Lacquer Art Experience Pavilion Hale Moʻomeheu na Jie Li

ʻO Lacquer Art Experience Pavilion Hale Moʻomeheu na Jie Li he mea lanakila hanohano loa o ka 2026 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Hale, Kūkulu a me Hōʻuluʻulu.

KeleaweHoʻolālā Hale· 2026

Lacquer Art Experience Pavilion Hale Moʻomeheu

na Jie Li

Mea Kūʻai: Li Jie

Mea Lanakila A' Design Award Keleawe ma ka Māhele Hoʻolālā Hale

6,615

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #176919

Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Lacquer Art Experience Pavilion Hale Moʻomeheu

ʻO ka Hale Hōʻikeʻike Noʻeau Lako he hale moʻomeheu i loko o ke kauhale ʻo Fengshou, ma Shanghai. Aia i loko o ka hale hōʻikeʻike nā wahi hōʻikeʻike, nā keʻena hana no nā mea noʻeau, kekahi lumi kī a me nā pā hale i wehe ʻia no nā malihini kipa a me nā kamaʻāina o ke kauhale. Hoʻohana nā hale kūloko i nā paia keʻokeʻo a me nā kaupoku hiō ʻāhinahina. Ukali kēia hale hōʻikeʻike i kēia hana kūloko me ʻeono pūʻulu o nā kaupoku hiō kaʻawale a me nā alo hale i pena ʻia i ke keʻokeʻo. Hoʻokumu nā ʻāwaha haiki ma waena o nā kino kaupoku i nā ala liʻiliʻi a me nā kahua. Komo ka mālamalama o ka lā, ke ea a me nā ʻikena ma o kēia mau ʻāwaha me ke kaʻawale. Kākoʻo nā pukaaniani lōʻihi ma nā ʻaoʻao ʻākau a me ka hema i ka hoʻoheheʻe ea kūlohelohe.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Keleawe

Ua lanakila ka hoʻolālā Lacquer Art Experience Pavilion Hale Moʻomeheu i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Lacquer Art Experience Pavilion Hale Moʻomeheu he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Lacquer Art Experience Pavilion Hale Moʻomeheu i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: The practice of white walls and grey sloping roofs is basically adopted in the folk dwellings of Fengshou village. The experience pavilion adopts 6 groups of scattered sloping roof "clusters" to echo the "architectural prototype" of local residents; The facade material continues the local practice, using white paint. At the same time, the crack space between the clusters can allow sunlight, air and people's sight to pass through freely in order to bring a sense of breathing to the building.
Nā Ana a me ka Hoʻopili: Building area: 454.2 square meters.Width 16900 mm x Depth 16200mm.
Nā Lepili: architecture, rural building, cultural center
ʻEnehana Hana: The east and north sides of the base are the areas of villagers' self-built houses with poor construction quality. The south and west sides of the base are country parks with excellent view. From the perspective of master planning, the east and north sides of the building are designed as "serving Spaces" and the south and west sides are designed as "served Spaces" for public activities.
The scale of the site is about 20*30 meters. An outdoor "virtual courtyard" for tourists and villagers is based on the south side. The "virtual courtyard" is mainly composed of five "view frames" facing the landscape park on the south side and a piece wall on the west side, so as to keep the public open to the maximum extent while limiting the space. Space was defined as "serving space" and "served space" in an internal "solid” courtyard, the landscape stairs were set on the east side of the garden, also a wall between the stairs and courtyard was set to maximize the isolation to the east environment, Through the opening of the cave, it is obvious to see the pitched roofs of the houses and the people walking up and down the stairs. Due to the building's cluster form, there are a lot of “Crack Space” to connect the interior courtyard, interior space, exterior courtyard, and the country park landscape in the distance.
Pilikia Hoʻolālā: 1) Challenges at the Site Level
The experience center is a public open space. It is crucial that visitors from the nearby park and villagers can freely pass through the building. Under the call of national rural revitalization, the local village government has started to organically update the original village. The lacquerware experience center was introduced as a cultural and creative industry, hoping to attract visitors from the surrounding park and boost the economic development of the village. In terms of site design, the boundaries of the courtyards on the south, north and west sides are designed as open fences, only serving to define the site boundaries. Visitors from the park and villagers can enter the site from the north and west sides. The main entrance and the internal hall are located on the west side. After entering the experience center, visitors can walk along the south side of the internal courtyard to visit three high exhibition spaces and artist studios. On the north side of the studios, there is an open staircase. Visitors can walk through the "perforated screen wall" via the staircase to the experience room on the north side of the second floor, and then cross the high hall and three high exhibition halls through the "bridge corridor" to reach the tea room on the east side of the second floor. The entire building, from the interior to the exterior, is a public cultural space that allows free movement.
2) Challenges at the Humanistic Level
The village is located in the riverside area between the urban area of Pujiang Town and the Huangpu River. The village was formed spontaneously by the original residents along the water, presenting an organically grown urban texture. The cluster of pitched-roof buildings is situated on a three-level wooden landscape platform. The six independent pitched roofs are separated from each other, creating gaps of various sizes between the volumes, which serve as "squares" and "alleys" on the roof. Visitors can wander among them, recreating the experience of a traditional village and providing humanistic care for both villagers and visitors at the level of habitation.
3) Challenges at the Climatic Level
The project is located on the banks of the Huangpu River in Minhang District, Shanghai. The site is crisscrossed by waterways and has a high humidity in the space environment. It has a subtropical monsoon climate, and users experience significant cold in winter and heat in summer. On the north-south section, it can be seen that the north wall of the first-floor restaurant and the mezzanine experience room has a long strip window, and vertical ventilation windows are set in the gaps between the clusters of buildings on the south side. The strip windows on the side walls of the second floor space are respectively arranged at the top and bottom, serving a ventilation function. The north-south through windows provide natural ventilation conditions for the experience center, reducing the load on air conditioning and making it an environmentally friendly building.
Noiʻi: Lacquer Art Experience Pavilion is located in the Fengshou village, Shanghai. Under the call of the National Rural Revitalization, the local village government began to renovate the original village organically. The lacquer art experience Pavilion was introduced as a cultural and creative industry in order to attract tourists from the surrounding parks through the cultural and creative space experience to drive the economic development of the village.
The building successfully interprets the contemporary regeneration of traditional village architecture through the design language of modern minimalism:
①Architectural Texture. Fengshou Village is a typical traditional village in the south of the Yangtze River. The dwellings are built along both sides of the river, from the prospect of the master plan the building shows the architectural texture of free growth. The scale of the building area is about 18*18 meters, and the shape of the building block must break up and reorganized so that it can be well integrated into the delicate architectural texture of the area.
②Cluster form Impression. The practice of white walls and grey sloping roofs is basically adopted in the folk dwellings of Fengshou village. The experience pavilion adopts 6 groups of scattered sloping roof "clusters" to echo the "architectural prototype" of local residents; The facade material continues the local practice, using white paint.
③Guidance of Landscape. "Serving" and "Served" Spaces under the guidance of landscape: the east and north sides of the base are the areas of villagers' self-built houses with poor construction quality. The south and west sides of the base are country parks with excellent view. From the perspective of master planning, the east and north sides of the building are designed as "serving Spaces" and the south and west sides are designed as "served Spaces" for public activities.
④”Virtual & Real courtyard”: the scale of the site is about 20*30 meters. An outdoor "virtual courtyard" for tourists and villagers is based on the south side.Space was defined as "serving space" and "served space" in an internal "solid” courtyard, the landscape stairs were set on the east side of the garden, also a wall between the stairs and courtyard was set to maximize the isolation to the east environment.
⑤Promenade Architecture: The experience pavilion belongs to the public space, and it is very important for visitors and villagers to traverse the building freely. As for the aspect of the design level, the boundary of the courtyard on the south and northwest was designed as an open wall.The first floor is also connected by an outdoor staircase to the third floor, an internal courtyard was surrounded by six groups of an individual sloped roofs. The “crack space” between the pitched roof forms "laneways" and "plazas" of different sizes, through which the view can be traverse to the south and west side of the landscape park.
Hoʻoulu Manaʻo: Fengshou Village is a typical traditional village in the south of the Yangtze River. The dwellings are built along both sides of the river, from the prospect of the master plan the building shows the architectural texture of free growth. The BnB is located on the westernmost side of the Fengshou Village and the island adjacent to the country park. The island is surrounded by water on three sides, and the south side is integrated with the country park landscape green space. The scale of the building area is about 18*18 meters, and the shape of the building block must break up and reorganized so that it can be well integrated into the delicate architectural texture of the area.
Ka Lōʻihi o ka Papahana: The project started in November 2020 and finished in January 21 in the Fengshou village, Shanghai.
Kaʻina Hana: The experience pavilion belongs to the public space, and it is very important for visitors and villagers to traverse the building freely. As for the aspect of the design level, the boundary of the courtyard on the south and northwest was designed as an open wall, which only serves as the boundary of the site.
Visitors and villagers can enter the site from the north and west side. The main entrance and internal lobby are located on the west side. After entering the experience pavilion, visitors can visit the internal courtyard which connects exhibition space and artist studios, on the north side of the studio is an open staircase, visitors can wander through the stairs to cross the "crack of the wall" to get to the “Experiencing Room”, and then across the exhibition hall through a bridge, finally arrive at the east tea room on the second floor.
The first floor is also connected by an outdoor staircase to the third floor, an internal courtyard was surrounded by six groups of an individual sloped roofs. The “crack space” between the pitched roof forms "laneways" and "plazas" of different sizes, through which the view can be traverse to the south and west side of the landscape park.
Nā Lālā Hui: Li Jie
Nā Kuleana Kiʻi: Image #1: Photographer Zhu Ruizi, Pespective 1, 2021.
Image #2: Photographer Zhu Ruizi, Pespective 2, 2021.
Image #3: Photographer Zhu Ruizi, Pespective 3, 2021.
Image #4: Photographer Zhu Ruizi, Pespective 4, 2021.
Image #5: Photographer Zhu Ruizi, Pespective 5, 2021.