Tsuzumi Ob Chav Sakazuki los ntawm Yuko Ishikawa Okuhara

Qhov qauv tsim Tsuzumi Ob Chav Sakazuki los ntawm Yuko Ishikawa Okuhara yog tus yeej muaj nqis heev ntawm qhov khoom plig 2023 A' Design Award Nyiaj hauv Pawg Sib Tw Tsim Khoom Ci, Khoom Siv Rooj Noj Mov, Khoom Haus thiab Khoom Siv Ua Noj.

NyiajKhoom Siv Chav Ua Noj· 2023

Tsuzumi Ob Chav Sakazuki

los ntawm Yuko Ishikawa Okuhara

Tus Neeg Siv: Authentic Japan Shunme

Tus Yeej A' Design Award Nyiaj hauv Pawg Khoom Siv Chav Ua Noj

40,533

Tus Yeej Khoom Plig Tau Txheeb Xyuas

Txheeb Xyuas Qhov Xwm Txheej Khoom Plig rau #145709

Mus Saib Lub Vev Xaib Saib ntawm A' Design Award Tsab Xov Xwm Daim Phiaj Khoom Plig

Xim

Qhov Tsim

Txog Tsuzumi Ob Chav Sakazuki

Tsuzumi muaj ib tug symmetrical duab nrog ob lub khob ntawm ob qho kawg, thiab txhua tus muaj xim sib txawv. Koj tuaj yeem siv Tsuzumi los ua sake, qee yam cawv muaj zog, lossis kev noj qab haus huv, tab sis tsuas yog ua kom pom nws ua ib daim duab tuaj yeem txaus siab rau koj vim nws txoj kev ua nom ua tswv thiab kev ua zoo. Nws harmonizes yuav luag txhua yam. Feem ntau, makie yog siv rau lub cev lossis sab hauv qab, tab sis nyob rau hauv cov ntaub ntawv ntawm Tsuzumi, nws yog positioned raws li nws zoo li peeking tawm ntawm sab hauv. Qhov no yog qhov tseem ceeb ntawm Japanese kev zoo nkauj, uas yog kev coj tus kheej tab sis impressive. Txheej urushi, tamenuri, tsim cov duab zoo nkauj hauv lub khob.

Qhov Lees Paub

Txog A' Design Award Nyiaj

Tsuzumi Ob Chav Sakazuki yog tus yeej ntawm A' Design Award Nyiaj, ib qho kev lees paub muaj meej mom heev tshaj li qub uas muab rau cov qauv tsim qib siab, zoo nkauj thiab ua rau neeg xav tsis thoob. Cov neeg yeej Nyiaj yog cov haujlwm ci ntsa iab heev thiab tsim tshiab heev uas qhia txog kev paub, kev txawj ntse thiab kev ntse ntawm cov kws tsim qauv. Tsuzumi Ob Chav Sakazuki xav tias yuav yog ib qho haujlwm zoo kawg nkaus uas tsim rau qhia, tshaj lij heev thiab tsim tshiab tob. Cov qauv tsim yeej A' Design Award Nyiaj no yog ib qho khoom tsim uas pom tseeb heev thiab neeg qhuas uas pab tau thiab nthuav dav ciam teb ntawm kev kos duab, kev tshawb fawb, kev tsim qauv thiab thev naus laus zis. Tsuzumi Ob Chav Sakazuki yog ib qho khoom tsim uas neeg coob xav tau, uas ua rau xav, coj kev xav zoo thiab ua rau xav tsis thoob thiab xav paub.

Tom Qab Qhov Tsim

Pob Xov Xwm

Cov credit, cov neeg pab thiab cov ntsiab lus kev txawj ntse muab los ntawm tus tsim.

Yam Tshwj Xeeb: Tsuzumi has a symmetrical shape with two cups on either end, and each has a different color with makie on it. Normally, makie is applied to the body or the inside bottom, but in the case of Tsuzumi, it is positioned as if it looks peeking out from inside. This is the very essence of Japanese beauty - modest but impressive. You can choose either cup to use according to your preference on the day. Furthermore, the body is polished by a roiro specialist to represent the true black, shikkoku. Tsuzumi can be used to serve sake or delicacies, but just displaying it as a piece of art could satisfy you due to its nobility and gracefulness. It is easy to maintain because there is no angle between faces. Such angles would easily get dirty and deterioration tends to start with those angles.
Qhov Loj & Ntim: Materials: Natural Wood, Diatomaceous Earth Powder, Urushi, Gold Powder
Dimensions: Width 65 mm x Depth 65 mm x Hight 100 mm
Package: Packed in a high-quality paulownia box with a piece of natural turmeric-dyed cotton cloth
Cov Ntsiab Lus: wood, lacquer, nature, japan, culture, decor, tableware, elegant, beautiful, sake, shunme
Thev Naus Laus Zis Tsim Khoom: Tsuzumi is handcrafted with totally natural materials, so it is light and has low thermal conductivity, and the curved surface is extremely smooth. Due to such characteristics, you feel pleasant to touch and use it as well as you can enjoy it as an objet d’art. Only the high-skilled turners can work on this item because the finished side, which has been finely carved, must be connected to the turning machine without being damaged. One of the cups is finished in tamenuri that enables you to enjoy not only graceful shades but also its aging with time making its color brighter. It is repairable, so it will always be with you.
Kev Sib Tw Tsim Qauv: Tsuzumi requires highly-skilled artisans through the entire process of production. The characteristic shape and glossy tamenuri finish of Tsuzumi make it laborious for the artisans to complete each of their procedures. They must be the ones who have experiences and intuition for their arts. However, the number of artisans who have skills high enough to be involved in the traditional production process of this kind of shikki has decreased due to the shrinking market. Such shikki will disappear unless the best effort is actively made to make people understand and enjoy the splendor of such shikki. Tsuzumi is designed to play one of the roles of items in the mission.
Kev Tshawb Fawb: Shikki is categorized as traditional craft in Japan and part of them are protected in some ways mainly under one of the ministries of the government - METI. However, the manufacturers and artisans dealing with a certain kind of shikki - 100% from nature - have, in a sense, certain kinds of difficulties. Tools and materials needed for traditional production process tend to have poor distribution, manufacturers and artisans of that kind feel unrewarded with chemical-blended urushi also allowed to be displayed as urushi, for example, and, even in Japan, people generally don’t know true beauty of shikki partly because they don’t have opportunity to appreciate it - such shikki is light and feel pleasant to handle. Materials from nature and artisans’ skills should be in a perfect harmony to produce the beauty in the items for use. Whether in Japan or across the world, such beauty could be one of the examples that are persuasive enough to make people believe that nature, tradition, sustainability and beauty are altogether part of something we love.
In the 1900s, the number of experts and workers involved in the industry has decreased to about one-third from approx. 22,000 at its peak (Yukiharu Yasujima, 'The Decline and Development of Traditional Industries as Seen in Case Studies Focusing on Wajima Lacquerware', Koyo Shobo, 2020).
Kev Txhawb Siab: I believe that aesthetics of things you use as well as their quality is the crucial element for you to enjoy everyday life and that such aesthetics of shikki requires careful manufacturing with natural materials. That’s the key to the unique gloss of Tsuzumi and the way it feels. With its characteristic shape, Tsuzumi harmonizes with almost any style beyond its origin. It is repairable and sustainable, which means it will always be with you. You would know the beauty and values of shikki when you actually see and touch it. Tsuzumi could be a rising star to spread the splendor of traditional handcrafted items.
Lub Sij Hawm Ua Hauj Lwm: The project started in October 2019 in Toyama and finished in April 2021 in Ishikawa, and was exhibited at National Art Center, Tokyo, in December 2021.
Txheej Txheem Ua Hauj Lwm: This design enables people to enjoy the item for a lifetime because the more urushi ages, the more transparent it becomes, and because the item is repairable by re-applying urushi or by mending with gold powder and urushi, adding another taste to the item. The item is made with totally natural materials, so it has high affinity with nature, i.e. eco-friendly.