Weaving Ntaub Plaub Hau Xis (Silk Scarf) los ntawm Ye Feng

Qhov qauv tsim Weaving Ntaub Plaub Hau Xis (Silk Scarf) los ntawm Ye Feng yog tus yeej muaj nqis heev ntawm qhov khoom plig 2023 A' Design Award Hlau hauv Pawg Sib Tw Tsim Ntaub, Ntaub Ntawv, Ntxhib, Qauv thiab Ntaub Tawv.

HlauNtaub· 2023

Weaving Ntaub Plaub Hau Xis (Silk Scarf)

los ntawm Ye Feng

Tus Neeg Siv: Communicate University of Zhejiang

Tus Yeej A' Design Award Hlau hauv Pawg Ntaub

39,730

Tus Yeej Khoom Plig Tau Txheeb Xyuas

Txheeb Xyuas Qhov Xwm Txheej Khoom Plig rau #146769

Saib ntawm A' Design Award Tsab Xov Xwm Daim Phiaj Khoom Plig

Xim

Qhov Tsim

Txog Weaving Ntaub Plaub Hau Xis (Silk Scarf)

Weaving yog ib daim ntaub plaub hau xis (silk scarf) uas tus neeg siv tuaj yeem hloov kho tau raws li nws lub siab nyiam. Daim ntaub plaub hau xis puab plaub kaum uas ntev 1000 millimeters ntev thiab 1000 millimeters dav. Muaj ob txoj hlua tape hla plaub sab ntawm daim ntaub raws li tus qauv warp thiab weft, uas yog qhov tsim los ntawm txoj kev ntos ntaub Suav lawv txheej txheem qub thaum ub. Los ntawm kev rub cov hlua tape mus rau plaub qhov chaw, tus neeg siv tuaj yeem hloov tau tus qauv thiab tsim tau txog 16 hom qauv sib txawv. Qhov kev tsim khoom no coj daim ntaub plaub hau xis los ntawm ib qho tiaj tus mus rau ib lub cev peb sab (three-dimensional form). Kev luam ntawv digital raug siv rau cov qauv, uas ua rau cov qauv tseem sib haum ncaj nrog rau txhua hom kev hloov pauv.

Qhov Lees Paub

Txog A' Design Award Hlau

Weaving Ntaub Plaub Hau Xis (Silk Scarf) yog tus yeej ntawm A' Design Award Hlau, ib qho kev lees paub muaj meej mom uas muab rau cov qauv tsim zoo uas ua tau raws li cov kev xav tau ntawm kev ua haujlwm thiab kev lag luam uas xav tau los ntawm cov khoom tsim zoo. Cov neeg yeej Hlau qhia txog kev txawj loj, kev paub tshwj xeeb siab, kev nkag siab ntawm cov kws tshaj lij thiab lub peev xwm tsim ntawm cov neeg tsim. Weaving Ntaub Plaub Hau Xis (Silk Scarf) xav tias yuav yog ib qho khoom tsim uas neeg hwm, qhuas thiab hlub uas siv tau thiab tsim tshiab. Cov qauv tsim yeej A' Design Award Hlau no sib xyaw cov kev coj ua zoo tshaj plaws ntawm kev lag luam thiab muaj cov yam ntxwv siv tshuab txawj ntse txuas nrog kev paub thiab txuj ci. Weaving Ntaub Plaub Hau Xis (Silk Scarf) tau txais kev hwm vim nws tag nrho thiab tsim los muab kev txhim kho rau lub neej uas pab ua rau lub ntiaj teb zoo dua.

Tom Qab Qhov Tsim

Pob Xov Xwm

Cov credit, cov neeg pab thiab cov ntsiab lus kev txawj ntse muab los ntawm tus tsim.

Yam Tshwj Xeeb: WEAVING break the shackles of the traditional two-dimensional space, making silk scarfs three-dimensional. By creating a warp and weft weave, the two tapes are crossed across the body of the scarf, giving it a new form of expression. In the process of using it, users can change the pattern of the silk scarf by twitching the drawstring, forming up to 16 different visual effects of arrangement and combination. This not only allows users to experience a new way of using silk scarves, but also makes them less likely to get tired of a "fixed" silk scarf.
Qhov Loj & Ntim: 1000mm *1000mm
Cov Ntsiab Lus: Chinese-style techniques, Traditional culture, Innovation experience, Silk scarf, Interactive textile products
Thev Naus Laus Zis Tsim Khoom: Digital printing is printing with digital technology. Digital printing technology is a high-tech product that integrates mechanical and computer electronic information technology with the continuous development of computer technology. With the increasingly diversified needs of customers, the traditional grey cloth printing has gradually developed from mass production to small batch and multi-variety personalization. The digital printing scarf not only has high quality and good output effect, but also can meet the needs of customers for small batch and personalized printing. Digital printing technology meets the increasingly diversified market demand with its advantages of high efficiency, low cost, good printing effect and less pollution, which brings an unprecedented development opportunity for textile printing and dyeing.
Kev Sib Tw Tsim Qauv: In this design process, the biggest adjustment is to make the warp and weft weaving method through structural exposure, so that users can immerse into the experience, and at the same time the problem relating to pattern cohesion will be solved.
Kev Tshawb Fawb: Through researching traditional craftsmanship and traditional culture, a large amount of documentary material is compiled to select appropriate innovative methods for silk scarves and modernize their expression by using Chinese-style techniques in order to complete the design practice. Meanwhile, appropriate pattern contents are selected to form a seamless integration under various combinations. In this way, the user's attention to traditional craftsmanship and traditional culture is ignited and innovative development of silk scarf products is formed.
Kev Txhawb Siab: In the 20th century, women fully exercised their wisdom in using silk scarves. It became a great companion in their social lives and workplace. The real formation of the modern silk scarf was in the 1920s, when the traditional use of long shawls and headscarves was gradually out of fashion, and the techniques of folding and knotting of neck scarves were slowly paid attention to. 100 years have passed, though the silk scarf has been a very important component in the fashion industry, design innovation seems to be forgotten except for merely patterns.
China is the largest silk producer with a history of more than a thousand years. The craft of silk production has spread widely, evolving a variety of delicately intangible cultural heritage skills, of which the core is about the different interpretations of the warp and weft weaving method. The wisdom of the warp and weft weaving method should be able to be presented in the form and usage of silk scarf products, providing consumers with a brand new silk scarf product in the late 100 years, and it allows traditional Chinese culture to breathe a new life and shows vitality into silk scarf products.
Further, it is observed that another traditional wisdom in the world (Huarongdao Klotski) presents different permutations and combinations by moving the slider, which is conducive to solving the drawback brought by static graphics as it will lead to aesthetic fatigue.
Under the situation that silk scarf has fallen into innovation stagnation, the original purpose and inspiration of this design is to promote the innovative development of silk scarf, rekindle users' interest and concern for silk scarf products in the context of digital economy, and also to better let users experience the traditional wisdom and culture, bringing greater value to silk scarf products.
Lub Sij Hawm Ua Hauj Lwm: The project started in April 2021 in Tongxiang,CHINA and finished in December 2022 in Tongxiang,CHINA
Txheej Txheem Ua Hauj Lwm: 1 Unfold the silk scarf
2 Draw the tapes in any of the four directions based upon preferences to form different arrangements
3 Pick your favorite combination of arrangements and put on
4 Have a bright mood, bingo!
Cov Tswv Cuab Pab: YE Feng
Kev Qhuas Duab: Image #1: Photographer ZHANG Zhaoguo, 2022
Image #2: Photographer ZHANG Zhaoguo, 2022
Image #3: Photographer ZHANG Zhaoguo, 2022
Image #4: Photographer ZHANG Zhaoguo, 2022
Image #5: Photographer ZHANG Zhaoguo, 2022