Kinetic Chinese Characters Hana Nui: Kinetic Typography na Li Xinlin

ʻO Kinetic Chinese Characters Hana Nui: Kinetic Typography na Li Xinlin he mea lanakila hanohano loa o ka 2020 A' Design Award Hao ma ka Māhele Hoʻokūkū Hoʻolālā Hoʻohua, ʻAlakaiʻo, Hōʻailona a me AI Kōkua.

HaoHoʻohua· 2020

Kinetic Chinese Characters Hana Nui: Kinetic Typography

na Li Xinlin

Mea Kūʻai: Li Xinlin

Mea Lanakila A' Design Award Hao ma ka Māhele Hoʻohua

24,163

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #96658

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Kinetic Chinese Characters Hana Nui: Kinetic Typography

Kikokikona Puke: ʻO Kinetic Chinese Characters kahi ʻano o ʻumikumamāono hana kinetic typography i hoʻokumu ʻia ma nā ʻāpana o nā huaʻōlelo Pākē. Loaʻa i kēlā me kēia hana kahi kumuhana ʻokoʻa a ua hana pono ʻia ma o ka polokalamu kamepiula a me nā algorithm wale nō, me ka hoʻohana ʻana iā Processing. ʻO ka hoʻohui ʻana i ka ʻenehana generative e hoʻololi ai i ke ʻano paʻa mua o ke ʻano huaʻōlelo i mea ʻokoʻa a lilo ka hopena i mea ʻike ʻole ʻia ma mua. Aia me kēlā me kēia hana kahi ʻatikala pōkole e hoʻomaikaʻi ana iā ia, e hahai ana i ka moʻomeheu Asia o ka hōʻike pū ʻana i ka mele a me ke kiʻi pena. Hōʻike kēia ʻano hana i ke ala e hiki ai ke hoʻohana ʻia ke ʻano kinetic design ma nā huaʻōlelo Pākē.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Hao

Ua lanakila ka hoʻolālā Kinetic Chinese Characters Hana Nui: Kinetic Typography i ka A' Design Award Hao, he ʻike hoʻohanohano i hāʻawi ʻia i nā hoʻolālā maikaʻi e hoʻokō ana i nā koi ʻoihana a ʻoihana hana i manaʻo ʻia mai nā mea hoʻokumu i hana maikaʻi ʻia. Hōʻike nā lanakila Hao i ka mākau nui, ka loea kiʻekiʻe, ka ʻike akamai a me ka hiki hana noʻeau o ka poʻe i hana iā lākou. Manaʻo ʻia ʻo ka hoʻolālā Kinetic Chinese Characters Hana Nui: Kinetic Typography he mea hoʻokumu i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia e pono a hou. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Hao e hoʻohui ana i nā hana maikaʻi loa o ka ʻoihana a loaʻa nā ʻano ʻenehana mākaukau i hui pū ʻia me ka ʻike hana a me ka makakoho. Mahalo ʻia ka hoʻolālā Kinetic Chinese Characters Hana Nui: Kinetic Typography no kona nānā pono a ua hoʻolālā ʻia e hāʻawi i nā hoʻomaikaʻi ola e kōkua ai i ka hana ʻana i ka honua i wahi maikaʻi aku.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: In this project, integration of code to type and typography revealed that the originally fixed or invariable timeline has changed. Addition of the generative technology resulted in more rich work content and changed it to become unpredictable. With this, the creative technique of kinetic typography can be applied to Chinese characters and the kinetic design integrated with the characteristics of Chinese characters holds unlimited potential.
Nā Ana a me ka Hoʻopili: Media & Print matter
Nā Lepili: Kinetic , Typography , Generative , Chinese Characters
ʻEnehana Hana: Processing and based on openprocessing.org
Pilikia Hoʻolālā: All Asian designers face the common question of how such theories can take root and become fruitful in the East. As an Asian artist, the author of this study attempted a method of converging computer programming technology and traditional Chinese characters with a focus on the potential of Chinese characters.
Noiʻi: Expression of Meaning of Kinetic Chinese Characters using Computer Programming Techniques.
16 works were created based on the components of Chinese characters. The subjects of these works were all different and were made purely through computer programming and algorithms.
Hoʻoulu Manaʻo: The field of kinetic Chinese character design is currently expanding steadily, but the field is yet vague and without a clear definition. However, the everlasting Eastern culture and abundant perspective in search of beauty can become the basis for converging new technologies and new design so that the kinetic Chinese character design can definitely become a new trend that leads the advancement of future design.
Ka Lōʻihi o ka Papahana: 2019, College of Fine Arts, Seoul National University.
Kaʻina Hana: 16 works were created based on the components of Chinese characters. The subjects of these works were all different and were made purely through computer programming and algorithms. Additionally, work appreciation essays were added to each work and this was derived from the Western culture where work appreciation essays are occasionally used for interaction and communication with the audience and the concept of “poetry and paintings having the same source” in Asian traditional art that presents poetry and paintings together.
Nā Palapala Kuleana: LI XINLIN
Nā Lālā Hui: LI XINLIN
Nā Kuleana Kiʻi: LI XINLIN