Ishidaya Hana Nui: Hale ʻAina Kepanī na Atsushi Kawaguchi

ʻO Ishidaya Hana Nui: Hale ʻAina Kepanī na Atsushi Kawaguchi he mea lanakila hanohano loa o ka 2026 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Loko Hale a me Hōʻike.

KeleaweLoko Hale· 2026

Ishidaya Hana Nui: Hale ʻAina Kepanī

na Atsushi Kawaguchi

Mea Kūʻai: Ishidaya

Mea Lanakila A' Design Award Keleawe ma ka Māhele Loko Hale

6,467

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #180958

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Ishidaya Hana Nui: Hale ʻAina Kepanī

Palapala: ʻO Ishidaya he hale ʻaina Kepanī ma ka māhele waena o Hanoi. Ke hoʻohana nei ka papahana i ka Taisho Roman, he au i pili ai nā moʻomeheu Kepanī a me ke Komohana, ma ke ʻano he kahua, e hoʻopili ana ma waena o ka nani Kepanī a me ke ʻano Komohana o ka hale. Ke hui pū nei kekahi kahua lāʻau ma luna o ka pākaukau i ke kūkulu kuʻuna me ka ʻaoʻao ʻanoʻano Art Deco a ke lilo nei i mea nānā nui. Ma mua o ka hoʻonaninani wale, ke hoʻoulu nei ia i ka ʻike ma o ka mālamalama a me nā ʻike ʻano like ʻole. ʻO ka hopena, he wahi kaupalena i hoʻonohonoho i nā kuhikuhi moʻomeheu a hāʻawi i kekahi wehewehe akaka o ka ʻai hou ma Hanoi.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Keleawe

Ua lanakila ka hoʻolālā Ishidaya Hana Nui: Hale ʻAina Kepanī i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Ishidaya Hana Nui: Hale ʻAina Kepanī he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Ishidaya Hana Nui: Hale ʻAina Kepanī i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: This design is a spatial centerpiece that quietly responds to people rather than technology. Its form never moves, yet it feels different from every position, shaped by light, shadow, and human presence. Unlike decorative elements that are simply observed, this design creates a subtle dialogue with its surroundings, offering depth, calm, and a lasting sense of place through simplicity and restraint.
Nā Ana a me ka Hoʻopili: Renovation of existing buildings
Nā Lepili: Timeless atmosphere, Changing perception, Sense of depth, Quiet interaction
ʻEnehana Hana: The design process began not with form, but with experience. We first observed how people move, pause, and look within the space. Instead of adding complexity, simple elements were repeated and layered so perception changes as people move. The design does not rely on mechanisms or instructions; human presence itself creates variation. This approach results in a calm, durable, and lasting spatial experience.
Pilikia Hoʻolālā: In designing ISHIDAYA we faced challenges from both cultural context and practical limits. The building showed Western decorative traces while the space required a Japanese aesthetic. To connect these influences we adopted the idea of Taisho Roman, a period when East and West blended naturally. This concept guided choices in materials colors light and space. Through close work with craftsmen and repeated testing the design was refined into a space that respects cultural roots and feels natural to use.
Noiʻi: For ISHIDAYA the research began by understanding the building and its use. The structure showed traces of Western decoration, while the design required a Japanese sensibility. To connect these elements we studied moments in history when East and West blended naturally. This led to Taisho Roman, which guided choices in materials colors and mood, creating a space that feels unified clear and suited to present day Hanoi.
Hoʻoulu Manaʻo: ISHIDAYA is a Japanese restaurant located in the center of Hanoi. Inspired by Taisho Roman, a period when Japanese and Western cultures intersected, the design harmonizes Japanese aesthetics with the building’s original Western character. A sculptural wooden framework above the counter combines traditional Japanese construction with Art Deco geometry, creating a refined space where dining, drinking, and cultural storytelling come together in contemporary Hanoi.
Ka Lōʻihi o ka Papahana: The project started in August 2024 in Hanoi and finished in April 2025.
Kaʻina Hana: Hanged wood frame is not something you press or control.
It responds simply to people being there. As you walk, sit, or look up, its shape feels different. From one angle it looks calm, from another it feels complex, and from below it seems to float.
Nothing actually moves, but your position changes how it appears. Light and shadow shift naturally, creating a quiet interaction. Because it relies on people, not machines, it stays simple, stable, and always engaging.
Nā Kuleana Kiʻi: All photos / HIROYUKI OKI