Through the Looking Prism Kūkulu Hana No'eau Mālamalama na Takanao Todo

ʻO Through the Looking Prism Kūkulu Hana No'eau Mālamalama na Takanao Todo he mea lanakila hanohano loa o ka 2025 A' Design Award Kala ma ka Māhele Hoʻokūkū Hoʻolālā Papahana Kukui a me Hana Noʻeau Kukui.

KalaPapahana Kukui· 2025

Through the Looking Prism Kūkulu Hana No'eau Mālamalama

na Takanao Todo

Mea Kūʻai: Takanao Todo Design

Mea Lanakila A' Design Award Kala ma ka Māhele Papahana Kukui

29,642

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #171239

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Through the Looking Prism Kūkulu Hana No'eau Mālamalama

Ka pā aniani pelekila hō'ike hou a wehe i ka nānā 'āina kūlanakauhale o ka Muliwai o Chao Phraya, kekahi o nā hihi'o kaulana o Bangkok. 'O ka ahu i kūkulu 'ia me 300 mau 'āpana aniani pelekila i kāko'o 'ia e ka kila pa'a'a'ā ho'oma'ema'e 'ili one, hā'awi ia i ka nānā 'oko'a me kona mālamalama pelekila. 'A'ohe mālamalama ho'ohui hou ma ka ahu e ho'emi ana i ka 'ai ikehu a lilo i mana'o kū'ē no ka haumia mālamalama o ka noho kūlanakauhale. 'O ka ho'okomo he hō'ike ia no nā hiki pau 'ole o ka kūkulu hana no'eau mālamalama, ua hō'ike 'ia ma 'Ākia nui me kona 'ōnaehana ho'opili ma'alahi.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Kala

Ua lanakila ka hoʻolālā Through the Looking Prism Kūkulu Hana No'eau Mālamalama i ka A' Design Award Kala, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kiʻekiʻe loa, nani a kupaianaha. He mau hana ʻālohilohi loa a hana noʻeau nui nā lanakila Kala e hōʻike ana i ka loea, ka makakoho a me ka ʻoi aku o ka noʻonoʻo o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Through the Looking Prism Kūkulu Hana No'eau Mālamalama he hana kupaianaha, kūlana ʻoi aku, ʻoihana kiʻekiʻe a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Kala he mea hoʻokumu kūpono loa, mahalo ʻia e hāʻawi i ka pōmaikaʻi a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. He mea i ʻeleu ʻia e nā mea he nui ka hoʻolālā Through the Looking Prism Kūkulu Hana No'eau Mālamalama e hoʻāla i ka makemake, lawe mai i nā manaʻo maikaʻi a hoʻāla i ka kamahaʻo a me ka mahalo.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: Prism glass reflect and refract unique urban panorama of Bangkok offering alternative perspective with its prism light. The absence of additional lighting not only minimizes energy consumption but also serves as a poignant critique of light pollution prevalent in modern urban settings. The installation is a testament to the boundless possibilities of light art installation.
Nā Ana a me ka Hoʻopili: Stainless Steel with sand blast finish, 150mm x 20mm x 20mm glass prism, Width 2000mm Depth 200mm x Height 1900mm
Nā Lepili: Prism, Light, Refraction, Chao Phraya River, Installation, Bangkok, Reflection, Glass Prism
ʻEnehana Hana: This installation consists of 300 pieces of glass prisms supported by a sandblast-finished stainless steel frame. Each glass prism follows the large-size commercial glass prism, 30mm x 30mm X 150mm. They are fixed to the frame with a wedge supported with an adhesive connection. The height of the frame is 1900 mm in height and 2000mm in width, which is portable by the truck, and able to be carried and assembled by the labor. Self-weight helps to stabilize the installation, which is resistant to the wind.
Pilikia Hoʻolālā: The first prototype was made with adhesive connection, which made it difficult to relocate the structure. The detail developed to become mechanical connection, made it easier to replace the glass prism when needed. And this solves the issue about maintenance for cleaning as it is easier to clean while removing glass pieces.

One of the challenge was to meet the cost of the glass prism. It was impossible to make custom made piece to fit within a reasonable range of the budget. Mass-produced glass prism for scientific experimentation was used for the construction.

Glass prism had several cracks with the direct sunlight exposure. Higher spec glass prism stood well on an exterior condition, thus the spec of the glass prevents from damage.

Both natural and artificial light phenomena changes drastically between day and night. It was a sensitive work to capture all kinds of light effect produced from the structure.
Noiʻi: This design research project examines the optical performance of the glass prism. This research commenced by investigating experimental works using prism as a material to manipulate optical phenomena, light refraction and reflection. Although glass is a building material that offers transparency in architectural design, prism glass hardly ever became a common type of glass due to its unorthodox form. The research stems from earlier investigations and designs using prism materials, aiming to exploit their unique optical effects while making construction methods more affordable and practical. Bangkok Design Week 2024, “Through the Looking Prism” with dimension of 1.9 m x 1.8 m, demonstrates various effects produced through the prismatic wall made of 300 pieces of prism glass. The location of the installation is located at the viewing platform towards Chao Phraya River, where there is constant movement of water surface and boats, with uninterrupted view allowing sunlight to hit. The structure is designed to maximize the viewing experience of the observer. There were observed sunlight refraction at different times of the day, artificial light refraction at nighttime, observed prismatic light with a spectrum of light at certain times of the day, and shifts from refraction to reflection at different angles.
Hoʻoulu Manaʻo: Rejecting the conventional use of additional lighting sources, while showcase the transformative power of light in shaping the urban landscape, both in day and night. The heart of this installation is a window adorned with a glass prism wall, meticulously designed to capture and refract the myriad hues of Bangkok's nocturnal charm. Situated along the iconic Chao Phraya River, the structure offers a mesmerizing interplay of light and shadow, capturing the essence of the city's vibrant energy.
Ka Lōʻihi o ka Papahana: The project displayed as a part of the Bangkok Design Week in Jan 2024 in Rajinee Pier in Bangkok, and relocated to the Pahurat Flower Market.
Kaʻina Hana: It is a stand alone structure. At the different time of the day, both natural and artificial light get reflect and refracted through the glass prisms. The structure was placed carefully to cover typical panorama of the Chao Phraya River where represents Bangkok well. Minimizing the artificial light within the site to maximize the incoming light from the other side of the river. Height of the structure made from 2000mm to 1900mm to accommodate average audience eye height.
Nā Palapala Kuleana: n.a.
Nā Lālā Hui: Designer: Takanao Todo
Nā Kuleana Kiʻi: Swita Uancharoenkul