Akhalteke Rooj Zaum So los ntawm Amin Mohammadyari

Qhov qauv tsim Akhalteke Rooj Zaum So los ntawm Amin Mohammadyari yog tus yeej muaj nqis heev ntawm qhov khoom plig 2025 A' Design Award Tooj hauv Pawg Sib Tw Tsim Rooj Tog.

ToojRooj Tog· 2025

Akhalteke Rooj Zaum So

los ntawm Amin Mohammadyari

Tus Yeej A' Design Award Tooj hauv Pawg Rooj Tog

12,685

Tus Yeej Khoom Plig Tau Txheeb Xyuas

Txheeb Xyuas Qhov Xwm Txheej Khoom Plig rau #170027

Saib ntawm A' Design Award Tsab Xov Xwm Daim Phiaj Khoom Plig

Xim

Qhov Tsim

Txog Akhalteke Rooj Zaum So

Akhalteke muab kev zaum tshwj xeeb, ua rau nco txog kev caij nees thawj zaug. Tau txais kev tshoov siab los ntawm tus tsim qauv thaum yau lub sijhawm caij nees thiab kev nyiam txog cov pob txha nees, qhov kev tsim qauv tau tsim kev sib cuam tshuam ob txoj kev ntawm tus neeg siv thiab lawv qhov kev paub dhau los. Tau txais los ntawm lub eeb caij nees, ib qho ntawm tib neeg cov rooj zaum thaum ntxov tshaj plaws, Akhalteke sib xyaw ua ke qhov kev xis nyob ntawm lub rooj zaum so nrog cov ntsiab lus ntawm kev caij nees. Lub npe los ntawm Akhalteke, ib hom nees Turkmen, qhia txog qhov kev tshoov siab ntawm qhov kev tsim qauv thiab cov duab nquag.

Qhov Lees Paub

Txog A' Design Award Tooj

Akhalteke Rooj Zaum So yog tus yeej ntawm A' Design Award Tooj, ib qho kev lees paub muaj meej mom heev uas muab rau cov qauv tsim tshwj xeeb uas txawv los ntawm kev tsim tshiab, kev txawj tsim thiab kev ntse. Cov neeg yeej Tooj yog cov khoom muaj txuj ci heev thiab tsim tshiab heev uas ua pov thawj txog kev paub ntau, kev xav thiab kev txawj ua ntawm cov kws tsim qauv. Akhalteke Rooj Zaum So xav tias yuav yog ib qho khoom uas neeg hwm, qhuas thiab hlub, uas tshaj lij heev thiab tsim tshiab. Cov qauv tsim yeej A' Design Award Tooj no siv cov kev coj ua zoo tshaj plaws ntawm kev kos duab, kev tshawb fawb, kev tsim qauv thiab thev naus laus zis thiab zoo heev vim nws saib xyuas cov ntsiab lus. Akhalteke Rooj Zaum So ua tau raws li cov kev xav tau zoo kawg, kov cov kev xav, ntxias cov kev xav thiab txhawb kev xav paub.

Tom Qab Qhov Tsim

Pob Xov Xwm

Cov credit, cov neeg pab thiab cov ntsiab lus kev txawj ntse muab los ntawm tus tsim.

Yam Tshwj Xeeb: In the design of Akhal-Teke, my goal was to create a unique sitting experience, one that evokes the feeling we all had the first time we rode a horse. Akhal-Teke establishes a two-way interaction with the user and their experience, offering a distinctive way of sitting that the user willingly embraces.
This eagerness to experience and accept is inspired by the Form of Akhal-Teke.
Qhov Loj & Ntim: Width 770mm x Depth 855mm x Height 720mm.
Cov Ntsiab Lus: Conceptual, Lounge Chair, Lounge, Chair, Horse, Saddle
Thev Naus Laus Zis Tsim Khoom: For the construction of Akhal-Teke, bio-composites made from hemp or flax fibers and PLA bio-resin were considered. This combination enabled the creation of a high-quality final form with desirable finishes while offering a sustainable alternative to traditional composites like fiberglass and carbon fiber.

At the same time, these materials not only promote environmental responsibility but also reinforce a natural connection to their inspiration.
Kev Sib Tw Tsim Qauv: The primary challenge in the design process was to create a two-way experience in the act of sitting, such that the object (seat) and the subject (user) engage in a dialectical interaction with one another, transforming sitting from a passive state into an active one and allowing for a fresh understanding of the sitting experience.

The next significant challenge was to achieve a form that simultaneously incorporates both aesthetics and functionality. The design was not intended to directly reference the anatomy of a horse. Rather, the goal was to establish a subtle connection to the experience of sitting, enabling users to intuitively connect with it without relying on direct or obvious visual cues.
Kev Tshawb Fawb: The horse, one of the first domesticated animals by humans, has a deep-rooted history with mankind. Our ancestors spent a significant amount of time riding, and thus, the way of sitting on a horse became one of the most common sitting postures. In the design of Akhal-Teke, the aim is to revive this sitting posture and bring it into everyday human life; a way of sitting that is likely embedded in our historical memory and DNA.
On the other hand, in considering materials for Akhal-Teke, thorough research was conducted to ensure that sustainable and environmentally friendly options were taken into account. In this regard, the material identity chosen for Akhal-Teke is aligned with the core identity of its design.
Kev Txhawb Siab: The design is inspired by my childhood experiences of horseback riding and my fascination with equine anatomy.

As a design student, I was drawn to the idea that saddles represent some of humanity's earliest forms of seating, dating back to the domestication of horses.

Through this design, I sought to capture the feel of both a lounge chair and the riding experience, creating a form that evokes those dual inspirations.

The name Akhal-Teke is derived from a breed of Turkmen horses.
Lub Sij Hawm Ua Hauj Lwm: the project started in September 2023 in Tehran and finished in September 2024.
Txheej Txheem Ua Hauj Lwm: The Akhal-Teke is inspired by the elegance of the anatomy of the Akhal-Teke breed of Turkmen horses, striving to go beyond its purely functional concept and becoming an object with identity in space, much like a noble horse.

As a chair, Akhal-Teke offers a unique sitting experience, evoking the feeling of riding a horse for the first time. Its form creates a two-way interaction with the user, encouraging a distinctive way of sitting that is eagerly embraced.

This eagerness stems from the form of the Akhal-Teke.