Zig Zag Laina Mea Kahiko Hou na Mayte Ossorio Domecq

ʻO Zig Zag Laina Mea Kahiko Hou na Mayte Ossorio Domecq he mea lanakila hanohano loa o ka 2025 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Lei a me Kahiko.

KeleaweLei Kahiko· 2025

Zig Zag Laina Mea Kahiko Hou

na Mayte Ossorio Domecq

Mea Kūʻai: Mayte Domecq

Mea Lanakila A' Design Award Keleawe ma ka Māhele Lei Kahiko

21,546

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #171308

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Zig Zag Laina Mea Kahiko Hou

Mai ka Pololei a i ka Piko: Ke Hoʻomohala ʻAna o ka Zig Zag. ʻO kēia papahana noiʻi hoʻohana e ʻimi ana i ka loli ʻana o ka laina pololei i laina piko ma o nā ʻoki ʻāpana. ʻO ka pahuhopu, e hoʻolālā i kahi lei ʻāʻī ikaika a hoʻohihi wale me ka hōʻemi ʻana i ka hoʻohana ʻana i nā mea kūkulu a me ka hoʻomaikaʻi ʻana i ka pono kikoʻī. Ua kūkulu ʻia ka ʻano hana ma luna o ka hoʻāʻo pilikino, kahi i hoʻāʻo ʻia ai nā ʻano ʻoki a me nā ʻano hoʻopiko like ʻole no ka loaʻa ʻana o ka naʻenae a me ke ʻano i makemake ʻia.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Keleawe

Ua lanakila ka hoʻolālā Zig Zag Laina Mea Kahiko Hou i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Zig Zag Laina Mea Kahiko Hou he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Zig Zag Laina Mea Kahiko Hou i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: From straight to curved: the Zig Zag takes shape. Morphological transformation and body adaptation through transversal, equidistant, and rhythmic linear cuts. Each piece starts from double layered, overlapping leather rectangles that, through specific cuts, create distinct visual and functional rhythms depending on their placement, necklaces, bracelets, or earrings. This, along with the reuse of remnants, optimizes resources and maximizes material exploration.
Nā Ana a me ka Hoʻopili: Double glued leather, in different colors and textures, pastel, metallic and basic.
Earrings w 3mm d 20mm h 65 mm. Necklace mini w 3mm d 25mm h 480mm. Necklace big w 3mm d 60mm h 540mm. Necklace 8 w 3mm d 30mm h 900mm. Bracelet w 3mm d 60mm h 220mm. Packaging is custom cardboard with outer loop, brand label, card and heart.
Nā Lepili: from straight to curve, morphological transformation, jewelry, sustainability, body adaptation
ʻEnehana Hana: Double layer cowhide leather, bonded together.
Manufacturing, handcrafted using hole punch tools.
Cutting dies are used for all necklace bodies, shaping straight edges into curves through repetitive, equidistant transverse cuts. This method minimizes material use, ensures optimal body adaptation, maximizes efficiency, and creates unique differentiation between pieces through variations in the cuts.
Pilikia Hoʻolālā: For the Zig Zag line, the challenge was to create a bold necklace without relying on large leather surfaces, using mostly small remnants. The key was generating curvature after cutting, transforming a 22 cm x 6 cm rectangle, the one used for the bracelet, into a striking piece. Equidistant cuts were tested to determine how close they could get to the edge for flexibility without risking breakage. Unlike a single cut piece, this method required precision to maximize material use while ensuring structural integrity.
Noiʻi: From straight to curved: the Zig Zag takes shape. This is an applied research project aimed at transforming a straight line into a curve through cross sections. The goal was to create a strong necklace while minimizing material use. The methodology involved direct experimentation with the material. The result was remarkable, not only was the design immediately accepted, but it also received a clearly positive response. It is sold in Germany, Turkey, and Argentina.
Hoʻoulu Manaʻo: When covering a notebook, rigid paper finds its flexibility through precise, cuts it folds, adapts, and embraces the shape without losing structure. That same principle guides the Zig Zag line. A firm lined rectangle transforms through strategic cuts that allow it to fall gracefully, as if the material were learning to move. Thus, what was once static becomes fluid, geometry adapts to the body, and air becomes part of the design.
Ka Lōʻihi o ka Papahana: The proyect started in January 2019 with the bracelet, january 2022 and finished in July 2022, the hole line in Bs As Argentina.
Kaʻina Hana: Designed for comfort and easy wear, these pieces can be put on without assistance. Ideal for daily use, they have the right weight to prevent strain. Their material ensures silent movement. Both necklaces and the bracelet feature metal cufflinks for secure fastening. The bracelet has two adjustable positions. The earrings use standard stainless steel posts that fit seamlessly into the earlobes.
Nā Palapala Kuleana: Awarded the Sello del Buen diseño Argentino 2024 (Seal of Good Argentine Design 2024) #5429
Nā Lālā Hui: Mayte Ossorio Domecq
Nā Kuleana Kiʻi: Image #No 1 : Photographer Edgardo Delfino Model Sergio Calegoya
Image #No 2 : Photographer Edgardo Delfino model Mayte Ossorio Domecq
Image #No 3 : Photographer Edgardo Delfino
Image #No 4 : Photographer Edgardo Delfino
Image #No 5 : Photographer Edgardo Delfino