia e nā mea he nui ka hoʻolālā Life Forms of Colors Hana Noʻeau Kikokō e hoʻāla i ka makemake, lawe mai i nā manaʻo maikaʻi a hoʻāla i ka kamahaʻo a me ka mahalo.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: This animation breaks down an image into pixels, reconstructing and transforming them repeatedly. The pixels emerge like cells, moving and forming new shapes and colors, embodying the Japanese concepts of "Kasane (layering)" and "Zurashi (shifting)." This reflects how living beings shape the world, either by choice or by following the flow. The ever-changing forms symbolize human transformation and the cycle of life and death.
Nā Ana a me ka Hoʻopili: LED screen 4m × 4m, 10 minutes 30 seconds
Nā Lepili: Generative Art, Coding
ʻEnehana Hana: This work was created entirely in a programming language called Processing.
It is made up of multiple animations that change from one shape to the next, linked together.
Pilikia Hoʻolālā: The most difficult and exciting part was figuring out how to connect all of the different shapes through coding.
It was impossible to create all of the animations in one document, so I divided the whole thing into four scenes, created the animation, and connected them using video editing software.
Noiʻi: This design research explores an animation technique that uses coding to break down and reconstruct pixels.
Through this process, the artist began to feel as if the pixels symbolized the workings of humans and the world. The pixels are like cells, but at the same time, they also seem like the individual people that make up the world. This created a sense of moving between the micro and macro worlds.
Through the use of digital technology, this research offers new methods of visual expression in art, business and society, and suggests the possibility of redefining cultural value.
Hoʻoulu Manaʻo: The impetus for creating this work began when the artist, a printmaker, wanted to create a landscape print, and wondered whether it would be possible to achieve color separation through coding. This was the beginning of an attempt to incorporate the physical acts of producing a multi-color woodblock print - "color separation of the print," "overprinting, " and "rolling the paper" - into code, and it developed into the more abstract idea of "creating a three-dimensional print."
Ka Lōʻihi o ka Papahana: This work was exhibited as part of the CCBT x Yebisu International Festival for Art and Alternative Visions 2024 "Poems in Code: Generative Art Today and Programming Generated Moving Image" project held in Tokyo in February 2024.
Kaʻina Hana: This work is an animation that depicts the process of pixels being broken down and reconstructed. As you watch, the pixels move and transform, creating new shapes. The changes in the pixels symbolize the potential for people to transform in various ways, and this diversity and fluidity is expressed throughout the work.
Nā Kuleana Kiʻi: Image #1: Photographer Ryuichi Maruo, Life-forms of colors, 2024, Photo courtesy Civic Creative Base Tokyo [CCBT].
Image #2: Photographer Ryuichi Maruo, Life-forms of colors, 2024, Photo courtesy Civic Creative Base Tokyo [CCBT].
Video Credits: Photographer Ryuichi Maruo, Life-forms of colors, 2024, Video courtesy Civic Creative Base Tokyo [CCBT].