Serenity Ka Hoʻolālā Loko Hale Noho na Wei Cheng Chen

ʻO Serenity Ka Hoʻolālā Loko Hale Noho na Wei Cheng Chen he mea lanakila hanohano loa o ka 2026 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Loko Hale a me Hōʻike.

KeleaweLoko Hale· 2026

Serenity Ka Hoʻolālā Loko Hale Noho

na Wei Cheng Chen

Mea Kūʻai: Makoto Interior Decoration Co., Ltd.

Mea Lanakila A' Design Award Keleawe ma ka Māhele Loko Hale

5,802

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #182342

Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Serenity Ka Hoʻolālā Loko Hale Noho

He hoʻolālā loko hale noho ʻo Serenity no kekahi lumi noho ʻāpana he 107.7 mika ʻāpana ʻehā ma ke Kūlanakauhale ʻo Tainan, Taiwan. Hoʻopuni nā ʻano kaupoku piʻo i kekahi kaola kūkulu a me nā mīkini hana, e hoʻololi ana i nā palena i mau alakaʻi ʻike maka. Ua hoʻohui ʻia nā wahi noho, ʻai, a heluhelu i loko o hoʻokahi hoʻolālā ākea, no laila hiki i ka mālamalama o ke ao ke komo hohonu i loko o ka hale. Hōʻemi ka pena keʻokeʻo-hinahina ʻōlohelohe i ka ʻalohilohi, a hoʻohui ka uhi puna kūkulu ma ke kaupoku i ke ʻano paʻa lima, a hoʻohui nā mea lāʻau i ka mehana. Ua hoʻokomo ʻia ka waihona ma ka paia kīwī i loko o nā pahu kau lewa.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Keleawe

Ua lanakila ka hoʻolālā Serenity Ka Hoʻolālā Loko Hale Noho i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Serenity Ka Hoʻolālā Loko Hale Noho he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Serenity Ka Hoʻolālā Loko Hale Noho i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: The project transforms fluid curves into functional elements. In the social area, rounded ceiling forms wrap beams and equipment, reinterpreting constraints as visual guides and creating upward, continuous flow. Living, dining, and reading areas remain open and connected, with storage concentrated at the TV wall and other elevations kept clean. Light tones carry daylight deep indoors, while the louvered bedroom window aligns with the bedhead, flexibly controlling light and comfort.
Nā Ana a me ka Hoʻopili: The 107.7 m2 interior was reconfigured by integrating the study into the social area to expand the spatial scale. Circulation follows the idea of 'seeing the home's depth at a glance,' linking the reading zone, dining table, and living room in continuous visual relationships. Storage is concentrated along the TV wall, with cabinets suspended rather than grounded, preserving negative space below and enhancing lightness and visual flow.
Nā Lepili: Light Tones, Curved Elements, Open Plan, Structural Transformation, Modern Design
ʻEnehana Hana: Matte gray-white paint forms the primary finish, reducing reflection and visual disturbance so that light appears soft and evenly distributed. Architectural concrete coating is applied to the ceiling, introducing a subtle, rugged texture to prevent the pale space from appearing overly smooth or lacking dimension. Wood elements are added selectively to flooring and partial furnishings, creating balance between cool restraint and warmth. Material selection throughout the residence prioritizes durability and ease of maintenance.
Pilikia Hoʻolālā: In the high-rise residence, mechanical equipment and piping required a lowered ceiling, and a major structural beam in the social area could not be removed. The challenge was preserving openness without visual oppression. By wrapping the beam and using curved transitions, volumetric boundaries were reorganized, turning constraints into design language and softening the sense of mass while maintaining a light, open spatial experience.
Noiʻi: Located in the North District, Tainan City, the 107.7 m2 home centers on bodily comfort in every movement. Structural beams and the original three-bedroom layout were reinterpreted with flowing curves, using rounded ceiling forms to dissolve boundaries and create a sense of upward continuity. Gray-white matte finishes pair with concrete textures and warm wood grain for balance. An open plan draws daylight deep inside, embedding the reading area into the social zone. Suspended storage along the TV wall preserves lightness, allowing daily rhythms to unfold with ease.
Hoʻoulu Manaʻo: The design begins with the idea of natural bodily support, feeling at ease while walking, pausing, or turning. The homeowners wanted a quiet, lasting comfort without excess decoration. Gray-white tones form the base, balanced by concrete-textured finishes and warm wood grain to avoid sterility. Curves flow across walls, ceilings, and transitions, softening boundaries like gentle pauses in daily life-subtle, necessary, and calming.
Ka Lōʻihi o ka Papahana: The project finished in April 2025 in Taiwan.
Kaʻina Hana: After moving in, the homeowners most often mention the sense of 'ease.' Even with multiple activities-reading, watching a movie, preparing light meals, or resting at the dining table-sightlines remain connected without disturbance. Light and visual continuity form the home's primary rhythm, allowing everyday behaviors to unfold naturally rather than through deliberate arrangement, creating a calm, fluid, and comfortable living environment.
Nā Lālā Hui: WEI-CHENG CHEN
Nā Kuleana Kiʻi: Makoto Interior Decoration Co., Ltd