Guanshan Hana Nui: ʻIʻo Hōʻailona Kālepa na Hong Jia Min

ʻO Guanshan Hana Nui: ʻIʻo Hōʻailona Kālepa na Hong Jia Min he mea lanakila hanohano loa o ka 2025 A' Design Award Hao ma ka Māhele Hoʻokūkū Hoʻolālā Kiʻi, Kiʻi Paʻi a me Kamaʻilio ʻIke.

HaoKiʻi· 2025

Guanshan Hana Nui: ʻIʻo Hōʻailona Kālepa

na Hong Jia Min

Mea Kūʻai: Jijia Brand Creative Studio

Mea Lanakila A' Design Award Hao ma ka Māhele Kiʻi

2,022

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #172951

Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Guanshan Hana Nui: ʻIʻo Hōʻailona Kālepa

Kikokikona Puke: ʻO Guanshan kahi hōʻailona kālepa i hana ʻia no kahi hale kūʻai kī waiū. Hoʻohana ke kālai hoʻolālā i nā huaʻōlelo Kina i kumu, a hoʻohou i ke ʻano o ke kākau kahiko "clerical script" me ka mālama ʻana i kona ʻuhane kuʻuna. Me kona kumu i ke aesthetics o nā mea Hikina, hoʻohui ka hōʻailona i nā kiʻi o nā peʻahi wai ʻīnika a me nā ipu kī. Hōʻike ke kiʻi kikowaena i kahi peʻahi a me kahi kīʻaha kī i loko o kahi hoʻonohonoho uhi like, e hana ana i kahi ʻano hōʻailona ʻelua. Hōʻike nā kaha peni ʻīnika i ke kiʻi o ka papa ʻohe o kahi peʻahi poepoe kuʻuna, a ʻimi ke kaha o ke kīʻaha i nā ipu kī Jianzhan.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Hao

Ua lanakila ka hoʻolālā Guanshan Hana Nui: ʻIʻo Hōʻailona Kālepa i ka A' Design Award Hao, he ʻike hoʻohanohano i hāʻawi ʻia i nā hoʻolālā maikaʻi e hoʻokō ana i nā koi ʻoihana a ʻoihana hana i manaʻo ʻia mai nā mea hoʻokumu i hana maikaʻi ʻia. Hōʻike nā lanakila Hao i ka mākau nui, ka loea kiʻekiʻe, ka ʻike akamai a me ka hiki hana noʻeau o ka poʻe i hana iā lākou. Manaʻo ʻia ʻo ka hoʻolālā Guanshan Hana Nui: ʻIʻo Hōʻailona Kālepa he mea hoʻokumu i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia e pono a hou. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Hao e hoʻohui ana i nā hana maikaʻi loa o ka ʻoihana a loaʻa nā ʻano ʻenehana mākaukau i hui pū ʻia me ka ʻike hana a me ka makakoho. Mahalo ʻia ka hoʻolālā Guanshan Hana Nui: ʻIʻo Hōʻailona Kālepa no kona nānā pono a ua hoʻolālā ʻia e hāʻawi i nā hoʻomaikaʻi ola e kōkua ai i ka hana ʻana i ka honua i wahi maikaʻi aku.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: Anchored in the philosophy of teahouse as home, we construct a contemporary sanctuary for tea connoisseurs. Our brews extract primal essences from ancient tea groves, harmonized with mountain springs and melted snow to reveal terroir authenticity. Spaces crystallize tea mountains textures and light interplay, crafting immersive nomadic tea sanctuaries that engage all senses.
Nā Ana a me ka Hoʻopili: The brand multi series tea collections employ phytographic design extracting each teas botanical essence and marrying it with Chinese aesthetic principles. This methodology crystallizes into Neo Chinese packaging that embodies product specific visual identities.
Nā Lepili: Oriental, Creativity, Tea , Ink Painting, Chinese
ʻEnehana Hana: The creative process prioritizes onomastic morphology deriving visual forms directly from the brands nomenclature while integrating product typology. This methodology undergoes cultural synthesis through strategic collisions between contemporary creativity and Chinese heritage elements, generating innovative semiotic expressions rooted in commercial context.
Pilikia Hoʻolālā: The project requires the seamless integration of multiple elements to simultaneously communicate the brand core identity, embody Oriental aesthetics, and ensure versatile application across diverse scenarios.
Noiʻi: We reconfigure tea rituals through Ceramic Deconstructionism transposing bamboo brazier fans mechanical logic into ergonomic curves, translating ink bleeds into tactile gradients on vessel surfaces. Packaging evolves into Tactile Typology archives where material stratigraphy chronicles tea history, Neo Chinese design manifests as Parametric Archaeology methodology.
Hoʻoulu Manaʻo: Rooted in Chinese tea ware aesthetics, the concept reimagines Song Dynasty tea house imagery through calligraphic brushwork. Capturing the symbiotic relationship between luzan brazier fans and tea utensils, Ink tonalities outline the fan silhouette, its flowing strokes organically morphing into modern teacups streamlined forms. This visual philosophy of holding a fan while contemplating tea manifests through design.
Ka Lōʻihi o ka Papahana: Located in Dongguan, Guangdong Province, China, this project was designed in October 2024.
Kaʻina Hana: Carve the eraser into desired shapes, saturate its sculpted surfaces with ink, then employ this unconventional tool as a brush substitute. Through rhythmic imprinting and calculated pressure variations on paper, the rubber matrix undergoes iterative experimentation. Each impression accumulates ink dynamics angular edges deposit geometric patterns while worn facets create mist like gradients.
Nā Palapala Kuleana: Copyrights belong to Hong Jia Min, 2024.
Nā Lālā Hui: Hong Jia Min
Nā Kuleana Kiʻi: Hong Jia Min