Crossing Walls Hale Noho, Keʻena Hana na Satoshi Fujinaka

ʻO Crossing Walls Hale Noho, Keʻena Hana na Satoshi Fujinaka he mea lanakila hanohano loa o ka 2026 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Hale, Kūkulu a me Hōʻuluʻulu.

KeleaweHoʻolālā Hale· 2026

Crossing Walls Hale Noho, Keʻena Hana

na Satoshi Fujinaka

Mea Kūʻai: Daijiro Yoshihara

Mea Lanakila A' Design Award Keleawe ma ka Māhele Hoʻolālā Hale

8,046

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #174571

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Crossing Walls Hale Noho, Keʻena Hana

He hale ʻo Crossing Walls e hoʻohui ana i kahi keʻena hana ma ka papahele lalo a me kahi home ma ka papahele luna. ʻEkolu paia i ke ʻano huaʻōlelo L e hoʻokaʻawale a hoʻohui pū ana, a ua wāwahi ʻia ke ʻano pahu kūpono e hana ai i nā wahi hāmama a me nā wahi pani. He pilina kūpono ko nā paia me nā mea a puni, e ʻae ana i ka mālamalama a me ka ea e komo mai me ka mālama ʻana i ka pilikino. Ua hoʻolālā ʻia nā wahi o nā puka aniani e hoʻomalu i ka lā, ka wela a me nā ʻike o waho. He hakahaka i hāmama i ka lani e hoʻopili ana i loko me waho. Hahai ka hale i ke kūkulu lāʻau kuʻuna o Iāpana ma kahi papa ana o 910 milimika, e mālama ana i nā lako a waiho ʻia me ka ʻike ʻia.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Keleawe

Ua lanakila ka hoʻolālā Crossing Walls Hale Noho, Keʻena Hana i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Crossing Walls Hale Noho, Keʻena Hana he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Crossing Walls Hale Noho, Keʻena Hana i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: We will try to solve the problem by manipulating the wall so that the office on the first floor and the life on the second floor, communication and privacy, can be compatible with each other.
The cube is disassembled and the three L shaped walls separate and intertwine with each other.
These three L shaped walls manipulate the open and closed spaces and maintain a moderate relationship with their surroundings.
Light and wind enter the building and begin to vaguely connect it to the outside.
Nā Ana a me ka Hoʻopili: wooden Site area 176.34㎡ Total Floor area 138.37㎡ The wooden portion of the building was constructed with a 910mm x 910mm grid of pillar and beam pitches using Japanese conventional construction methods, which made the structural plan easy to understand, and also made cost and construction management easier to understand.
Nā Lepili: House , Oficce , Japan , Walls , Wood
ʻEnehana Hana: The building uses a standard Japanese wooden structure with a span of 910 mm.
Most building materials in Japan follow this module, resulting in significant material and energy savings.
The wooden structure is shown in a cosmetic manner to pursue beauty and rationality.
Pilikia Hoʻolālā: While keeping the space needed by the client within a limited area and budget,
While considering the position of sunlight and adjusting the position of windows to control the heat load,
The window arrangement is planned to control the external line of sight and to create an ambiguous connection with the outside.
Noiʻi: The research for this project is divided into two themes.
The first is a study of how to maximize the natural environment and required space on a limited site area.
The second is to consider total cost management and cost management of each material within a limited budget.
How to solve these two themes in architecture is both an interesting and difficult challenge.
Hoʻoulu Manaʻo: The planned site is a borderline location where new places and old places mix.
By opening the walls to the outside, the office tried to create appropriate and diverse relationships to maintain the community and revitalize the city.
The living space blends with the exterior space through the gaps in the walls while ensuring privacy and bringing light into the interior.
And by creating a void to the sky, the entire building breathes and releases its spirit to the sky.
Ka Lōʻihi o ka Papahana: Design began in Hiroshima in 2022 and construction was completed in December 2024.
Kaʻina Hana: This building was planned as a boundary between the newly developed environment in the newly rezoned area and the old shopping area, where the old and the new mix.
The project was planned to solve the problem of how to realize an architecture that allows people to feel close to nature while ensuring privacy, while reducing the environmental burden caused by recent climate change and improving the comfort performance of the building itself in such a location.
Nā Lālā Hui: Satoshi Fujinaka
Nā Kuleana Kiʻi: Photo , Kenji Masunaga