It's a Metaphor He Papa na Emanuele Di Bacco

ʻO It's a Metaphor He Papa na Emanuele Di Bacco he mea lanakila hanohano loa o ka 2020 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Lako Hale.

KeleaweLako Hale· 2020

It's a Metaphor He Papa

na Emanuele Di Bacco

Mea Kūʻai: Gladstone London

Mea Lanakila A' Design Award Keleawe ma ka Māhele Lako Hale

15,294

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #96553

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā It's a Metaphor He Papa

Ke pīhoihoi nei kēia pāhana me ka hoʻokiʻekiʻe ʻana i ka ʻike o ka lehulehu i ka wahine. Hoʻohālikelike, hoʻohana ʻia ia i kahi kiʻina e kū mai ana mai sumo, kekahi o nā hāmeʻa hoʻokalakupua i male lehulehu i loko o nā Kepani. ʻAʻole ʻae ʻia nā wahine e hoʻokūkū i ka ʻoihana hana i kēia hāmeʻa i hāʻawi ʻia i nā kānāwai sexist, ka mea e palena iā lākou ma waho o ke kaomi hakakā ʻana ma muli o ko lākou kīnā ʻana. Ke kui nei i ka koa sumo me ka waiwai, ma ka lawelawe ma kahi ʻōpala pua a i ʻole nā mea ʻē aʻe e loaʻa ai ka poʻe ʻē aʻe, e hōʻino ʻo ia i ka paʻa mau ʻana o ka macho-dominance, me ka hoʻohana wale ʻana me ka ʻoniʻoni.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Keleawe

Ua lanakila ka hoʻolālā It's a Metaphor He Papa i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā It's a Metaphor He Papa he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā It's a Metaphor He Papa i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: This is a furniture product able to speak and provoke, challenging with irony and a clumsy smile unethical behaviors of our times.
Nā Ana a me ka Hoʻopili: Measures are in mm.

Glass platform ø: 1800 / Glass platform thickness: 10 / Body with: 850 / Body height: 750 / Body depth: 1000
Nā Lepili: table, social design, equality of the sexes, Japan, sumo
ʻEnehana Hana: 3D-printed assembled object. It can be produced either way with Eco-friendly 3D-printed Poly Lactic Acid filaments or carbon fibers. The structure is divided in multiparts, hand refined and assembled. Successively the whole body is glazed by immersion and finished with a vitreous enamel coating.
A round tempered glass is based on the structure and secured using discreet clear glass high-grip bumpers, specifically designed for the purpose.

The structural analysis take into consideration the chosen materials and the multipart splitting process, where every cut and internal printed reinforcements are made to dump and sustain the weight the structure will go through.
Pilikia Hoʻolālā: The creative challenge of this project is to combine the practical function of a furniture piece and communication contents as a means of social commitment. Sumo wrestlers are so well regarded and revered in society to be almost considered as macho semi-gods in their country; placing one of them in a conscious submissive position -grateful and happy to help others- wishes to rebalance a more male-dominated thinking to a non-discriminatory one.
Noiʻi: The main focus of this project -together with many pieces produced by our design studio- is to raise awareness about social rights and equal opportunity. Specifically, the target of our research was speaking about the equality of the sexes without being moralistic or patronising; in order to do this we chose to use irony and humour, two powerful rhetorical devices to convey a disputed concept without too much bloodshed.
Hoʻoulu Manaʻo: "The piece of wood came alive and it was able to speak". That's pretty much what happened to Carlo Collodi's Pinocchio; likewise, adding communication contents to a product, gives this object an identity and the ability to speak to people.
This project is poking fun at itself while aim to raise social awareness on equality of the sexes. Specifically, it uses a metaphor which springs from sumo, one of the most male dominated sport in the Japanese society. Women are not allowed to compete professionally in this sport given sexist rules, which by tradition border them outside the wrestling ring as a result of their "impurity" by reason of the menstrual blood.
Knocking a sumo warrior to the ground at the service of a flower pot -or any other need people may require from a table- ironically desecrates this macho dominance still present in some traditions.
Ka Lōʻihi o ka Papahana: The project has started in December 2019 in London and finished, as it is shown, in February 2020. Currently, the table has a unique prototype and will be ready to be produced and launched serially in May 2020.
Kaʻina Hana: A table which can hosts up to 10 seaters. Ideal to be placed wherever an open minded spirit is at home.
Nā Palapala Kuleana: Copyrights belong to Emanuele Di Bacco
Nā Lālā Hui: Emanuele Di Bacco