Talking Peppers Art Photography los ntawm Giuseppe Persia

Qhov qauv tsim Talking Peppers Art Photography los ntawm Giuseppe Persia yog tus yeej muaj nqis heev ntawm qhov khoom plig 2021 A' Design Award Nyiaj hauv Pawg Sib Tw Tsim Kev Yees Duab thiab Kev Kho Duab.

NyiajKev Yees Duab· 2021

Talking Peppers Art Photography

los ntawm Giuseppe Persia

Tus Neeg Siv: Fotografia di Giuseppe Persia

Tus Yeej A' Design Award Nyiaj hauv Pawg Kev Yees Duab

52,499

Tus Yeej Khoom Plig Tau Txheeb Xyuas

Txheeb Xyuas Qhov Xwm Txheej Khoom Plig rau #113450

Mus Saib Lub Vev Xaib Saib ntawm A' Design Award Tsab Xov Xwm Daim Phiaj Khoom Plig

Xim

Qhov Tsim

Txog Talking Peppers Art Photography

Nus Nous cov duab zoo li sawv cev tib neeg lub cev lossis ib feem ntawm lawv, qhov tseeb nws yog cov neeg soj ntsuam uas xav pom lawv. Thaum peb saib txhua yam, txawm tias muaj xwm txheej, peb saib nws lub siab thiab vim li no, peb feem ntau cia peb tus kheej raug dag. Hauv Nus Nous cov duab, nws pom tseeb tias lub ntsiab lus ntawm kev tsis sib haum xeeb hloov mus rau hauv kev hloov maj mam ntawm lub siab uas coj peb tawm ntawm kev muaj tiag los coj peb mus rau hauv qhov kev xav txog labyrinth ua los ntawm cov lus qhia.

Qhov Lees Paub

Txog A' Design Award Nyiaj

Talking Peppers Art Photography yog tus yeej ntawm A' Design Award Nyiaj, ib qho kev lees paub muaj meej mom heev tshaj li qub uas muab rau cov qauv tsim qib siab, zoo nkauj thiab ua rau neeg xav tsis thoob. Cov neeg yeej Nyiaj yog cov haujlwm ci ntsa iab heev thiab tsim tshiab heev uas qhia txog kev paub, kev txawj ntse thiab kev ntse ntawm cov kws tsim qauv. Talking Peppers Art Photography xav tias yuav yog ib qho haujlwm zoo kawg nkaus uas tsim rau qhia, tshaj lij heev thiab tsim tshiab tob. Cov qauv tsim yeej A' Design Award Nyiaj no yog ib qho khoom tsim uas pom tseeb heev thiab neeg qhuas uas pab tau thiab nthuav dav ciam teb ntawm kev kos duab, kev tshawb fawb, kev tsim qauv thiab thev naus laus zis. Talking Peppers Art Photography yog ib qho khoom tsim uas neeg coob xav tau, uas ua rau xav, coj kev xav zoo thiab ua rau xav tsis thoob thiab xav paub.

Tom Qab Qhov Tsim

Pob Xov Xwm

Cov credit, cov neeg pab thiab cov ntsiab lus kev txawj ntse muab los ntawm tus tsim.

Yam Tshwj Xeeb: Talking peppers are part of a project entitled Nus Nous which literally means body and mind (from a Greek and a French term). They seem to be human bodies or parts of them, in reality it is the observer who wants to see them but just rotate them and what we imagine we saw disappears. In many Nus Nous images, everyone sees different things according to their state of mind, it may happen that the same image seen at a later time may represent different things from before.
When it is possible, in artistic events, is presented a photo mounted on a support that can be rotated by the observer who rotates it until it attracts his attention, at that moment the image begins to dig into the meanders of his mind and creates emotions. The observer does not know why the image attracts his attention and perhaps at the moment does not even bring out any memory, he only knows that it creates a certain emotion and looks at it, approaches and then moves away, his expression changes, he smiles or he gets sad.
In the Nus Nous photographs clearly appears how the element of ambivalence is transformed into a subtle elaboration of the mind that distances us from reality to lead us into an imaginary labyrinth, made up of suggestions and evocative visions. They are images capable of suggesting bodies not devoid of sensual and mysterious charm. All this is made possible by the use of a close-up shooting technique and a complex lighting system. The photographs are in black and white, the absence of color, in fact, makes it easier to decontextualize the subject, favoring a freer reinterpretation.
Qhov Loj & Ntim: The images are very suggestive, some seem naked, others a tangle of bodies, some shamelessly scandalous.
Nus Nous photography sends a message, which does not concern only images but also situations;
"Everything you see, indeed, that you think you see, may not be reality"
The photos are actually macro-photographs, the distance from the subject is a few centimeters, the depth of field, at times, less than a centimeter, so much so that I am forced to very small apertures, f. 64 and f.128 the machine is a 4 "x 5" optical bench and they take me the exposure to a few minutes, the bellows elongation reaches up to 30 cm, the optics are those of a microscope and the scientific optics, suitable for short distances. The glossy surface of the vegetable greatly raises the contrast and creates a lot of reflections, I experimented with different developments for negatives until I found the ideal negative / development combination, which allowed me great results. The negatives are printed on "Archive" paper with a cotton support with the classic manual development, which unfortunately is disappearing and turns to selenium, which contributes to an enormous durability. The dimensions are 400 x 500 mm mounted on passepartout and black aluminum strip with a thickness of 10 mm but can also be produced in larger sizes
Cov Ntsiab Lus: analogue gelatin silver photography, fine art, conceptual photography
Thev Naus Laus Zis Tsim Khoom: Classic analogue photography on cotton-backed paper with dimensions 500 mm x400 mm. Nus Nous images can also be produced on aluminum with dimensions up to 600 mm x800 mm
Kev Sib Tw Tsim Qauv: Talking peppers are part of a project entitled Nus Nous which literally means body and mind (from a Greek and a French term). They seem to be human bodies or parts of them, in reality it is the observer who wants to see them but just rotate them and what we imagine we saw disappears. In many Nus Nous images, everyone sees different things according to their state of mind, it may happen that the same image seen at a later time may represent different things from before.
When it is possible, in artistic events, I present a photo mounted on a support that can be rotated by the observer who rotates it until it attracts his attention, at that moment the image begins to dig into the meanders of his mind and creates emotions. The observer does not know why the image attracts his attention and perhaps at the moment does not even bring out any memory, he only knows that it creates a certain emotion and looks at it, approaches and then moves away, his expression changes, he smiles or he gets sad.
In the Nus Nous photographs clearly appears how the element of ambivalence is transformed into a subtle elaboration of the mind that distances us from reality to lead us into an imaginary labyrinth, made up of suggestions and evocative visions. They are images capable of suggesting bodies not devoid of sensual and mysterious charm. All this is made possible by the use of a close-up shooting technique and a complex lighting system. The photographs are in black and white, the absence of color, in fact, makes it easier to decontextualize the subject, favoring a freer reinterpretation
Kev Tshawb Fawb: The research can be explained by the phrase that clearly represents the Nus Nous project: "Everything you see, indeed, what you think you see, may not be reality. The explorer who looks at the clouds discovers mysterious landscapes, the poker player the ace of spades ". During an exhibition I observe a person (a man of about 35 years) who rotates the photograph several times and then stops it in a position, moves away and continues to observe it, I approach him and he asks me if I am the author and then explains what he sees: an elephant head, I approach and examine the photograph minutely but I do not see anything, the visitor notices this and surprised explains me in detail saying that it is very clear and pointing to the head, ear and trunk. The image had acted in the most hidden areas of his mind, bringing out disappeared memories. I tried several times to look for the elephant's head in that photograph but never got to see it
Kev Txhawb Siab: Often we realize that in the evaluation in a situation, that a wrong choice has been made, this is caused by the fact that we liked that situation and we imagined it in a too optimistic way. After the time of "sympathy" towards that situation, we realize that we have thought too little. The Nus Nous photos teach us to observe, not just images
Lub Sij Hawm Ua Hauj Lwm: The project started in 2000 in Treviso and is still being implemented with about 900 4"x 5" negatives. In 2019 some images were selected by multiple Russian juries and exhibited in Moscow in the Kremlin museum, as well as having received other awards
Txheej Txheem Ua Hauj Lwm: It is an artistic product and lends itself to the decoration of the home, office or other structures. Photographic project never developed by any photographer, in the field of painting it could be compared to Arcimboldo's canvases
Kev Qhuas Duab: Photographer producing artistic images with a preference for analogue black and white