Takanabe Ninomaru Tsev Khaws Puav Pheej Keeb Kwm los ntawm Tomohiro Kaji

Qhov qauv tsim Takanabe Ninomaru Tsev Khaws Puav Pheej Keeb Kwm los ntawm Tomohiro Kaji yog tus yeej muaj nqis heev ntawm qhov khoom plig 2025 A' Design Award Kub hauv Pawg Sib Tw Tsim Kev Coj Noj Coj Ua thiab Kev Lag Luam Kab Lis Kev Cai.

KubKev Coj Noj Coj Ua· 2025

Takanabe Ninomaru Tsev Khaws Puav Pheej Keeb Kwm

los ntawm Tomohiro Kaji

Tus Neeg Siv: Takanabe Town Hall

Tus Yeej A' Design Award Kub hauv Pawg Kev Coj Noj Coj Ua

78,077

Tus Yeej Khoom Plig Tau Txheeb Xyuas

Txheeb Xyuas Qhov Xwm Txheej Khoom Plig rau #167822

Mus Saib Lub Vev Xaib Saib ntawm A' Design Award Tsab Xov Xwm Daim Phiaj Khoom Plig

Xim

Qhov Tsim

Txog Takanabe Ninomaru Tsev Khaws Puav Pheej Keeb Kwm

Takanabe Tsev Khaws Puav Pheej Keeb Kwm, tau tsim nyob rau xyoo 1986, tau raug tsim dua tshiab los daws qhov teeb meem ntawm cov neeg tuaj saib poob qis vim cov khoom pov thawj qub dhau lawm. Qhov kev tsim dua tshiab no tau txais yuav JIN, lub tswv yim ntawm kev hlub tshua, hloov nws mus ua ib qhov chaw kab lis kev cai thiab kev kawm uas txhawb kev khav theeb hauv zej zog. Los ntawm kev qhia dab neeg los ntawm qhov pom thiab kev tsim qhov chaw, qhov kev txuas ntxiv tau nthuav qhia kev npaj cov ntsiab lus, cov khoom pov thawj sib koom tes, thiab cov vaj huam sib luag acrylic txheej txheem uas sawv cev rau keeb kwm txuas ntxiv. Hloov npe ua NINOMARU Tsev Khaws Puav Pheej Keeb Kwm, tam sim no nws ua haujlwm raws li ib qhov chaw sib tham sib cuam uas keeb kwm cuab yeej cuab tam, kev kawm, thiab zej zog sib txuas.

Qhov Lees Paub

Txog A' Design Award Kub

Takanabe Ninomaru Tsev Khaws Puav Pheej Keeb Kwm yog tus yeej ntawm A' Design Award Kub, ib qho kev lees paub muaj meej mom heev uas muab rau cov qauv tsim qib ib, zoo kawg nkaus thiab tshwj xeeb. Cov neeg yeej Kub yog cov khoom tsim tshiab heev, pom deb heev thiab ci ntsa iab uas qhia txog kev txawj ntse, kev txawj thiab lub zog ntawm cov kws tsim qauv. Takanabe Ninomaru Tsev Khaws Puav Pheej Keeb Kwm xav tias yuav yog ib qho kev tsim uas tau txais kev qhuas ntau, tsim kev nyiam tshiab thiab loj uas ua rau muaj nqi tsis tau muaj dua. Cov qauv tsim yeej A' Design Award Kub no yog ib qho haujlwm zoo kawg nkaus thiab muaj kev hwm uas pab tau ntau thiab nthuav dav ciam teb ntawm kev kos duab, kev tshawb fawb, kev tsim qauv thiab thev naus laus zis. Takanabe Ninomaru Tsev Khaws Puav Pheej Keeb Kwm ua rau muaj kev xav tau heev, txhawb kev mob siab, txhawb kev tsim tshiab thiab ua rau peb xav tsis thoob.

Tom Qab Qhov Tsim

Pob Xov Xwm

Cov credit, cov neeg pab thiab cov ntsiab lus kev txawj ntse muab los ntawm tus tsim.

Yam Tshwj Xeeb: This design centers on the concept of a history of benevolence, creating a space that visually and intuitively conveys the region's heritage through storytelling. Located on the historic site of Takanabe Castle, the museum was renamed and redesigned as a cultural hub to rediscover the town's uniqueness and foster civic pride. From curation and visual identity to signage and narrative design, the space was fully reimagined to serve as an educational and inspiring environment.
Qhov Loj & Ntim: Scale:
Site area: 7,763 meter square
Building area: 904.43 meter square
1st floor area: 461.58 meter square
2nd floor area: 442.85 meter square
Cov Ntsiab Lus: historical museum, cultural heritage, exhibition design, storytelling, visual identity, graphic design, spatial design, civic engagement, SDGs
Thev Naus Laus Zis Tsim Khoom: This exhibition uses graphic and spatial design to make history visually engaging. The entrance features a concept display with a tagline, while the first exhibition room includes zoning signs with symbolic designs. The second exhibition presents Takanabe Domain's history, the Meirindo school, and the 7th lord Akizuki Taneshige's SDGs-related policies. At the center, acrylic panels display successive lords and their policies, with a red gradient symbolizing historical continuity.
Kev Sib Tw Tsim Qauv: The biggest challenge of this project was creating an engaging exhibition with limited historical materials and budget. From a historical and social perspective, extensive document research and discussions with experts were conducted to highlight the region's uniqueness, shaping the exhibition narrative around the culture of human development. As large-scale renovations were not feasible, we utilized graphic and spatial design to create a visually compelling and immersive exhibition.
Kev Tshawb Fawb: This study aimed to revitalize a historical museum through design and narrative. The objective was to enhance visitor engagement, promote cultural heritage preservation, and foster civic pride. The methodology included comparative studies of museums and interviews with historians. We introduced content curation and visual solutions. By highlighting the region's unique history of human development, we proposed a narrative-driven exhibition design, enhancing historical understanding.
Kev Txhawb Siab: This project was inspired by the need to revitalize a declining local region by restoring its historical museum. Established in 1986 under the Akizuki domain, the museum's outdated exhibits led to a decline in visitor engagement. With the town's rich history in education and culture, revitalizing its significance was crucial. The goal was to transform the museum into a cultural hub where people can learn, connect, and take pride in their heritage and traditions.
Lub Sij Hawm Ua Hauj Lwm: The project began in autumn 2023 in Miyazaki, Japana and finished in December 2024.
Txheej Txheem Ua Hauj Lwm: This exhibition utilizes visual storytelling to help visitors intuitively understand the region's history. The layout is designed for a sequential experience, guiding visitors through zoned spaces categorized by theme and era, ensuring a natural flow of information. The design creates an immersive experience where history is learned through narratives, while layered acrylic panels symbolize temporal connections, resulting in a visually engaging and easily comprehensible exhibition.
Kev Qhuas Duab: Illustrations: Tomohiro Kaji
Image #1-#5: Photographer Kai Kanno (Nacasa & Partners)